SKU: 83391038575

ORANGE EAMES MOLDED FIBERGLASS ‘DAW’ ARMCHAIR WITH NEW DOWEL BASE (2 AVAILABLE)

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Description

ORANGE EAMES MOLDED FIBERGLASS ‘DAW’ ARMCHAIR WITH NEW DOWEL BASE (2 AVAILABLE)A pair of fiberglass DAW armchairs designed by Charles and Ray Eames, comprising vintage orange shells and Eames studio reproductions of the original walnut dowel bases. The seats bear the HERMAN MILLER embossed "M" stamp as well as the original patent labels. Own the genuine article! Molded to "receive the body," the dyed through shells are replete with surface variation and tell tale fiberglass striations. Two available; priced individually. CHARLES

A pair of fiberglass ‘DAW’ armchairs designed by Charles and Ray Eames, comprising vintage orange shells and Eames studio reproductions of the original walnut dowel bases. The seats bear the HERMAN MILLER embossed "M" stamp as well as the original patent labels. Own the genuine article!

Molded to "receive the body," the dyed-through shells are replete with surface variation and tell-tale fiberglass striations. Two available; priced individually.


CHARLES (1907–1978) & RAY (1912–1988) EAMES were a married team of American industrial designers. Their creativity and drive helped shape the trajectory of the 20th century in the US. The couple's lives and work represent many of the seminal developments of the post-war period: the West Coast's emergence as a cultural hub, the shift away from manufacturing toward the production of information, and the expanding global reach of American culture.

The Eameses viewed modern design as a catalyst for social change. Their evolution from furniture designers into cultural ambassadors spoke not only to their boundless talent but also to the overlap between their interests and America's national agenda. In an era of uniquely shared objectives, the Eameses partnered with both the federal government and top businesses to spearhead commercial modernization.


Begun in the late 1940s, the partnership between the Eameses and the manufacturer HERMAN MILLER would evolve into what is the most legendary collaboration in the history of modern furniture. The extensive range of designs that were produced serves as a testament to this fact.


Whoever said that pleasure wasn't functional? – CHARLES & RAY EAMES


HERMAN MILLER was founded in 1905 as the Star Furniture Co. in Zeeland, a town near Grand Rapids in western Michigan. Zeeland had been settled primarily by Dutch immigrants, many of whom brought with them a legacy of skills in the crafting of fine furniture. By 1900, Grand Rapids and environs had become a hub for its production.

In 1919, Star Furniture was renamed the Michigan Star Furniture Co., and Dirk Jan "DJ" DePree (1891-1990), originally hired as a clerk, became its new president. Along with a small group of local businessmen, DePree and his father-in-law, Herman Miller, purchased 51% of the company in 1923 and rechristened it HERMAN MILLER.

The company had historically been a manufacturer of high-end, traditional-style home furnishings based on modified European designs. With the arrival of the Great Depression, DePree was forced to consider new products to survive in a shrinking market. In 1931, he was approached by the industrial designer Gilbert Rohde (1894-1944), who reportedly entered the showroom unannounced. DePree listened to Rohde's ideas and, attracted by his straightforward approach, hired him to design a new line of furniture. Rohde speculated that the shrinking size of modern homes would inspire a demand for a smaller, simpler, and lighter furniture style, which DePree referred to as "more honest" than that of traditional pieces. So began the transformation of HERMAN MILLER into the modern furniture juggernaut it would become.

HERMAN MILLER debuted its new line at the Century of Progress exposition in Chicago. In 1941, the company opened showrooms in Chicago and New York City. Under Rohde's supervision, HERMAN MILLER entered the office furniture market in 1942 with the introduction of the modular Executive Office Group (EOG).

Rohde died in 1944 and was replaced by architect George Nelson (1908-1986), who joined the firm as its director of design in 1945. Nelson was to have enormous influence upon HERMAN MILLER, not only for his personal design contributions, but also for the talented designers he recruited to its ranks—Isamu Noguchi (1904–1988), Charles (1907–1978) & Ray (1912–1988) Eames, Robert Propst (1921–2000), and textile designer Alexander Girard (1907–1993). HERMAN MILLER was incorporated in 1960 and remains in business to this day as one of the world's top producers of office furniture.


