SKU: 6492638068

Cometic Ford 351W Windsor V8 Rear Main Seal-With 302 Crank-Dual Lip-Wet & Dry Sump Applications

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Description

Cometic Ford 351W Windsor V8 Rear Main Seal-With 302 Crank-Dual Lip-Wet & Dry Sump ApplicationsCOMETIC Front and Rear Main Crank Seals are manufactured from the best materials available and are suited for all types of environments. Each seal meets or exceeds OEM quality. Dual lip. This Part Fits: Year Make Model Submodel 1975 1976 Bricklin SV 1 Base 1971 1974 DeTomaso Pantera Base 1987 1989 DeTomaso Pantera GT5 S 1978 1993 Ford Bronco Custom 1985 1996 Ford Bronco Eddie Bauer 1978 Ford Bronco Northland 1978 1981 Ford Bronco Ranger XLT 1990 1996

COMETIC Front and Rear Main Crank Seals are manufactured from the best materials available and are suited for all types of environments. Each seal meets or exceeds OEM quality. Dual lip.

This Part Fits:

Year Make Model Submodel
1975-1976 Bricklin SV-1 Base
1971-1974 DeTomaso Pantera Base
1987-1989 DeTomaso Pantera GT5-S
1978-1993 Ford Bronco Custom
1985-1996 Ford Bronco Eddie Bauer
1978 Ford Bronco Northland
1978-1981 Ford Bronco Ranger XLT
1990-1996 Ford Bronco XL
1982-1983 Ford Bronco XLS
1984-1992,1994-1996 Ford Bronco XLT
1982-1983,1993 Ford Bronco XLT Lariat
1992 Ford Bronco XLT Nite
1995-1996 Ford Bronco XLT Sport
1969-1974 Ford Country Sedan Base
1969-1974 Ford Country Squire Base
1969-1972 Ford Custom Base
1969-1977 Ford Custom 500 Base
1975-1982 Ford E-100 Econoline Base
1975-1982 Ford E-100 Econoline Chateau
1975-1983 Ford E-100 Econoline Custom
1975-1978 Ford E-100 Econoline Northland
1983 Ford E-100 Econoline XL
1975-1982 Ford E-100 Econoline Club Wagon Base
1975-1982 Ford E-100 Econoline Club Wagon Chateau
1975-1983 Ford E-100 Econoline Club Wagon Custom
1975-1978 Ford E-100 Econoline Club Wagon Northland
1983 Ford E-100 Econoline Club Wagon XL
1975-1982,1984-1986,1992-1996 Ford E-150 Econoline Base
1975-1982 Ford E-150 Econoline Chateau
1975-1983,1987-1991 Ford E-150 Econoline Custom
1975-1978 Ford E-150 Econoline Northland
1983-1996 Ford E-150 Econoline XL
1975-1982,1984-1986 Ford E-150 Econoline Club Wagon Base
1975-1982,1992-1996 Ford E-150 Econoline Club Wagon Chateau
1975-1983,1987-1996 Ford E-150 Econoline Club Wagon Custom
1975-1978 Ford E-150 Econoline Club Wagon Northland
1983-1991 Ford E-150 Econoline Club Wagon XL
1984-1996 Ford E-150 Econoline Club Wagon XLT
1975-1982,1984-1986,1992-1996 Ford E-250 Econoline Base
1975-1982 Ford E-250 Econoline Chateau
1975-1983,1987-1991 Ford E-250 Econoline Custom
1975-1978 Ford E-250 Econoline Northland
1983-1996 Ford E-250 Econoline XL
1975-1982,1984-1986 Ford E-250 Econoline Club Wagon Base
1975-1982 Ford E-250 Econoline Club Wagon Chateau
1975-1983,1987-1991 Ford E-250 Econoline Club Wagon Custom
1975-1978 Ford E-250 Econoline Club Wagon Northland
1983-1991 Ford E-250 Econoline Club Wagon XL
