SKU: 90946356053

Professionally Mounted Original Antique (c1883) Hand Coloured Plate - Arum maculatum.

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Description

Professionally Mounted Original Antique (c1883) Hand Coloured Plate - Arum maculatum.Professionally Mounted Original Antique (c1883) Hand Coloured Plate Arum maculatum. This lovely and unique illustration produced by James Sowerby is published on cream colored medium weight high quality paper. It is blank on the reverse & is in excellent condition for it's age, with no foxing or other damage at all within the mount window. The plate has been professionally hinged onto a specially cut high quality warm white mat, and mounted onto a

Professionally Mounted Original Antique (c1883) Hand Coloured Plate - Arum maculatum.

This lovely and unique illustration produced by James Sowerby is published on cream-colored medium weight high quality paper. It is blank on the reverse & is in excellent condition for it's age, with no foxing or other damage at all within the mount window.

The plate has been professionally hinged onto a specially cut high quality warm white mat, and mounted onto a foam core backing. The overall mount is ready to frame, & has been deliberately sized to suit a standard frame, should you wish to buy one 'off the shelf' rather than have the print professionally framed.  

These prints are wonderful on their own, or framed and hung together as a set.

Measurements:

Approximate actual print size - 175 x 260mm

Mat window size - 153 x 235mm

Overall mat size 28 x 35.5cm - to suit 11 x 14" standard frames. 

These Sowerby plates have come from a dis-bound book titled English Botany or, Coloured Figures of British Plants. This was a major publication of British plants comprising a 36 volume set, issued in 267 monthly parts over 23 years from 1791 to 1814. The work was originally illustrated and published by the botanical illustrator and natural historian, James Sowerby, and the descriptions were supplied by the founder of the Linen Society founder, Sir James Smith, who for the the first four volumes made a request to remain anonymous on the title. However in later editions the plates were altered by Sowerby's son (James de Carle Sowerby), and from the third edition (which these plates are from, published in 1883), John Boswell has edited the text.

The popularity of these prints by Sowerby has made them increasingly scarce. These prints are now more than 130 years old.

Please note that the prints on offer are genuine vintage or antique, & therefore being offered as 'one off's'. You will not find them readily available to buy, or on display in someone else home. This makes them special, but the downside is if you miss out on one that you have your eye on I may not be able to source it again for you. If you would like a bigger set, please contact me as I may have more available in the collection.

