SKU: 81267356453

Cypress Hill 30th Anniversary (Colored 2xLP)

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Cypress Hill 30th Anniversary (Colored 2xLP)SHIPPING NOW To commemorate the 30 Year Anniversary of Cypress Hills debut album Get On Down is proud to present a deluxe limited edition colored expanded 2xLP reissue. Housed in a gatefold jacket with liner notes by journalist Chris Faraone Pressed on Double Red and Black Galaxy Effect Vinyl** 30 Year Anniversary Numbered OBI Limited to 1991 units Contains 3 bonus tracks **Note: Final vinyl colorway may appear slightly different than the mockup.

SHIPPING NOW 

To commemorate the 30 Year Anniversary of Cypress Hill’s debut album Get On Down is proud to present a deluxe limited edition colored expanded 2xLP reissue.

  • Housed in a gatefold jacket with liner notes by journalist Chris Faraone
  • Pressed on Double Red and Black Galaxy Effect Vinyl**
  • 30 Year Anniversary Numbered OBI Limited to 1991 units
  • Contains 3 bonus tracks

**Note: Final vinyl colorway may appear slightly different than the mockup. Galaxy effect may have more red or black in LP1 or LP2. Holding this record up to the light shows off the full effect. 

When Cypress Hill came with their debut self-titled album 30 years ago, they made an immediate spark that captivated the Hip Hop audience, critics, and then the world. Led by B-Real with his nasal, singsong delivery, and Sen Dog to play the perfect hypeman, Cypress Hill’s debut fueled tales of revenge, revolution, recreational drug use, gangbanging, and cultural pride. Like Public Enemy before them, the production was also a key factor in what made this debut so groundbreaking. DJ Muggs was able to craft a blueprint that would change Hip Hop production with his innovative stoned-out beats. Records like "How I Could Just Kill a Man", "Pigs", "Stoned is the Way of the Walk", and "Hand on the Pump" made this album an instant classic. Since its release, the album has won acclaim as one of Rolling Stones Essential Recordings of the 90s and Top 100 Best Rap Albums by The Source Magazine. Get On Down is proud to present one of the most influential and important hip-hop albums ever, Cypress Hill, in this special expanded 30-year anniversary limited edition 2xLP set.

Tracklist: 

A1 Pigs
A2 How I Could Just Kill a Man
A3 Hand On the Pump
A4 Hole In the Head

B1 Ultraviolet Dreams
B2 Light Another
B3 The Phuncky Feel One
B4 Break It Up
B5 Real Estate
B6 Stoned Is the Way of the Walk

C1 Psycobetabuckdown
C2 Something for the Blunted
C3 Latin Lingo
C4 The Funky Cypress Hill Shit
C5 Tres Equis

D1 Born to Get Busy
D2 Stoned Is the Way of the Walk (Reprise)- Bonus 
D3 Latin Lingo (Prince Paul Mix)- Bonus 
D4 Hand On the Pump (Muggs' Blunted Mix)- Bonus 


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SKU: 81267356453

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4.3 ★★★★★
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A
Verified Purchase
AlanWarner
Natrona Heights, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
Verified Purchase
Carole T Emberton
Waukegan, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
Verified Purchase
pat delzell
Birmingham, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
Verified Purchase
B. Kirzner
Carnegie, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021
V
Verified Purchase
V. Young
New York, US
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014

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