SKU: 42062776437

KEF Q Series Q11 Meta Three-way Floorstanding Speakers

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Description

KEF Q Series Q11 Meta Three-way Floorstanding SpeakersFlagship 3 way floorstanding speaker Introducing the Q11 Meta HiFi speaker, the largest, most powerful model in the Q Series collection. Our flagship 3 way floorstanding speaker is designed for immersive performance in larger rooms and home theatres. Equipped with a 12th generation Uni Q driver array with MAT technology, along with three 6. 5" hybrid aluminum bass drivers, it delivers music and movies with refined detail, powerful bass, and

Flagship 3-way floorstanding speaker

Introducing the Q11 Meta HiFi speaker, the largest, most powerful model in the Q Series collection. Our flagship 3-way floorstanding speaker is designed for immersive performance in larger rooms and home theatres. Equipped with a 12th generation Uni-Q® driver array with MAT™ technology, along with three 6.5" hybrid aluminum bass drivers, it delivers music and movies with refined detail, powerful bass, and uncompromising depth.

Q Series
HiFi Speakers

The successors to our renowned, award-winning HiFi speaker range, the Q Series has evolved once more in its 9th iteration since 1991. Now incorporating the revolutionary Metamaterial Absorption Technology (MAT™) and a suite of innovative acoustic technology derived from our flagship HiFi speakers, high fidelity sound is more accessible than ever. Leveraging the latest 12th generation Uni-Q driver array and cutting-edge analysis techniques, the Q Series has been carefully fine-tuned. This includes a crossover redesign that refines the signal path response for a more natural, detailed sound. The result is a comprehensive line-up of eight speakers that can be easily tailored to your space and desired set up. Whether for stereo music or multi-channel home cinema, the Q Series offers a solution for everyone.

Revolutionary sound absorption with MAT™

The crucial new advancement in the Q Series is the integration of Metamaterial Absorption Technology (MAT), a revolutionary innovation that takes the performance of the latest 12th generation Uni-Q driver array to another level in terms of accuracy and clarity. 

MAT is a highly complex maze-like structure, in which each of the intricate channels efficiently absorbs
a specific frequency. When combined, the channels act as an acoustic black hole, absorbing 99% of the unwanted sound that comes from the rear of the tweeter. This eliminates the resulting distortion for a purer, more natural acoustic performance.

Superior KEF sound

The latest 12th generation Uni-Q driver array with MAT is found in all eight models of the Q Series and delivers an incredibly detailed performance. It’s the result of decades of accumulated in-house knowledge and the application of state-of-the-art simulation and analysis tools. The developments are many and all play a part in the Q Series’ impressive performance.

The Uni-Q driver array has been redesigned to maximise the performance improvements that MAT delivers. The conical waveguide that couples the tweeter dome to the metamaterial absorber has been specially designed for the driver based on its depth. The re-engineered tweeter gap damper strategically places two rings of porous material to tame the resonances and imperfections effectively, greatly improving detail and clarity.

The tweeter motor system has been redesigned to maximise the transmission of energy from the rear of the tweeter to the MAT absorber. The area of the tweeter rear chamber vent is increased by 250%, allowing more sound to reach the metamaterial absorber and therefore its effectiveness. This also significantly reduces the acoustic pressure behind the dome, allowing the tweeter to operate more linearly leading to lower distortion still.

The Flexible Decoupling Chassis first used on the flagship Blade and The Reference loudspeakers is employed on the Uni-Q driver array to dramatically reduce colouration of the sound caused by midrange vibration transmission to the cabinet, while also mitigating the potential of additional sound created by the driver basket that occurs with traditional decoupling methods. It works by decoupling the massive midrange motor from the Uni-Q chassis, dissipating its vibration before it can travel to the cabinet and
be radiated as unwanted sound.

These innovations combine to ensure the Q Series sounds more transparent and lifelike than ever.

An extra half way

The evolved Q Series has been upgraded from a 2.5-way to a 3-way speaker design4. This updated configuration separates the frequency ranges, with the Uni-Q driver handling the high and midrange frequencies, and a newly designed bass driver dedicated to the low frequencies management.

The optimisation of the drivers for their respective frequency bands allows the 12th Uni-Q driver to perform even better. By minimising the motion of the mid-frequency cone, the tweeter can transmit high frequency sound over a smoother and more stable surface. This reduction in movement leads to a diminished distortion in the lower midrange frequencies, resulting in a significant improvement in detail and clarity.

Deep and clean bass

The Q Series features a new bass driver design4 – a hybrid structure with a shallow, concave, aluminium skin atop a paper cone – which gives stiffness to achieve a piston-like movement for better bass punch and speed. Combined with a 3D FEA-optimised surround geometry, this significantly improves linearity at higher excursions. This results in a precise and agile bass management even at high output.

Additionally, the flared port, modelled with computational fluid dynamics, minimises turbulence and reduces chuffing noise. This enables the ported speakers to produce bass that is cleaner and more controlled.

Refined crossover from 1000 measurements

A critical component of the Q Series is the refined crossover, which ensures seamless integration of all speaker parts. To achieve this, our engineers take more than 1,000 specific measurements for each speaker model using a custom-built reference microphone array in our anechoic chamber in Maidstone, UK. These extensive on and off-axis measurements allow our team to thoroughly understand each model's acoustic interactions, enabling precise crossover design through advanced simulation and prototyping. This meticulous process draws from the development of the LS50 Meta and has been further enhanced
through the creation of the latest Blade, The Reference and R Series, allowing each speaker model for precise signal path optimisation and the best possible performance.