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SKU: 90946356053

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4.9 ★★★★★
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T
Verified Purchase
Tiff
New York, US
★★★★★ 5
Ben Solo’s fall is tragic
Format: Paperback
We don’t know much about Ben Solo’s past, but this comic explains a little bit more about why he is the way he is. It also explains that he didn’t do all the things he himself implies in TLJ. It’s a story of a young man who is lost because those he is supposed to trust betray him, which is exactly what Snoke/Palpatine want. It shows he didn’t really have a choice in the path he took and it makes his redemption at the end of the saga powerful, even if the last movie itself destroys the myth of Star Wars. I love knowing that Rey and Ben have always had a connection and I hope that is something explored more deeply in Episode X when they bring Ben back.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 30, 2020
M
Verified Purchase
Maekar's Mark
Pawtucket, US
★★★★★ 5
Answers a lot of questions
Format: Kindle
I enjoyed this story. This fills in a lot of gaps left open from the sequel trilogy, and the artwork was pretty cool. Excellent coloring and layout.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 26, 2023
G
Verified Purchase
Gabriel Cruz
West Palm Beach, US
★★★★★ 5
The perspective of Darth Vader between Star Wars and Empire Strikes Back.
Format: Paperback, Format: Paperback
So basically this tells the story of what is going on with Darth Vader after the first Death Star is blown up. He wants to know who it was. Emperor Palpatine is pretty ticked off as it is, and he hasn't said anything but he's already looking to replace Vader in case he fails. Along the way we see still that Vader has some decency still left inside of him, as we meet Doctor Aphra and her droids, and he has a chance to kill her off several times but spares her life for certain reasons. This book collects Star Wars: Darth Vader (2015 Marvel) #1-12, #1 Director's Cut, and Star Wars: Darth Vader (2015 Marvel) Annual #1. The story is written by Kieron Gillen. Art by Salvador Larroca and Leinil Francis Yu
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 13, 2025
R
Verified Purchase
Ryan of the East Coast
Alexandria, US
★★★★★ 5
Source material for Nolan's trilogy is powerful writing and art...
Format: Paperback
The Long Halloween is great, but I actually had more fun reading through Dark Victory. It's a crime mystery that consistently had me guessing through to the conclusion about who The Hangman's true identity was. What I really loved most was the evolution of the characters' personalities--from Jim Gordon to Harvey Dent to Bruce (who really is more in his iconic "Batman" persona here)--that began in Batman: Year One to Batman: The Long Halloween and into Batman: Dark Victory. It really does work like a trilogy. It's also notable to include Gotham city's underworld itself as a character of its own. Batman begins (pardon the pun) in Year One with a quest to sort of rid the city of the mafia, which is and has been the main criminal body up until this point. In The Long Halloween, the mafia begins to lose power because of the rise of the Batman's presence. During that time, some of the most insane and dangerous criminals escape Arkham Asylum and begin quietly terrorizing the city anew, spreading like a virus. Slowly, the "freaks"--as the mafia calls them--start to gain more and more power by simply being a more unorganized crime source (as opposed to organized crime). Characters like Pamela Isley, Solomon Grundy, Mr. Freeze, the Penguin, Scarecrow, the Joker, and others, establish and strengthen their grips on Gotham's criminal underworld. It's nice that these villains--these "freaks"--also aren't the main conflict in Dark Victory (or The Long Halloween or Year One, for that matter); they appear when it is effective for them to appear, slowly taking more prominence in the setting of the story as it progresses. The main conflict has to deal with the solving of the mysteries behind The Hangman killings. The Long Halloween and Dark Victory are, primarily, crime mysteries, which is what makes them interesting. What makes them great literature, however, is the creative team that is Jeph Loeb and Tim Sale. Loeb's writing is really well-crafted here: the entire arc unfolds at a consistent pace and he balances out dialogue with Batman's internal narration very smoothly. And, as I mentioned previously, personality and narrative arcs of the main characters (Gordon, Batman, and Dent) have fully matured by this point in the trilogy, leaving the supporting characters a chance to evolve and come into their own. Much of these progressions are not just depicted by the writing, however; Tim Sale (who worked previously with Loeb on The Long Halloween) elevates and perfects his artwork in this story. There's not a change in the look of the characters, so you know it's definitely his style, but you sense immediately (especially if reading Dark Victory right after finishing The Long Halloween) the new level of attention paid to composition of the drawings. Shadows and silhouettes, contrasts between setting and characters, everything adds to the mood and atmosphere of the characters and the scenes they're a part of. In terms of the print itself, the paperback is excellent. This and The Long Halloween have really nice paper, which I'll catch myself sometimes randomly sniffing in the middle of a read to enjoy the new paper smell. The ink is really crisp, the colors pop, and the design of the book itself is laid out very clearly. There aren't page numbers or a contents page, but every issue is separated by chapter pages that include gorgeous, high-contrast artwork to help distinguish which issue you're on. Additionally, the print comes with an introduction by David S. Goyer, who co-wrote the Nolan film trilogy. Overall, I can't stress enough how gorgeous this trade paperback is and how excellent and top-tier this story arc is. I really enjoyed it just as much, if not more so, then The Long Halloween. No other Batman story arc has topped my enjoyment of this particular trilogy. Highly recommended in addition to Batman: Year One and Batman: The Long Halloween.
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Reviewed in the United States on June 9, 2019
K
Verified Purchase
Kris
Omaha, US
★★★★★ 5
I love this comic book!
Format: Paperback, Format: Paperback
I love DC comics and obviously the Batfam are some of the most well known and loved characters within the DC universe. I love the art style and story in this comic. If you are debating whether or not to purchase this comic, DO IT!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 23, 2025

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