1984-1991 Ford E-250 Econoline Club Wagon XLT
1975-1982,1984-1986,1992-1996 Ford E-350 Econoline Base
1975-1982 Ford E-350 Econoline Chateau
1975-1983,1987-1991 Ford E-350 Econoline Custom
1975-1978 Ford E-350 Econoline Northland
1983-1996 Ford E-350 Econoline XL
1977-1982,1984-1986 Ford E-350 Econoline Club Wagon Base
1977-1982,1992-1996 Ford E-350 Econoline Club Wagon Chateau
1992-1996 Ford E-350 Econoline Club Wagon Chateau HD
1977-1983,1987-1996 Ford E-350 Econoline Club Wagon Custom
1992-1993 Ford E-350 Econoline Club Wagon Custom HD
1977-1978 Ford E-350 Econoline Club Wagon Northland
1983-1991 Ford E-350 Econoline Club Wagon XL
1994-1996 Ford E-350 Econoline Club Wagon XL HD
1984-1989,1991-1996 Ford E-350 Econoline Club Wagon XLT
1992-1996 Ford E-350 Econoline Club Wagon XLT HD
1975-1976 Ford Elite Base
1977-1978 Ford F-100 Base
1977-1979 Ford F-100 Custom
1977-1978 Ford F-100 Northland
1977-1979 Ford F-100 Ranger
1978-1979 Ford F-100 Ranger Lariat
1977-1979 Ford F-100 Ranger XLT
1977 Ford F-100 XLT
1977-1978,1983-1986 Ford F-150 Base
1977-1982,1987-1992 Ford F-150 Custom
1995-1996 Ford F-150 Eddie Bauer
1993-1995 Ford F-150 Lightning
1977-1978 Ford F-150 Northland
1977-1981 Ford F-150 Ranger
1978-1981 Ford F-150 Ranger Lariat
1977-1981 Ford F-150 Ranger XLT
1995-1996 Ford F-150 Special
1982-1996 Ford F-150 XL
1982-1983 Ford F-150 XLS
1977,1983-1984,1993-1996 Ford F-150 XLT
1982,1985-1992 Ford F-150 XLT Lariat
1977-1978,1983-1986 Ford F-250 Base
1977-1982,1987-1992 Ford F-250 Custom
1995-1996 Ford F-250 Eddie Bauer
1977-1978 Ford F-250 Northland
1977-1981 Ford F-250 Ranger
1978-1981 Ford F-250 Ranger Lariat
1977-1981 Ford F-250 Ranger XLT
1995-1996 Ford F-250 Special
1982-1996 Ford F-250 XL
1982-1983 Ford F-250 XLS
1977,1983-1984,1993-1996 Ford F-250 XLT
1982,1985-1992 Ford F-250 XLT Lariat
1997 Ford F-250 HD XL
1997 Ford F-250 HD XLT
1977-1978,1983-1986,1997 Ford F-350 Base
1977-1982,1987-1992 Ford F-350 Custom
1995 Ford F-350 Eddie Bauer
1977-1978 Ford F-350 Northland
1977-1981 Ford F-350 Ranger
1978-1981 Ford F-350 Ranger Lariat
1977-1981 Ford F-350 Ranger XLT
1995-1996 Ford F-350 Special
1982-1997 Ford F-350 XL
1982-1983 Ford F-350 XLS
1977,1983-1984,1993-1997 Ford F-350 XLT
1982,1985-1992 Ford F-350 XLT Lariat
1969-1970 Ford Fairlane 500
1969 Ford Fairlane Base
1969-1970 Ford Falcon Base
1969-1970 Ford Falcon Futura
1969-1974 Ford Galaxie 500 Base
1969-1970 Ford Galaxie 500 XL
1972-1976 Ford Gran Torino Base
1973-1976 Ford Gran Torino Brougham
1974-1975 Ford Gran Torino Elite
1972-1975 Ford Gran Torino Sport
1972-1976 Ford Gran Torino Squire
1975-1977 Ford Granada Base
1975-1977 Ford Granada Ghia
1969-1982 Ford LTD Base
1970-1976 Ford LTD Brougham
1979-1981,1983-1984 Ford LTD Country Squire
1980-1984 Ford LTD Crown Victoria
1975-1979 Ford LTD Landau
1980-1982 Ford LTD S
1987-1991 Ford LTD Crown Victoria Base
1977-1979 Ford LTD II Base
