SKU: 96656355787

Low - A Lifetime Of Temporary Relief - 10 Years Of B-Sides & Rarities (3xCD, Comp + DVD-V, D/Sided + Box)

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Low - A Lifetime Of Temporary Relief - 10 Years Of B-Sides & Rarities (3xCD, Comp + DVD-V, D/Sided + Box)Media Condition: Very Good Plus (VG+) Sleeve Condition: Very Good Plus (VG+) Comments: cd s are closer to NM General notes about this release (please note: our version may differ a little. see the comments above): The copyright in this sound recording is owned by Low under license to Rough Trade Records Ltd. 2004 Rough Trade Records Ltd. Made in the E. U. All tracks Chairkickers Music (BMI). The DVD contains documentaries, videos and live footage. DVD

Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)

Comments:
cd s are closer to NM

General notes about this release (please note: our version may differ a little. see the comments above):
℗ The copyright in this sound recording is owned by Low under license to Rough Trade Records Ltd. © 2004 Rough Trade Records Ltd. Made in the E.U. All tracks © Chairkickers Music (BMI). The DVD contains documentaries, videos and live footage. DVD authored at Modulus DVD. All films copyright Pushpinmusic 2004. Includes a 32-page booklet. Over The Ocean and Canada videos have alternate versions (DVD-A12 and DVD-A13) available by navigating the cursor to the right of these titles in the Title menu and clicking when the green dot changes to red. Doing the same at the Weight Of Water video gives access to 3 live tracks (DVD-A14 to DVD-A16). Tracks CD1-1 & CD1-2: "recorded in our apartment by a friend with a 4-track cassette machine after our first show in Duluth". Track CD1-3 by [a21323. "This was recorded in D.C. by our friends in the band [a243270, at American University at around 4 in the morning - early '94, after we played in Baltimore". Published by MCPS Carlin Music Corp. Track CD1-4: "We did this on a borrowed 4-track recorder. It appeared on a compilation for a fanzine all about food called 'The Gourmandizer'". Track CD1-5: "An outtake from the Long Division recordings. It later came out on an EP in Australia on Summershine Records. One of the first songs written with Zak in the band." Track CD1-6: "Recorded in Minneapolis for a fundraiser compilation for Jabberjaw, a great little club in L.A. that no longer exists. The comp was released on Mammoth records. Zak suggested this [a97664 cover." Copyright 1972 Casserole Music (BMI). Track CD1-7: "We finally got a 4-track of our own in '95 and started experimenting. This is a Shadow contact mic on a Silvertone guitar and Mimy's ode to faith - one of many." Track CD1-8: "It started out originally as a Hospital People song, whoever they are...". Tracks CD1-9, CD1-10 and CD1-11: "These were on the rare Finally EP that barely came out in the UK." Tracks CD1-12 to CD1-15: "These 4 are (..yet more) unreleased tracks from the "Curtain..." sessions. Thank you, Steve Fisk, for keeping a hold of these. You can hear Mimi and Zak on this one, playing Yahtzee in the background on the keyboard take." Track CD1-16: "..., we went down to Olympia and recorded for a day at Dub Narcotic. It was finally released on a split-single with Vibra-Cathedral Orchestra on Misplaced Music in the UK in 2002." Track CD1-17: "Also recorded at Dub Narcotic. This was for a Duplex Planet magazine." Tracks CD2-1, CD2-2 and CD2-3: "These 3 songs were recorded in Minneapolis." Tracks CD2-1 and CD2-2: "for a Sub Pop records 7" single." Track CD2-3: "it ended up on an instrumental music compilation in Australia". Track CD2-4: "This was a 4-track recording for a tour split CD with the Dirty 3." Track CD2-5: "Recorded here in Duluth on an ADAT. This song later appeared in a different version on "Songs for a Dead Pilot". This ended up as a B-side for the "Over the Ocean" single in the UK." Track CD2-6: "it was on a compilation 7" for the fanzine "Paper Airplane Pilots". The 7" included our friend Lois Maffeo, ...". Track CD2-7: "By now, we had our own 8-track recorder. This was our first single on Tugboat records in the UK. The extra stuff on the end was mostly to make side A longer than side B, for legal reasons." Track CD2-8 by [a82730, Harrisongs Ltd. "B-side for "Joan of Arc". We tried to stay true to its original arrangement - a hard thing to do with a Casio toy keyboard." Track CD2-9: "A demo for "Secret Name"." Track CD2-11: "We did a better version of this at the BBC, but it was accidentally erased." Track CD2-13: "There's a backwards and forwards guitar on this - an effort to try to sound more like [a303471". Track CD2-14: "This came out only on the Japanese release of "Secret Name"." Track CD2-15 by [a83082, copyright Complete Music. "This was for a Spaceman 3 tribute on Rocket Girl records in the UK." Track CD2-16: "This was recorded by Warn Defever at his home in Michigan. It's a different version of the earlier Sub Pop single." Track CD2-17: "Inspired by the movie about her called "Icon". These last two songs appeared on a split CD with our friend K. on Tigerstyle records." Track CD2-18 is an empty track and CD2-19 to CD2-21 are not listed on the packaging. Track CD3-1: "...this was done at home for the B-side of the British [r=502918 single." Track CD3-2: "Secretly Canadian records asked if we could do an a cappella song for a compilation". From the 998303 and credited to Mimi Parker and Alan Sparhawk. Track CD3-3 : "our friends, Soul Coughing, threatened to do a Low cover, so we beat them to the punch". Taken from the [r=7328674 compilation. Published by Our Pal Delores/ WB Music Corp. (ASCAP). Track CD3-4: "It was released as a single on Rocket Girl". Taken from the [r=517744 single. Track CD3-5: "This appeared on the second Shanti fundraiser compilation on Badman Records". From the [r=717061 and credited to Mimi Parker. Track CD3-6: "Also recorded at home on the 8-track. This appeared on the John Denver tribute record on Badman". Taken from the [r=709241 compilation. Cherry Lane Music Publishing. Track CD3-7: "Recorded one fun afternoon in Liz and Dan's (from the band Ida (3)) NYC apartment. Ida Pearle and all others present played along. This song was written for Mimi's sister, Wanda". Track CD3-8: "Beach Boys cover we used to sing Hollis to sleep with. Never recorded this in a studio, but we were playing it live for a while. This was documented somewhere in Belgium by our friend Mark Gartman". Published by Guild Music Corporation (BMI). Track CD3-9: "This was done for a Bob Dylan tribute on Spinout Records, featuring all artists from Duluth (Dylan's childhood home)". From the [r=1777972 compilation. Copyright 1962, renewed 1990, Special Rider Music. Track CD3-10: by [a128395 (BMI). Track CD3-11: by [a274718 (BMI). Tracks CD3-10 and CD3-11: "These next two were for a compilation wedding present to Liz and Dan from the the band Ida (3)". Track CD3-12: "This was a great honor to record a Jandek song for a tribute record on Summersteps Records. It was done on a 4-track in our living room." From the [r=1054260 compilation. Copyright Corwood Industries. Track CD3-13 and CD3-14: "The next two were the extras/B-sides from 9357 sessions". Taken from the 39691 single. Track CD3-14: "Albini mic'd the thunder with an AKG 414". Track CD3-15: by [a83080. "Yet another cover that some might sneer at". Taken from the [r=587317 single. Morrisey/ Marr Songs Ltd, Administered by Warner-Tamerlane Publishing Corp. (BMI). Track CD3-16: "B-side for above Smiths cover single, released in the US only". Taken from the [r=587317 single. Track CD3-17 "Pink Floyd cover. Recorded during the 9355 sessions, mixed at Third Ear". Pink Floyd Music Publishers, Ltd. Track CD3-18: "Alternate version from 9355. This version features Alan's foot, very loudly." DVD-A5 to DVD-A9 C & P 1998, 1999, 2004 Ignorant Noise Productions. DVD-A4: based on a story by Bryan Mallessa from the book "Voices of the Xiled". Portions of the DVD were originally released (in VHS format) on Bluesanct: [r=1232830.

