SKU: 46977123386

Steibelt, Daniel: La Retour du Zephyr: A Favourite Ballet arranged for Pianoforte, Violin and Tambourine (AE608)

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Steibelt, Daniel: La Retour du Zephyr: A Favourite Ballet arranged for Pianoforte, Violin and Tambourine (AE608)Description Steibelt, Daniel (1765 1823) Product Code: AE608 Description: La Retour du Zephyr: A Favourite Ballet arranged for Pianoforte, Violin and Tambourine Edited by: Sam Girling Year of Publication: 2023 Instrumentation: pfte vn tamb Binding: Score: Stapled Parts: Unbound ISBN: 978 988 8529 88 9 (print) 978 988 8529 89 6 (digital) ISMN: 979 0 805700 44 1 Details The plethora of works written with parts for tambourine at the turn of the

Description

Steibelt, Daniel (1765-1823)

Product Code: AE608
Description: La Retour du Zephyr: A Favourite Ballet arranged for Pianoforte, Violin and Tambourine
Edited by: Sam Girling
Year of Publication: 2023
Instrumentation: pfte vn tamb
Binding: Score: Stapled / Parts: Unbound
ISBN: 978-988-8529-88-9 (print)
978-988-8529-89-6 (digital)
ISMN: 979-0-805700-44-1

Details

The plethora of works written with parts for tambourine at the turn of the nineteenth century suggest a close-knit relationship between women musiciansand dance. The role of the tambourine in Georgian high society is reasonably well documented.

The dance-based compositions highlight the growing trend for genteel society “to embrace both music and dance as conceptually flexible mediums".The tambourine seems to have acted as a bridging point between energetic, social, even slightly flirtatious activity and passive, recreational drawing-room music. The instrument, if only in a modest way, represents a shift in the expected social etiquette for young girls at balls and other formal gatherings.

This close-knit relationship between dance and the tambourine can be found in Daniel Steibelt’s adapted version of his own ballet La Retour du Zephyr for piano, violin and tambourine. An 1819 obituary in The Quarterly Musical Magazine and Review states that La Retour du Zephyr was originally composed as a one-act ballet during Steibelt’s second long-term stay in Paris, where it was successfully premiered at the Opéra on 3 March 1802. The ballet was Steibelt’s last major work before returning to London 19 days later. The cut-down version for piano, violin and tambourine found in this edition would have appealed to the domestic market in Britain enabling a broader range of customers to become familiar with Steibelt’s latest works in the comfort of their own home.

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SKU: 46977123386

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