1977-1978 Ford LTD II Brougham
1979 Ford LTD II Landau
1977-1979 Ford LTD II S
1977 Ford LTD II Squire
1969-1973 Ford Mustang Base
1971-1972 Ford Mustang Boss 351
1970-1973 Ford Mustang Grande
1970-1973 Ford Mustang Mach 1
1969-1970 Ford Mustang Shelby GT-350
1995 Ford Mustang SVT Cobra R
1969-1974 Ford Ranch Wagon Base
1970 Ford Ranch Wagon Police Cruiser
1969-1979 Ford Ranchero 500
1969-1971 Ford Ranchero Base
1969-1979 Ford Ranchero GT
1970-1979 Ford Ranchero Squire
1977-1979 Ford Thunderbird Base
1978 Ford Thunderbird Diamond Jubilee
1979 Ford Thunderbird Heritage
1978-1979 Ford Thunderbird Town Landau
1971 Ford Torino 500
1969-1976 Ford Torino Base
1970-1971 Ford Torino Brougham
1971 Ford Torino Cobra
1969-1971 Ford Torino GT
1969-1971 Ford Torino Squire
1980 Lincoln Continental Base
1980 Lincoln Mark VI Base
1977 Lincoln Versailles Base
1969-1974 Mercury Colony Park Base
1969 Mercury Comet Base
1969-1973,1977-1979 Mercury Cougar Base
1977 Mercury Cougar Brougham
1977 Mercury Cougar Villager
1969-1979 Mercury Cougar XR-7
1969-1971 Mercury Cyclone Base
1969 Mercury Cyclone CJ
1970-1971 Mercury Cyclone GT
1969-1971 Mercury Cyclone Spoiler
1978-1979,1981,1986 Mercury Grand Marquis Base
1979,1981 Mercury Grand Marquis Colony Park
1986 Mercury Grand Marquis LS
1971-1973,1978-1979,1981 Mercury Marquis Base
1971-1973,1978-1979,1981 Mercury Marquis Brougham
1975-1977 Mercury Monarch Base
1975-1977 Mercury Monarch Ghia
1976 Mercury Monarch Grand Ghia
1969-1976 Mercury Montego Base
1975 Mercury Montego Brougham
1972-1973 Mercury Montego GT
1969-1976 Mercury Montego MX
1970-1974,1976 Mercury Montego MX Brougham
1976 Mercury Montego MX Villager
1970-1975 Mercury Montego Villager
1970-1974 Mercury Monterey Base
1970-1974 Mercury Monterey Custom
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SKU: 6492638068

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4.9 ★★★★★
Based on 14 reviews
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StacyFire
Pawtucket, US
★★★★★ 5
Works!
Ive been using it for a couple weeks now and ive seen an improvement! It also takes longer for my leg hair to grow out too!
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Reviewed in the United States on June 1, 2026
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Amazon Customer
Battle Creek, US
★★★★★ 5
Battle tested
I have re-purchase this product a few times. It is great for razor bumps and clogged pores.
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Reviewed in the United States on May 28, 2026
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Jason
New York, US
★★★★★ 5
Great Item to get!
Thank you. Great product!
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Reviewed in the United States on May 24, 2026
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SciFi-Kaiju-Guy
Whiting, US
★★★★★ 5
Ruthless, nail-biting action thriller from "Exorcist" director William Friedkin.