 

CD1-1. Lullaby (Demo) 10:06
CD1-2. Cut (Demo) 5:41
CD1-3. Heartbeat 4:08
CD1-4. Peanut Butter Toast And American Bandstand 2:23
CD1-5. Tired 5:11
CD1-6. I Started A Joke 4:28
CD1-7. The Plan (Demo) 2:50
CD1-8. Prisoner (Demo) 6:10
CD1-9. Prisoner 3:48
CD1-10. Tomorrow One 4:28
CD1-11. Turning Over 7:49
CD1-12. Bright 2 1:45
CD1-13. Walk You Out 4:46
CD1-14. Tear Down 4:48
CD1-15. Standby 5:11
CD1-16. David & Jude 1:22
CD1-17. Cheek 3:24
CD2-1. Venus 3:44
CD2-2. Boyfriends & Girlfriends 6:06
CD2-3. Surf 2:31
CD2-4. No Need (Version 1) 5:03
CD2-5. Be There (First Version) 8:28
CD2-6. Lift 5:45
CD2-7. Joan Of Arc 3:21
CD2-8. Long Long Long 3:50
CD2-9. Lion/Lamb (Demo) 3:50
CD2-10. Will The Night (Demo) 2:47
CD2-11. Last Breath 4:47
CD2-12. Joan Of Arc (20 Below Mix) 3:25
CD2-13. Old Man Song 3:48
CD2-14. Try Try Try 0:37
CD2-15. Lord, Can You Hear Me? 6:24
CD2-16. Venus (Time Stereo Dub Mix) 3:51
CD2-17. Those Girls (Song For Nico) 3:06
CD2-18. [silence] 2:50
CD2-19. Words (In Misfits Style) 2:50
CD2-20. Turn (In Misfits Style) 1:03
CD2-21. Over The Ocean (In Misfits Style) 1:36
CD3-1. I Remember 3:22
CD3-2. Kindly Blessed 2:17
CD3-3. Blue-Eyed Devil 5:02
CD3-4. Sleep At The Bottom 4:54
CD3-5. When You Walked 3:55
CD3-6. Back Home Again 5:20
CD3-7. Don't Drop The Baby 4:02
CD3-8. Surfer Girl (Live) 3:35
CD3-9. Blowin' In The Wind 3:49
CD3-10. Open Arms 4:02
CD3-11. ...I Love 2:45
CD3-12. Carnival Queen 5:13
CD3-13. Overhead 4:33
CD3-14. Don't Carry It All 4:13
CD3-15. Last Night I Dreamt That Somebody Loved Me 3:58
CD3-16. Because You Stood Still 5:33
CD3-17. Fearless 6:20
CD3-18. Shots & Ladders 2 6:47
DVD-A1. Words 5:46
DVD-A2. Shame 4:08
DVD-A3. Over The Ocean 3:50
DVD-A4. Looking Out For Hope 11:28
DVD-A5. Will The Night 3:07
DVD-A6. Weight Of Water 4:21
DVD-A7. Don't Understand 6:56
DVD-A8. Immune 3:31
DVD-A9. Home 2:25
DVD-A10. Dinosaur Act 4:07
DVD-A11. Canada 3:49
DVD-A12. Over The Ocean (Oosterschelde Version) 5:03
DVD-A13. Canada 15:42
DVD-A14. Two Step (Live At Bard College) 6:11
DVD-A15. Soon (Live At Coolidge Corner) 7:38
DVD-A16. I Remember (Live In Paris) 5:40
DVD-B1. Closer Than That 1:06:11
DVD-B2. In The Fishtank 16:50
DVD-B3. Making Of Trust 17:34

 

Barcode and Other Identifiers:

Barcode 5050159819522
Label Code LC-11945
Matrix / Runout deluxe RTRADCDX1951 01
Mastering SID Code IFPI L135
Mould SID Code IFPI 04AP
Mould SID Code IFPI 0439
Matrix / Runout MADE IN THE UK BY DISCTRONICS
Matrix / Runout deluxe RTRADCDX1952 01
Mastering SID Code IFPI L135
Mould SID Code IFPI 0405
Mould SID Code IFPI 0462
Matrix / Runout MADE IN THE UK
Matrix / Runout deluxe RTRADCDX1953 01
Mastering SID Code IFPI L135
Mould SID Code IFPI 04H7
Mould SID Code IFPI 0470
Matrix / Runout MADE IN THE UK BY UNIVERSAL M&L
Matrix / Runout MADE IN THE UK
Mould SID Code IFPI 5Q74
Mould SID Code IFPI 5Q81
Mould SID Code IFPI 5Q75
Mould SID Code IFPI 5Q80
Rights Society BMI
Rights Society MCPS
Rights Society ASCAP

 

Licensed To Rough Trade Records Ltd.
Manufactured By Deluxe (7)
Phonographic Copyright (p) Low (2)
Phonographic Copyright (p) Ignorant Noise Prod.
Copyright (c) Rough Trade Records Ltd.
Copyright (c) Pushpin Music
Copyright (c) Ignorant Noise Prod.
Copyright (c) Casserole Music
Copyright (c) Complete Music
Copyright (c) Corwood Industries
Made By Universal M & L, UK
Published By Chairkickers' Music
Published By Carlin Music Corp.
Published By Harrisongs Ltd.
Published By Published By Our Pal Dolores
Published By Wb Music Corp.
Published By Cherry Lane Music Publishing
Published By Guild Music Company
Published By Special Rider Music
Published By Morrissey / Marr Songs, Ltd.
Published By Warner-Tamerlane Publishing Corp.
Published By Pink Floyd Music Publishers Ltd.
Recorded At Dub Narcotic Studio
Recorded At American University
Mixed At Third Ear Recording

Data provided by Discogs
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SKU: 96656355787

