SKU: 61299763837

Maton Guitars EBG-808C Nashville Cutaway - 16596

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Description

Maton Guitars EBG-808C Nashville Cutaway - 16596Maton Guitars EBG 808C Nashville Cutaway 16596 The proprietary Maton "808" body shape is similar, though slightly smaller that the US OM Model. However, the standard body depth of the 808 is substantially deeper at 4 7 8". This is significant, as moving the top and back further apart enhances the bass element within the tonal character of the voicing (bracing technique), complimenting the different wood combination. The iconic 808 Nashville mirrors

Maton Guitars EBG-808C Nashville Cutaway - 16596

The proprietary Maton "808" body shape is similar, though slightly smaller that the US OM Model. However, the standard body depth of the 808 is substantially deeper at 4-7/8". This is significant, as moving the top and back further apart enhances the bass element within the tonal character of the voicing (bracing technique), complimenting the different wood combination.

The iconic 808 Nashville mirrors the specifications in woods and custom hand painted sunburst as that of the Maton Mini Diesel. Note, local artist Keith Urban performs with his Mini Diesel and the 808 Nashville model.

The Maton AP5-Pro Electronics

In its 5th generation, the AP5 Pro features an internal Microphone and 6-Piezo bridge input, with controls that allow for blending of both microphone and piezo levels prior to sending the actively combined signals through the well engineered pre-amp.

The highly selective cardioid microphone system allows for much greater microphone level before feedback in live environments. This upgraded AP5-Pro microphone is direct mounted to the pre-amp casing with an adjustable arm, which permits easy final tweaking of microphone position to suit the individual artist's playing style.

Using the ‘Sweep-able Mid’ controls. Mid-range is sweep-able from 600Hz to 2.4kHz and can be cut or boosted within this range. As a general rule we start out with all settings ‘flat’ then alter them to achieve the desired tone & presence based on the venue or recording environment. For example, an open, natural sound can be achieved by setting the frequency control at 1.4khz and the boost/cut control at 5db. Alternatively, for a ‘thick’ lead sound boost your Mid's by 5db and set the frequency dial at 1.7kh.


Specifications:

  • Model: EBG808C Nashville
  • Body Shape: 808C
  • Face: "AA Select" Grade Solid Sitka Spruce
  • Back and Sides: A Grade Solid Blackwood 
  • Neck: Select Queensland Maple 
  • Fingerboard & Bridge: Streaky Ebony
  • Face Inlay/Rosette: Herringbone
  • Sound Hole Diameter: 95mm  
  • Bracing: Maton Scalloped X
  • Inner Binding: Herringbone
  • Outer Binding: Ivory
  • Scale Length: 64.77cm (25.5")
  • Headstock Veneer: Keyhole w/2mm Blackwood Veneer
  • Fretwire: Jescar FW43080
  • Number of Frets: 21
  • Fingerboard Radius: 304.8mm (12")
  • Nut Width: 44.1mm (1.736" - 1 47/64")
  • 14th Fret: Width 55mm (2.165" - 2 11/64")
  • Fingerboard Inlays: 6mm Pearl Dots 
  • Back & Sides Finish: Vintage Amber Stain Satin
  • Top Finish: Vintage Amber Burst Satin
  • Bridge Pins: Ivory ABS
  • Machine Heads: Gold Grover RotoMatic
  • Pickguard: Tortoiseshell
  • End Pin/Strap: Gold
  • Nut & Saddle: Bone
  • Case: Standard Hardshell Maton Case
  • Pickup: AP5 PRO
  • Strings: Elixir Nanoweb Phosphor Bronze 12-53
  • Serial Number: 28048
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SKU: 61299763837

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Brilliant! I have been convinced for some time that the opening verses of I John were speaking about the resurrection and not the incarnation per se. Not that these two are opposed to one another, which is evident from Jensen's title: resurrection presupposes incarnation, but what John has specifically in mind in his letter's opening is the resurrection. So, when John says in his opening "That which was from the beginning, which we heard, which we have seen with our eyes, which we have looked upon, and have touched with our hands concerning the word of life..." What was heard, seen, looked upon, and touched was the resurrected Christ (cf. John 20:24-29). And next, "the life was manifest" would mean the new life Jesus was resurrected to, that is eternal life never to die again. And now what John has seen and heard concerning the resurrection he has proclaimed to the recipients of his letter. Moreover, it is the resurrection that confirms that Jesus is the Christ; it is his vindication by the Father that he was exactly who he claimed to be and was unjustly put to death by his fellow Jews. This then means that the major conflict taken up within the letter is over the resurrection. To deny the resurrection is to deny that Jesus is the Christ and vice versa. In fact, this is the spirit of the antichrist. Jensen goes into much more detail than this, and provides a reading of the entirety of the letter through the lens of the resurrection. His reading is overall successful and convincing. There is a portion here or there that I would differ from him, but Jensen's thesis is sound and makes remarkable sense of John's epistle. I highly recommend this book.
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