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Description
Maton EM6 Mini Guitar Sitka Spruce & Queensland Maple w/ AP5 OriginalMaton EM6 Mini The Mini Maton EM6 Model is a small bodied guitar with a very big voice. Though it is a lot smaller than a standard dreadnought, this guitar packs a punch well above its weight. This models features an "AA Select" Grade Solid Sitka Spruce top, Queensland back and sides, AP5 pickup system and Grover machine heads. This Mini Maton could be just what your collection has been missing. Originally used as a Mahogany "substitute", Queensland
Maton EM6 Mini
The Mini Maton EM6 Model is a small bodied guitar with a very big voice. Though it is a lot smaller than a standard dreadnought, this guitar packs a punch well above its weight. This models features an "AA Select" Grade Solid Sitka Spruce top, Queensland back and sides, AP5 pickup system and Grover machine heads. This Mini Maton could be just what your collection has been missing.
Originally used as a Mahogany "substitute", Queensland Maple has become the backbone of the Maton sound. It is used in nearly every Maton either as a neck, back & sides, or internal component.
A rainforest hardwood from Northern Queensland, this timber is light, strong, and visually striking. Queensland Maple is extremely well balanced with an even response across all frequencies. If you are looking for the secret to Maton's great tone, this is a good place to start.
With the AP5 Original Pickup, in one simple plug in you're stage ready. The AP5 Features a Treble, Bass, Volume and Sweepable Midrange EQ! Midrange is sweepable from 1 to 2khz and can be cut or boosted within this range. As a general rule for the system should start out ‘flat’ then be altered to achieve the tone desires. For example, an open, natural sound can be achieved by setting the frequency control at 1.4khz and the boost/cut control at 5db. Alternatively, for a ‘thick’ lead sound boost your mids by 5db and set the frequency dial at 1.7kh
Includes Maton Mini Hardshell Case.
Specifications:
- Top Wood: "AA Select" Grade Solid Sitka Spruce
- Back Wood: Queensland Maple
- Scale: 22 3/4"
- Nut Width: 1 47/64"
- Frets To Body: 15
- Serial Number: 13290
- Neck Wood: Queensland Maple
- Fretboard: Ovangkol
- Bridge: Ovangkol
- Headstock Shape: Solid
- Headstock Overlay: Blackwood
- Headstock Inlay: Maton Logo
- Tuners: Grover Rotomatics
- Inlays: Dot Fingerboard Inlays
- Rosette: Laser cut "M" Logo Design
- Body Binding: Black
- Pickguard: Black
- Neck Profile: C Shape
- Pickup(s): AP5 Original
- Case: Hardshell Case Included
- List price: $1,199.00
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
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4.5 ★★★★★
Based on 26 reviews
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Product Reviews
★★★★★ 1
Please keep Kelly Thompson away from G.I. Joe!
Format: Paperback
I only read this because it was one of the mini series that was setting up the new Energon Universe of GI Joe. The other minis were quite good and I hoped this one would be the same. Nope. It’s terrible. Terrible dialogue, terrible characterization and terrible reimagining of several popular characters. The plot is bare bones, poorly executed, and often so contrived and cliched I'm convinced Thompson must have watched a bunch of ninja movies from the 80s before writing this and thought she was being clever for ripping them off. The art is passable but the artist definitely needs to work on his fight choreography and stop drawing women so jacked. Scarlett and Jinx look like they have been taking steroids. And let’s not forget that Thompson loves writing lesbians, so it’s heavily implied Scarlett and Jinx are a couple. Because that’s what modern audiences want to see, more historically hetero characters made gay. Thompson, like Tom King, needs to be kept far away from popular characters and just stick to creating her own original stories where she can work out her issues and fetishes away from the rest of the mainstream comic reading public. And if I ever see her name on another G.I. Joe comic I will most definitely avoid it like the plague. Just my two cents.
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Reviewed in the United States on February 22, 2025
★★★★★ 1
Painful Read
Format: Paperback
This is a painful read. I only got it because I’m reading the rest of the EU Booms.