BOTTOM LINE: If you enjoy tension & suspense then you'll be hard-pressed to find a better experience than SORCERER. I loved it and feel it has a high replay value that offsets the discouraging lack of bonus features. 5 STARS THE STORY: Four shady criminals from various countries are on the run from trouble. Each eventually ends up in the desolate backwards village of Vera Cruz, deep in the South American jungle. Arriving there illegally, none of the strangers possess proper documentation with which to leave once the heat is off. They are trapped, and the only work in the village is at a nearby oil drilling site. When saboteurs blow the rig up the oil company must quickly put it out & recap the well, to maintain its profitability. The explosives needed to blow out the raging fire are stored at the company headquarters - some 200 miles away. Complicating matters further, the TNT has become dangerously unstable due to improper storage conditions, so it cannot be flown to the site but must instead be delivered overland by truck. Knowing the danger, the company agrees to pay $10,000 each for drivers willing to tackle the high risk job. Desperate to earn the much-needed money with which to buy their way to freedom, all four criminals volunteer. Though in essence a suicide mission, each man has no choice if he hopes to leave the village and get on with his life. Who will make it? THOUGHTS: Released a week after the first STAR WARS, and sadly lost in the shuffle, SORCERER is a terrific film. Maybe director William Friedkin's very best. Yes, it is a thinly-veiled re-working of the classic French thriller THE WAGES OF FEAR but don't let that deter you. In many ways Friedkin's adaption is superior. JAWS alumni Roy Scheider is terrific here as a seedy driver for a mob hit gone terribly wrong and the other actors are equally adept in their roles. SORCERER is beautifully photographed and tightly edited for maximum tension. Completely done practically and on actual locations, (being shot back before the advent of CGI and wirework), the action set pieces are among THE MOST intense & nerve-wracking I have EVER seen on film. Period. The rope bridge scene? Two words: Holy crap. I was literally on the edge of my seat throughout the entire sequence, my heart thumping and my hands clutching the arms of my chair in a death grip. If this scene doesn't make you break out in a cold sweat and get your pulse pounding then you might want to check with your doctor because you're probably dead. This sequence alone makes the purchase of SORCERER completely justified. I feel the first half of the film could have been tightened up some, as it spends the first 45 minutes or so setting everything up, but taking it for what it is it's worth the wait because the last half will have you gasping in disbelief, jumping in your seat and chewing your nails right down to the first knuckle. Simply great stuff. I only regret that I hadn't discovered SORCERER before now, but what a fantastic find. THE BLU-RAY: In a word... magnificent. The remaster for SORCERER is an audio & visual triumph. This is THE version to own. While sadly lacking in extras, the hi-def film transfer looks so impressive that I am more than willing to overlook the bonus shortcomings. The Blu comes packaged in a sort of mini book binding that sports a brief excerpt from William Friedkin's autobiography, detailing his work on the film and his feelings about its new lease on life with this Blu-ray. I've never been much of a fan of the director himself because he's always come across like a snobby, pompous, egotistical ass. Surprisingly, he acknowledges this fault and describes how it lead to his eventual downfall in Hollywood. But I cannot deny that he's made a few really good films during his career.
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Reviewed in the United States on January 30, 2016
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takethekman
Birmingham, US
★★★★★ 5
A Perfect Film
It has been a long time since I have been so surprised by a film; I can remember hearing about it when I was a kid, but like so many others at the time, 'Star Wars' was my childhood obsession. That a being said, I also have to say that this movie is generally timeless; with the exception of the cars and the music sometimes(still an excellent score by Tangerine Dream...), there is nothing that falls to the side as 'dated'. The country the 4 men flee to is just miserable, and probably looks the same now as it did then...just behind the times in so many ways. The set up of the 4 men starts things off with bang--literally. The scenarios are very different for each individual, but each equally satisfying. There is an excellent church robbery scenario that rounds things off with Roy Scheider, which includes a trademark Friedkin vehicle sequence(which--like many other scenes in this film--comes with a surprising jolt and a direction you didn't see coming...). Each backdrop story could pretty much provide for a film of it's own. Scheider is excellent, and this film reminds me why I was always a big fan of his. That being said, the other acting is all just right on the money as well; you can feel both their desperation and sweat, and sympathize with every stumbling block they encounter along the way. From the corrupt cops to the bandits they meet on the road(a favorite scene of mine in any movie...), you are thrown generally everything in the book as far as a crime/thriller movie go. And in this case it is all successful. There were more than a dozen scenes that