SKU: 9541625180

Clay Pinch Pot Beeswax Candle

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Description

Clay Pinch Pot Beeswax CandleHand poured 100% natural Rwandan beeswax in a handmade clay pinch pot. Clean burning cotton wick and artisan crafted design make this a unique and meaningful gift. This Clay Pinch Pot Beeswax Candle combines natural materials, traditional craftsmanship, and fair trade ethics. 100% natural Rwandan beeswax is poured into a handmade clay pot crafted using traditional techniques, creating subtle variations in color and texture that make each candle

Hand-poured 100% natural Rwandan beeswax in a handmade clay pinch pot. Clean-burning cotton wick and artisan-crafted design make this a unique and meaningful gift. This Clay Pinch Pot Beeswax Candle combines natural materials, traditional craftsmanship, and fair trade ethics.

100% natural Rwandan beeswax is poured into a handmade clay pot crafted using traditional techniques, creating subtle variations in color and texture that make each candle unique. The cotton wick ensures a clean, consistent, and longer burn of approximately 10 hours.

Perfect for gifting or home décor, each candle reflects the care and skill of the artisan and supports ethical, fair trade practices in Rwanda.

Handcrafted Details: Made from 100% natural Rwandan beeswax . Cotton wick for clean, consistent, and longer burning. Poured into handmade clay pots using traditional techniques; slight color variations make each piece unique -

Approximate burn time: 10 hours - Size: 3” x 3” x 1.7” 

Azizi Life | Fair Trade | Handmade in Rwanda

Azizi Life’s vision is to participate in local initiatives for the development of Rwandan communities, working towards physical and spiritual wholeness for all.

Across the hills of Rwanda, groups of rural artisans are working to bring hope to their families through skillfully handcrafted goods. Azizi Life partners with over 60 independent groups- a total of over 760 artisan partners. Rising from the horrors of genocide, artisans from all backgrounds have joined together once again through their craft. Each artisan cooperative specializes in hand crafting products using specific techniques and raw materials. Azizi Life is honored to partner with these women and men, collaborating to connect makers, designers, and customers around the world.

Azizi Life is committed to paying an agreed-upon fair wage to the artisans as soon as we receive their products. The additional income from the sale of their art allows the craftspeople & their families to afford many things that they struggled to get before:

Medical insurance – improving health

School materials for their children – improving education

Soap and other cleaning products – improving hygiene

A more balanced diet – improving nutrition

Farm animals that multiply for income and provide manure – improving resources, soil quality and crop yield

Financial independence- improving relationships with spouses and neighbors

Having the money available to invest in these kinds of things provides a real sense of security and hope for the future for the artisan and her whole family.

Many of the women with whom we are working have told us how isolated they felt before they joined an art cooperative. Now as they meet with others regularly, they have the opportunity to discuss their problems and provide support for each other. As the ladies sit together to weave or do some other artistic endeavor, they use the time to talk about all manner of things, from best farming practices to child rearing. It is a time when they are able to find mutual support and friendship which previously they did not have time for, as they worked full time in the fields and in their homes.

In one community, this level of closeness is used to even bring reconciliation between the victims and perpetrators of the tragic events of 1994 (the Rwand

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SKU: 9541625180

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Verified Purchase
AlanWarner
Cuba, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
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Carole T Emberton
Phoenix, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
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pat delzell
Bozeman, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
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B. Kirzner
Battle Creek, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
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V. Young
Chelsea, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
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Reviewed in the United States on June 3, 2014

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