SKU: 68903827123

IWA 5 | ASSEMBLAGE 5

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Description

IWA 5 | ASSEMBLAGE 5Heigo Australia is the official importer and distributor of IWA 5 in Australia. Bottled 2023, Australian Release December 2024 The interplay of warmth, gravitas and tonicity expressed in Assemblage 5 is IWAs unprecedented somewhat avant garde proposition. THE NOSE The aromas of pear, raspberry and plum blend with notes of rose and jasmine. Such a complexity is heightened by the spicy freshness of pine and geranium. THE PALATE The contrast between the

Heigo Australia is the official importer and distributor of IWA 5 in Australia.

Bottled 2023, Australian Release December 2024

The interplay of warmth, gravitas and tonicity expressed in Assemblage 5 is IWA’s unprecedented – somewhat avant-garde – proposition.

THE NOSE
The aromas of pear, raspberry and plum blend with notes of rose and jasmine. Such a complexity is heightened by the spicy freshness of pine and geranium.

THE PALATE
The contrast between the palate and nose is engaging. There is a palpable duality of the pure well rounded fruity / floral aromatics and the archaic tactile presence of gentle astringency. The silky and warm opening dissolves into a dry minerality and lingers with a vibrant touch of citrus, white pepper and hint of liquorice.

SENSORY PROFILE
Pear. Plum. Raspberry. Raspberry leaf. Rose petals. Mace.
Geranium. Pine. Jasmine. Green Tomato. White Pepper. Pineapple
Liquorice. Violet. Citrus Zest. Sugared Almond, Wild Sloe berry.

  • Brewery: Shiraiwa
  • Classification Junmai Daiginjo, single pasteurisation
  • %AlcVol 15%
  • Net Volume:  720ml
  • Rice: Yamada Nishiki, Omachi, Gohyakumangoku
  • Rice Polishing Ratio: 35%
  • Food Pairing: All Cuisines


Serve

Lower temperatures. Reishu. 冷酒

From 1-2°C and above
A palpable duality of pure, well-rounded floral/fruity aromatics and the archaic tactile presence of gentle astringency. Remains remarkably stable as it warms gradually in the glass (12°C to 18°C).

20° Jo-on 常温
Evoking the serenity of a sunset. Aromas of pine essential oil and cypress unfold, bringing a sense of fullness. The finish reveals a refined bitterness reminiscent of vermouth, with a tonic warmth and subtle citrus notes.

Higher temperatures. Kanzake. 燗酒

35-37°C Hitohadakan 人肌燗
A vibrant interplay of ripe fruits —plum, peach, mango in syrup— evolves into delicate cereal notes reminiscent of oatmeal porridge. As the viscosity increases, the finish becomes more concise, yet Assemblage 5 at 37°C reveals a pleasingly rich character.

 

Experiences in Different Glassware

  1. Lehmann Signature n°4 – Arnaud Lallement Ultraleggero
  2. John Jenkins Starr White Burgundy
  3. Riedel Sommeliers Burgundy Grand Cru
  4. Riedel Extreme Junmai
  5. IWA Marc Newson

 

Serve

IWA 5 pairs seamlessly across the full gastronomic landscape and is endorsed by the world’s most respected chefs. IWA 5 is currently offered in over 40 Michelin 3-star restaurants globally.

IWA 5 can be experienced and enjoyed at different temperatures (chilled, cellar and room temperature, warm etc.), and with different glassware, from white burgundy, tulip glasses and o-choko.

 

*Discounts codes and special offers are not valid on this product.