hold up to or outshine anything that has been put out in the last 10 years to me. It is a reminder of the skill behind this project across the board, and the booklet with the blu-ray is really enjoyable to read, especially after seeing the film, as it fills in some curious questions about how certain things were done, and the difficulties the production encountered. The look of the film is breathtaking at times; all of the camera shots of the landscapes, kids, animals, elderly soda vendors, and crowded village streets are very candid and realistic. While the plot is somewhat simple, the intensity and driving force behind the 4 men is unforgettable; and while they are all different in their ideals, beliefs, and character, they all manage to somehow come together by fate to carry out the one thing that could save them from a life of poverty or consequence by law. And everyone meets some kind of fate you don't see coming. I have always loved Friedkin's work, especially when he delves into the darker side of mankind; However, this is the 1st movie in quite some time that has jumped into my top 5 favorite movies. It again reminds me how people w/talent to burn make timeless work, period. I am so happy that Friedkin was able to get this released as he saw fit, and it truly is a gift to those who like him, the genre, the actors, and the feel of such a film... There is humor and philosophy throughout the film here and there as well; the screenplay is top notch, and the dialog is fascinating; it is one of the films you watch where you are never reminded it's a film. You get wrapped up in it, and do a lot of replaying certain sequences over and over. While the 'bridge scene' is the most famously known sequence in the film, there are countless others that are certainly equal, although the bridge scene is a pure nail biter(not to mention technical feat, as further explained in the booklet...). The use of sound is also pretty incredible, especially coupled with the visuals; from the sounds of several surprise explosions, to the sound of the knife blade being flipped out, this film uses sound as a performance of it's own; it supplies a huge/equal part of the overall canvass and to feeling like you are there in particular a situation, not to mention hearing things as they actually probably would be heard; the sound is never overdone for the situation, and always effective. The creaking wood and rushing water of the bridge scene is a great example. Also, while the dialog is considerably less than in most movies, it is always very well written, realistic, and just another positive strength; but even when there is no dialog, and just simply sound and the expressions on the characters faces, it more than serves the point trying to be made. The character hit-man Nilo has very few lines, yet his character and performance are equally strong as anyone's here. The small visual details work in the same way the sounds ones do, such as the soldier accepting a bribe by scraping the money to himself with a fly swatter, the bar tender wiping off Roy Schieder's silverwear on his own shirt before passing them to him, to the cop popping open a Coke bottle with the cocked barrel of his gun...all small examples of going that little extra bit to make something potentially average something more. And these types of moments and details are throughout the film. A favorite to me is in the church scene in the beginning of the film where the priest mentions to the happy couple something to the effect of 'not being obsessed with material things', and you can see the groom roll his eyes, all while his bride with the black eye stands next to him(they show a close-up of her when the priest say he hopes their marriage is filled with blessings, but she still didn't look too happy to be there...). Mr. Friedkin wanted this to be his 'magnum opus', and I think he well succeeded. It really does still outshine so many films and the people involved that exist nowadays; Like Stanley Kubrick and John Huston, I can see the obsessive side Friedkin had to create something unforgettable no matter how much time or money it took; it is quite a risk, and sadly one that doesn't always pay off; but it is an effort that is well appreciated, and something not as many filmmakers take on nowadays. As far as it being considered a remake, I would have to say this is no more a remake than something like Herzog's 'Bad Lieutenant: Port of Call, New Orleans' was of the original 'Bad Lieutenant' film; some of the story elements are similar, but a lot of those elements are taken to new and different places with all the people involved with the production; and while 'Sorcerer' gets it's story foundation from both a novel and a film, you can see them much more as an influence, and not the basis. It is more the taking of a loose idea and making it to all your own, not an imitation of it. I have watched this 6 times since it came out, and it still seems to expose a new layer or understanding each time, not to mention the brilliance of so many scenes that capture the moment spot-on. This film is pure genius to me, and the surprise release on blu-ray has made my month. It is a piece of work that warrants all the 5 star reviews it has gotten, and Mr. Friedkin should be more than proud of this piece of work. I hope it reaches the full audience it deserves now, esp in the blu-ray format. I think it will.
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Reviewed in the United States on April 30, 2014

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