Shadow Flare for improved clarity

Derived from the flagship models, Shadow Flare4 is a further upgrade for the evolved Q Series. It reduces unwanted cabinet diffraction , allowing the 12th generation Uni-Q with MAT to work at its highest potential. Shadow Flare is a precision-designed surface that extends the waveguide effect of the Uni-Q driver array. This means the tweeter no longer has a line of sight to the cabinet edges, creating a ‘shadow region’ where the potential for diffraction is highest, minimising the acoustic impact to negligible levels. The improved clarity and reproduction of fine details make listening a thrilling experience. Subtle nuances, such as the delicate brushwork on cymbals or the intricate overtones of a piano, are clearer on the Q Series.

Perfected for your enjoyment

The Q Series comprises eight distinct models. The range extends from compact bookshelf speakers to powerful floorstanders, as well as a slender on-wall speaker and high-performance home cinema models. Whether installed in a spacious living room or a cosy corner, the diversity of form factors and capabilities within the Q Series allows you to curate your desired HiFi set up to suit your space and listening preferences, from music to movies and gaming.

Multi-dimensional music

Lose yourself in a symphony, rock out to your favourite band, or curate a mood-boosting playlist - the Q Series speakers are primed to deliver a captivating audio experience. There are two 3-way floorstanding models - Q11 Meta and Q7 Meta - which provide refined detail and powerful bass to bring your music to life. If you want to place the speakers on a cabinet or shelf, the Q Series provides a selection of bookshelf speakers including the 3-way Q Concerto Meta, as well as the more compact Q3 Meta and Q1 Meta. Designed for Q Series bookshelf speakers, the SQ1 floor stand creates a sturdy platform for them to perform. For those with constraints on floor or shelf space, the Q3 Meta and Q1 Meta can be easily wall-mounted using the optional B2 Wall Bracket. Additionally, the slender Q4 Meta is specifically designed as an on-wall speaker solution. It can also be used as an LCR (left, centre, right) speaker for a more expansive soundscape without taking up any floorspace.

Movie moment, maximised

The Q6 Meta 3-way centre speaker features the same Uni-Q driver as the main speakers, providing a perfect tonal match and a seamless soundstage. This ensures voices are crisp and clear, delivering excellent dialogue clarity. This versatile closed-box speaker is also designed to be used as an LCR (left, centre, right) speaker that can be positioned in cabinets and alcoves.

Sense everything from every direction with the addition of surround sound to create an immersive and atmospheric experience. The flexible Q4 Meta on-wall speaker is ideal for use as a surround speaker. The Q8 Meta can serve as a surround or rear speaker with the integrated wall mount feature. Alternatively, it can be placed upon another main speaker for Dolby Atmos height to bounce sound off the ceiling, bringing Dolby Atmos to the room without the need of custom installation. Pair the Q Series with KEF subwoofers for even more extraordinary impact. Whether it's the subtle rustle of leaves in a forest scene or the dynamic swell of a suspenseful scene, the Q Series will ensure you don’t miss any important moments.

Detail by design

The Q Series speakers feature a contemporary minimalist design with a satin finish that offers a premium, subtle glow. Available in Satin Black, Satin White, and Walnut finishes with carefully selected colour driver units, they are designed to blend effortlessly into any interior. Dedicated grilles are included with the speakers, providing the option to protect the drivers if needed. These colour-matched grilles maintain the cohesive aesthetic, while the magnetic fixing provides a secure and precise fit, in keeping with the clean and seamless styling of the Q Series.

Specifications

Design
Three-way bass reflex

Drive units
Uni-Q Driver Array:
HF: 19 mm (0.75 in.) vented aluminium dome with MAT
MF: 100 mm (4 in.) aluminium cone
LF: 3 x 165 mm (6.5 in.) hybrid aluminium cone

Frequency range (-6dB)
37 Hz - 20 kHz

Typical in-room bass response (-6dB)
26 Hz

Frequency response (±3dB)
44 Hz - 20 kHz 

Crossover frequency
480 Hz, 2.7 kHz

Amplifier requirements
15 - 225 W

Sensitivity (2.83V/1m)
89 dB

Harmonic distortion (90dB, 1m)
<2% 29 Hz and above
<1% 31 Hz - 20 kHz

Maximum output
113 dB

Impedance
4 Ω (min. 3.2 Ω)

Weight *
22.5 kg (49.6 lbs.)

Dimension (H x W x D) with terminal *
1061 x 210 x 380 mm (41.8 x 8.3 x 15.0 in.)

Dimension (H x W x D) with terminal with Plinth *
1112 x 317 x 380 mm (43.8 x 12.5 x 15.0 in.)

Finishes
Satin Black / Satin White / Walnut
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SKU: 42062776437

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4.0 ★★★★★
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Product Reviews
C
Verified Purchase
C. Tucker
Port Orchard, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 15, 2018
M
Verified Purchase
mrliteral
Natrona Heights, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
A
Verified Purchase
Arthur E. Williams
Houston, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2006
D
Verified Purchase
db
Natrona Heights, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
S
Verified Purchase
SteelBlue
Boise, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 2, 2005

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