Hanyo (The Housemaid)

Hanyo (The Housemaid)Condition: BRAND NEW ISBN: 9781839025860 Format: Trade paperback (UK) Year: 2025 Publisher: Bloomsbury Description: The upwardly mobile Kim family employs a young woman to help manage their new house. Mr. Kim begins an affair with the nameless 'housemaid', who soon drags the entire family into a terrible tragedy The director Kim Ko young played a formative part in South Korean cinema's "Golden Age" of the 1960s and 1970s; his 1960 masterpiece, Hanyo

Condition: BRAND NEW
ISBN: 9781839025860
Format: Trade paperback (UK)
Year: 2025
Publisher: Bloomsbury


Description:



The upwardly mobile Kim family employs a young woman to help manage their new house. Mr. Kim begins an affair with the nameless 'housemaid', who soon drags the entire family into a terrible tragedy - The director Kim Ko-young played a formative part in South Korean cinema's "Golden Age" of the 1960s and 1970s; his 1960 masterpiece, Hanyo (The Housemaid), rescued and restored after almost being lost, is today widely regarded as one of the greatest South Korean films of all time. Directors such as Park Chan-wook, Im Sang-soo, Kim Ki-duk, Ryu Seung-wan and Kim Jee-woon have all praised the film, and Bong Joon-ho has referred to Hanyo as "the Citizen Kane of Korean cinema," citing it as an inspiration for his film, Parasite (2019).


In this book, Youngmin Choe argues that Hanyo encapsulates the mood of social change in postwar South Korea during the period of tremendous upheaval and rapid transformation that followed the devastating war, which divided families across the newly formed Cold War boundaries. The housemaid a figure that Kim Ki-young would explore repeatedly throughout his career was a young woman driven by greed and envy, a femme-fatale set loose on the middle-class home. A monstrous embodiment of the destructive desires of capitalism, which recklessly eroded the foundations of tradition, this housemaid served as the conscience of a period that otherwise leaned heavily into economic transformation, pointing to the anxiety that undergirded what might be otherwise regarded as a time of 'progress'. Going beyond the traditionalist approaches that resist feminist readings of Hanyo, Youngm