JHS Pedals 424 Gain Stage Preamp Effect Pedal

JHS Pedals 424 Gain Stage Preamp Effect PedalThere's "lo fi," and then there's the JHS Pedals 424 Gain Stage. Born out of a drive to bring the sounds of legendary home tape recorder consoles to your board, the JHS 424 is lo fi, indie rock guitar saturation incarnate. Sometimes you don't have an amp, sometimes you do you just can't help but wonder what your guitar plugged into a tape recorder would sound like. The 424 Gain Stage is designed directly after original cassette recording console

There's "lo-fi," and then there's the JHS Pedals 424 Gain Stage. Born out of a drive to bring the sounds of legendary home tape recorder consoles to your board, the JHS 424 is lo-fi, indie rock guitar saturation incarnate. Sometimes you don't have an amp, sometimes you do – you just can't help but wonder what your guitar plugged into a tape recorder would sound like.

The 424 Gain Stage is designed directly after original cassette recording console circuits, using original UPC4570 and NJM4565 op-amps to replicate such recorders' sounds. What the 424 Gain Stage is after is simply the chunky, rubbery, broken-up, and blown-out sounds you would get from plugging your guitar into the tech's simplified circuit. What the 424 Gain Stage achieves is something on another level.

For leagues of lo-fi guitarists, there's little quite like the direct-in sounds of a lo-fi tape cassettes. Onboard, controls adapted from recorder consoles appear with Gains 1 and 2, Volume, and EQ settings. Your first Gain, a replica of a single-channel input preamp ("Trim"), fuels the sounds of the whole pedal by contributing heaps of volume and gain. Gain 2 shapes the gain structure of the pedal further by replicating a channel volume fader. These two gains interact closely with the pedal's overall Volume control and Treble and Bass settings to make for an effect that is highly interactive with itself as you come to new, saturated conclusions. A further function on the 424 Gain Stage that sets it apart is an onboard XLR out that allows the pedal to be used direct, without an amplifier altogether! A ground lift switch and soft-touch buffered bypass switching streamline the operation of the pedal even more.

With this pedal, the sounds of millennial lo-fi indie guitar are yours for the taking. In the spirit of artists like Spoon, Steve Lacy, and [artist redacted], the 424 Gain Stage sets out to fill the role of original home cassette recorders. We can't deny the demand certain original models have cultivated, but next time you're about to put a tape recorder on your board, maybe give the JHS 424 Gain Stage a try first?

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• Replicated sound from legendary cassette recording console channels
• Two gain stage controls for preamp input and channel volume
• Dedicated effect volume and EQ settings
• XLR out for direct out connection
• Soft-touch buffered bypass switching
• Standard nine volt DC center negative power operation