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SKU: 68903827123

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4.4 ★★★★★
Based on 29 reviews
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Product Reviews
D
Verified Purchase
Divan
San Leandro, US
★★★★★ 5
This book is a 'Fraud'... perhaps not
Format: Paperback
This is my first Review ever on Amazon and I am doing this for the love of Hafiz. I am originally of Persian origin and a life long lover of Hafiz... Have visited his tomb and the beautiful city of Shiraz. For people who are looking for a perfect translation, let me tell you that this is not it, not even close. To translate Hafiz, is to try and reproduce Shakespeare in another language and have it somehow come out with the same texture for the modern age (perhaps impossible). So reading Hafiz in Farsi requires years and years of cultural, intellectual and spiritual studies. To me he was an enlightened artist that had walked the esoteric Sufi path to full and authentic comprehension/liberation, in the process one can sense his love for existence and connection to the source (his own being). It feels like he had reached a place where like any great artist he had the necessary tools developed physically/mentally/intellectually to be able to translate his mystical experiences fluently and effortlessly into an external art form (in his case lyric poetry and who knows what else). I am explaining my understanding of him/her to make a point here. Mr. Ladinsky has somehow connected to the essence of Hafiz. In order to comprehend Hafiz in another language (and a whole different time/setting), one has to somehow try the impossible and reproduce the texture by trying to remove vague cultural, intellectual and spiritual references with ideas and thoughts that resonate with people today. Ladinsky has tried and somehow succeeded with giving us a glimpse (just a glimpse) of Hafiz and his loving/playful spirit. In my opinion, this book is mainly an intro to Hafiz, but even an intro is enough to open the door for those that like to venture deeper. In Iran Hafiz (or Hafez) and his main and perhaps only book 'Divan' is read like an Oracle (like the I Ching) - with intention and perhaps a lingering question one opens up to a page to receive his guidance. Well this book, carries the same fire if you're able to get past your ideas of right and wrong and just tune into it. For many Iranians (lots of my own friends), this book brings up a lot of challenges and I can understand that because it's so different from the original, but yet if you are able to realize that his poetry was from over 600 years ago, from a time when the culture was so different and language was a lot more evolved, than maybe you can put into context what this book is actually doing. And yes, language was more evolved, just look at the older writings by poets and writers and it should be obvious (that's a whole other subject). Mr. Ladinsky, has tried his best and this seems like the only book so far that allows one to get a glimpse of Hafiz in the english language, but he also does fall short in many aspects obviously (There probably isn't anyone that could perfectly translate Hafiz, even in Iran people argue about the deeper meanings of most of his writings). Hafiz's words are from another dimension and brought to life in Farsi, so to truly feel Hafiz, one has to study Farsi.
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Reviewed in the United States on July 27, 2022
D
Verified Purchase
David Bankston
Port Orchard, US
★★★★★ 5
Music of the Spheres
Format: Paperback
For me, Like many others who have read Dan Ladinsky's unique versions of Hafiz, I find them an ever fresh fountain. These poems hold the essence of experiential spirituality, the possibility of unlimited creativity, the ocean of love, the sweet agony of longing, and the unbearable joy of ectsasy. It is difficult to remember that these miraculous jewels sprang from a life (Hafiz's)that was not without difficulty. The images here are startling and often hilarious and irreverent. But I think that most important Hafiz expands our ability to imagine and understand God. I grew up as a fundamentalist Christian and it never occurred to me that God could be as tender as this, "When the violin can forgive the past It starts singing. . . . You will become such a drunk laughing nuisance That God will then lean down And start combing you into His hair." Here is Hafiz's breathtaking yet practical image of unconditional love, "Even after all this time The sun never says to the earth "You owe me." Look what happens with a love like that, It lights the whole sky." In GREETING GOD Hafiz exquisitely describes spiritual longing this way, ". . .Tonight there is a jeweled falcon singing In a blessed pain using the tongue of Hafiz." I have given more than a few copies of THE SUBJECT TONIGHT IS LOVE as gifts. Now I'll give the gift of THE GIFT. I am a singer and a songwriter and I hear songs in these poems. Thank you Dan Ladinsky! You are like the "jeweled falcon" singing with "the tongue of Hafiz." Many blessings David Bankston, DMA