DETAILS

Designer – CHARLES & RAY EAMES

Design Period/Year – 1948

Maker – HERMAN MILLER

Production Period/Year – 1970s

Origin – USA

Styles/Movements – MID-CENTURY MODERN

Materials – FIBREGLASS, WALNUT, METAL, RUBBER

Colors – PERSIMMON, SIENNA

Condition – Excellent vintage condition. May show minor signs of previous ownership and use.

Dimensions:

Height (in.) – 27.0

Seat Height (in.) – 16.0

Width (in.) – 24.5

Depth (in.) – 24.0

Shipping Notes
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SKU: 83391038575

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Shelby
Bozeman, US
★★★★★ 2
Not very much dispenses with pumps
Color: Glint Rainbow
This gives out very small puffs of glitter when depressing the pump. The glitter is as expected, but it would be more efficient to just open the dispenser with how little this pumps out. I'll probably just use this for crafts instead of body and hair. It doesnt really stick either because it is a dry powder
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Reviewed in the United States on May 29, 2026
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Verified Purchase
Takelia
Waukegan, US
★★★★★ 1
Not what I expected
Color: Glint Rainbow
Product doesn’t come out like a dust
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Reviewed in the United States on April 30, 2026
P
Power Adapter
Omaha, US
★★★★★ 4
Fine, dry glitter in a puff spray bottle
Color: Glint Rainbow
This works well if, and only if, you know exactly what it is and if it'll work for your application. This glitter comes with no adhesive or stickiness in it. It is not like a glitter stick, or glitter makeup. It is dry glitter in a spray bottle. The spray pattern is very narrow, so if you want to spray it onto a piece of paper or you body, it will show up in a clump. It does not have an airy spray pattern. To use this, you need to add some stickiness to the surface you want it to stick to first. Something like glue on paper or some sort of sticky thing on your skin that won't sink in. If regular lotion sinks in, the glitter will just fall off. So petroleum jelly or something that sits on top works best. Also, if you want it spread out instead of in little clumps as it comes out of the spray bottle, you'll have to move it around manually. On some level, to be entirely honest, I'm not sure this application method is better than loose glitter. With loose glitter, at least I can manually sprinkle it and not get a giant blob like with the spray. Also, some little bits get loose with the spray, and loose glitter in a house is just asking for forever glitter. I'm deducting one star simply because the spray delivery mechanism isn't very useful, and can actually be a liability. Unlike some spray glitters with propellant and adhesive that are more like spray paint and have a more spray paint application profile. This manual puff method just doesn't work well with glitter.
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Reviewed in the United States on April 23, 2026
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Verified Purchase
Tamiyah Thomas
Louisville, US
★★★★★ 5
Dry glitter, not glue
Color: Glint Rainbow
This is dry glitter, not glitter spray. Will need glue for it to stick but it’s very pretty.
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Reviewed in the United States on April 20, 2026
R
Rylie
Lowell, US
★★★★★ 5
Fine holographic sparkle with smooth and even application
Color: Glint Rainbow
I tested this glitter powder several times over about two weeks while using it on my hair and along the cheek area for festival style makeup looks. The shimmer particles are very fine, which helps create a smooth reflective effect rather than chunky glitter. The applicator releases a light dusting of powder, which makes it easier to control how much product is applied. I found that building it gradually works best, starting with a light layer and adding more for a stronger sparkle effect. The holographic finish reflects different tones depending on the lighting, shifting slightly between soft rainbow colors under brighter light. It looks subtle indoors but becomes more noticeable and reflective in direct lighting or outdoor settings. During wear, the glitter stayed in place for several hours with minimal fallout when applied lightly. I noticed that applying it over slightly set makeup or hair helped it adhere better and reduced loose particles. With its fine texture, controllable application, and noticeable sparkle under different lighting, it delivers a versatile glitter effect for creative makeup looks. The quantity of the spray was nice and it was durable under the sun too.
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Reviewed in the United States on May 15, 2026

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