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4.2 ★★★★★
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KEITH
Massapequa, US
★★★★★ 5
Displeasure And Distance
The movie 'Point Blank' is like staring at a visual of Alcatraz prison from the opposite shore. Meaning accumulates over landmarks when we are suspicious about the details. On such a sound the channel of moving water has a stationary dock. A metal walkway connector bridge glows in unnatural radiances; the sun seems set on it, at dusk. These sea shore implements, at Alcatraz or at another bay denote civility and schedules of operation. When money and it's acquisition exist in our brains as enticements the places become spectrums with loose enthusiasms and burnished red-glows. Walker(Lee Marvin) the anti-hero of the movie 'Point Blank' is a tall, laconic, dark-suited figure. Walker's parted white hair gets swept up in the wind, unstraightened, but his bushy eyebrows are solid supports of displeasure and distance. 'Point Blank' directed by John Boorman is a 1967 classic crime film and is the story of a solo struggle-Walker's-to reconnect and recover the money that was stolen from him by his ex-partner Mal Reese(John Vernon). Walker importunes abandoned places, like an Alcatraz prison cell with questions: "How did it happen?" He is ruminating over incidents that are seen in flashback entries, but these brief remonstrance are also plot points on a scheme of surreal adventuring. Lynne(Sharon Acker), Walker's wife, has reproachments about herself, her 'past', but the enviable story is told. Lynne's monotonous sentiments recall a walk on the pier in the rain, with herself and Walker in mild drunkeness. Lynne's voice is synthesized to a soft, dreamy intercession; another vision from Walker's life, also an evocative impression of a stoic wanderer's accentuated provocateur encounters. In his film direction Boorman takes the novel "The Hunter" written by Donald Westlake and gives weight to a story about the cavorting of a slick, popular, caper anti-hero named Parker (From "The Hunter" , also other serial books written by Hunter under pseudonyms like Richard Stark). This story is recreated by Boorman for Parker of the novel and his hyperbolic lurid situations. 'Point Blank' invests visuals with sensual revelations of mystery. The breaths of relaxed reflection give toxicity to moods and the imagination has righteous experience of titillation. The viewer is invited to understand the whisperings of breezes brushing against one another at random convexes-these are soft exposing indescrepancies. At a reunion, another recounting of Walker being hailed over by Mal Reese is one twist. At another rally, in a room in San Francisco, that is similar, Walker warns his target bluntly: "If you don't, I'll kill you." There is an abrupt appearance, also in a semi-populated venue, of assistance made towards Walker. This inviting frenemy says: "If you're looking for Carter, I may be able to help you." This is Yost played by Keenan Wyn. The themes of thrifty fantasy contrive to bounce off Walker. In sunlit rooms and concrete runs ambush attacks set by Walker realize glib confrontations. One such scene involves Brewster(Carroll O'Connor) in an amorous exchange with Walker that suggests that the veritable energies of excitement between Walker and Brewster were procured and transcribed for 'Point Blank' from other products of fictitious dealings. 'Point Blank' co-stars Angie Dickinson as Chris and Lloyd Bochner as Frederick Carter.
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Reviewed in the United States on July 17, 2025
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Parker
Dallas, US
★★★★★ 3
Dated, but....
Compared to the novel on which it is based, this movie is a complete letdown, so fans of the Parker series of novels who are drawn to this book may want to think twice about watching the film if they are looking for a faithful adaptation of the first Parker novel. That being said, it was not the intention of the director John Boorman to adapt Richard Stark's excellent novel, "the Hunter" to film, but rather to create an entirely new piece of fiction from the skeleton of the original story, so one most try to judge the movie on its own merits, which is difficult to do. As in other reviews, I must commend the directing. The style of the film is way ahead of it's time, with stark visuals, stylized fight scenes, and prolonged moments of silence. I love the long Walk lee Marvin takes thru the a multi-colored corridor where his footsteps drown out all other sound. Marvin's performance is also very strong, and he shows himself to have been an actor who took chances with his image and, in this case, used his clout to make a movie which otherwise would not have been so memorable. In the end, one must ask the question "Why?" Why not faithfully adapt "The Hunter" into film? It certainly would not have stifled the film's creativity, and nothing in the movie's script was any better than what was in the book. There is also the annoying occurrence of changing the protagonists' name from Parker to something else; in this case, Walker. This trend continued in another six film adaptations of the Parker novels, the last of which was 1999's Payback, starring Mel Gibson as Porter.
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Reviewed in the United States on July 1, 2011
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Clare Quilty
Lowell, US
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD. It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank." The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released? It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex. This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film). I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
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Joe Movie
Lake Worth, US
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
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Patrick Selitrenny
Birmingham, US
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner. "Point Blank" is explosive, fast-paced, and still the acting is there. Good acting that is. Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable. Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be. Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties. John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end. The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above. Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem. Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean. A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home. This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007

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