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Reviewed in the United States on March 16, 2025
★★★★★ 5
Avatar is about reflecting real world issues, and this comic does not disappoint
Format: Paperback
I will admit that at first, I was disappointed that Turf Wars portrayed homophobia in the Avatar verse. My thought was that if this is a fictional world, why not just have homophobia not exist. But Avatar has always been about reflecting real world issues, and this comic handles those issues in a way that felt honest and close to home. It didn't feel like it was using homophobia to exploit the LGBT characters for drama. As a lesbian, I felt that I could relate deeply to the obstacles that Korra and Asami face while entering their relationship, and dealing with coming out. My girlfriend and I both come from conservative families, so it was important early on to communicate coming out boundaries with each other. When Asami hesitates toward immediately coming out to Korra's parents, this isn't portrayed as a negative thing, just that it's important for Korra and Asami to communicate about this. Another thing I loved was the look that Kya gives Korra and Asami, and how she's immediately able to recognize that they're in a relationship. I love that she becomes a support for them, and they have an LGBT mentor in their lives. That's what makes this comic special, to me. This doesn't just realistically portray an LGBT romantic relationship, it also portrays LGBT community, which I find is far rarer in media. It's virtually non-existent in children's media. The only other example I can think of is an episode of Danger & Eggs which features a pride parade. The media landscape is starved for healthy, realistic, and nuanced portrayals of LGBT couples, but what I hardly ever see is LBGT community and culture shown on top of that. I believe there is room in media for both fiction where homophobia doesn't exists, and fiction where it's portrayed with realism without exploitation. In these cases, it's important to show LGBT characters facing these struggles by finding community with each other. Connection through community is powerful. I don't know who I'd be if I didn't grow up without LGBT friends supporting me and guiding me throughout my coming out process. Seeing a comic portray that process is beautiful, and I hope that's the direction the creative world continues to go in. The art is gorgeous, and the story feels like a natural continuation of the television series. When I read the dialogue, I can hear the character's voices in my mind as if I were watching another episode. I'm excited to learn more about the Avatar universe, and watch Korra, Asami, and all the other characters continue to grow and develop with each other.
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Reviewed in the United States on September 9, 2017
★★★★★ 5
I expected it to be good, but instead it's great.
Format: Paperback
A surprisingly re-readable little book. I really look forward to part 2!
WRITING: Feels like a true continuation of the show. The characters and the world are just like a Season 5, Episode 1 might have been. Mako and Bolin were great together. Korra and Asami were great together. Of the supporting characters, I was glad to see Tenzin and Lin, and a little sad not to see Varrick or Wu. (Maybe they will fit naturally into the plot somewhere in book 2 or 3 of this series? If not, that's okay. It's better for writing to make sense than to have cameos.)
ART: Wow. Just the right amount of additional detail for the comic format. I love the clarity of these panels and the camera shots chosen for them. How each character feels shows in their face and body. How a fight scene unfolds can be seen--you can actually tell what the characters do when they fight. It's wonderful. (I'm a bit of a fight scene enthusiast.) Also, the spirit world was whimsical and gorgeous to behold. Nice variety of lush color palettes for each scene. The new characters have distinctive faces, and the new villain has very cool-looking weapons.
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Reviewed in the United States on August 20, 2017
★★★★★ 5
It's been three years.
Format: Paperback
This was a great read! It felt like I was actually watching an episode of Korra while flipping through this. Michael DiMartino did a good job at making the dialougue sound like it could've been part of a Korra script.
Of course the plot isn't going to be too dramatic since poor Korra already dealt with most of the worst situations ever in the show. The tone is much calmer, with much of the comic's focus being on Korra and Asami's budding relationship and a realistic conflict involving a greedy businessman wanting to turn the spirit portal into a tourist attraction. This comic is very much a suitable continuation of the show.
Irene Koh's art is so beautiful!! I love how it's not the typical children's comic cartoony style. I've heard that people have actually been complaining about how it's so different from the show's original style, but I personally think it's fitting and very charming. It gives it a more mature feel.
My main complaint is that it's too short. It took nearly three years after the finale for this comic to be released and it's only 80 pages! And the next part isn't going to be released until January! I guess me and other Korra fans are just going to have to stay patient for another 6 months or so.
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Reviewed in the United States on August 8, 2017
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