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Reviewed in the United States on November 3, 2000
J
Verified Purchase
Jav M
Belleville, US
★★★★★ 5
Quick and valuable read
Format: Paperback
I love this book. It’s not a sit down and read it through (unless you want to!). It’s a sit, turn to a random page, and read. Sit with it for a bit and think. It’s great poetry and always is insightful. I often purchase this as gifts for friends and is great to have on a “coffee table” or lamp stand.
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Reviewed in the United States on August 1, 2024
A
Verified Purchase
anonymous name
Carnegie, US
★★★★★ 5
Blessed Ruin: Lessons on the Stages of Love
Format: Paperback
Having already been enchanted by Daniel Ladinsky's previous rendererings of Hafiz in _I Heard God Laughing_ and _The Subject Tonight is Love_, Ladinsky's present effort is worthy of no less acclaim. In fact, his choices this time from the _Divan_(250 poems) bring home with exquisite precision that Hafiz, the Perfect Master is in fact, a Master of Love. The reader gets the clear message in Ladinsky's portrait that Hafiz has intermalized to perfection his teacher's (Mohammad Attar)lessons on the manifold levels of love and its demands: "I saw it was Hafiz who wrote all your notes of sadness, But also etched and gave you Every ecstatic wince of joy your face, body and heart has ever known." (p.38). This is no "New Age" nonsense, which at its worst hails the light and avoids the shadow, Hafiz (though seducing the beginner lover by his promises of sweetness and tenderness, that God could actually "become an infant in your arms"[p,56]) cautions that he "hold's the Lion's Paw whenever I dance."(p.57). Western culture has not received such lessons on divine love since Jesus and Plato, and unfortunately, the fresh images of their teachings on love have all been but lost to humanity, save a small remnant of sketches. Ladinsky's Hafiz both assures and challenges the seeker because any fully-alive being with such capacity for loving as Hafiz dwarfs our puny notions of western romantic love without shaming or condemning it. Only encouraging like a true teacher with compassion would: "You ask for a few words of comfort and guidance. I quickly kneel at your side offering you this whole book . . . Here's a rope, tie it around me, Hafiz will be your companion for life."(p83). Hafiz's language of love utilized the metaphor of his time and culture as Jesus incorporated the images of parable. Ladinsky courageously steps out of line (as surely did Hafiz) and takes the risk to be mundane without being irreverent when describing the labyrinth that is the heart: "There are different wells within your heart. Some fill with each good rain. Others are far too deep for that." (p76) Ladinsky's Hafiz teaches us of a divine being who walks among and talks with and celebrates his creation; yet challenges it to stretch beyond its boundaries of self-interest: " I want both of us to start talking about this great love. As if you , I, and the sun were all married and living in a tiny room, helping each other to cook, do the wash, weave and sew, care for our beautiful animals."(p.180). Ladinsky's fine portrait of this 14th century Perfect Master gives the West the certain bugal cry that God is not dead, but it is we who are dead to God. The success of this book will measure how many of us are indeed alive here, and how many are really interested in the more mature lessons of loving.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 27, 2001
L
Verified Purchase
L. D. Weimer
Boise, US
★★★★★ 5
One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of lif
Format: Paperback
The book has a lovely, reasonably long, introduction to Hafiz, his time, and fellow poets which helps to create an open and curious mind for the poems that follow. Although I was familiar with several Hafiz poems before, most of this book was new to me. It is a fairly thick book, with the poems spread lightly on the pages. Plenty of white space surrounds and set off the poems so that although there are many, many poems in the book, they are not crowded. Hafiz celebrates god in a way that is rich and exuberant. One need not be Christian or Muslim or whatever to appreciate his poetry with its deep feelings of connectedness and love of life. In fact, as a Buddhist, I find it is exactly that sensitivity to life, to joy, to the world around, and to other beings around us that offers the greatest illumination. This poetry is wonderful to read just before sleep, or any time, and is a fine addition to any library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 4, 2015

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