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Description
MACH LED 6MC Ceiling Model (< 2.80 m)Product overview Outstanding colour rendering (Ra = 98 and R9 (red) = 99) High contrast and natural colour spectrum Excellent depth illumination Different lens types with focusing at 70, 100 and 130 cm Permanently homogeneous illumination of the wound field MACH LED 6MC An outstanding feature of the MACH LED 6MC surgical light from Dr. Mach is its excellent colour rendering. With precise reproduction of the colour red, this surgical light ensures
Product overview- Outstanding colour rendering (Ra = 98 and R9 (red) = 99)
- High contrast and natural colour spectrum
- Excellent depth illumination
- Different lens types with focusing at 70, 100 and 130 cm
- Permanently homogeneous illumination of the wound field
MACH LED 6MC
An outstanding feature of the MACH LED 6MC surgical light from Dr. Mach is its excellent colour rendering. With precise reproduction of the colour red, this surgical light ensures remarkable detail recognition, allowing for the identification of even the subtlest colour nuances in tissue.
Furthermore, the surgical light stands out with its remarkable depth illumination, achieved through a modern cascade system. This system uses different types of lenses that have their focusing at 70, 100 and 130 cm respectively. In addition, the light has a large focal range.
Important note: the prices listed for both ceiling and wall models only include the cost of the light itself, and additional expenses may apply for installation, mounting materials, and the services of a structural engineer for structural integrity verification.
Product Details
- MACH LED 6MC from Dr. Mach
- Surgical light with powerful and energy-saving LED technology
- Outstanding colour rendering values of up to Ra = 98 and R9 (red) = 99
- Optimal detail recognition thanks to the exact reproduction of the colour red
- Tiniest nuances of colour easily recognisable in tissue
- High-contrast and natural colour spectrum
- Noticeably pleasant operating light, no eye fatigue
- Excellent depth illumination
- Equipped with a modern cascade system
- Use of different lens types with focusing at 70, 100 and 130 cm
- No manual readjustment of the depth of the surgical field necessary
- Variable light field size controllable by turning the sterilisable handle
- Spot illumination of deepest wound channels with high light intensity
- Exact adjustment of the light field to the wound filed size
- Constant brightness even with electronic light field adjustment
- Numerous sensors enable excellent shadow management
- Permanent homogeneous illumination of the wound field
- Available in different variants
Specifications
| Illuminance | 140,000 Lux (1 m distance) |
| Colour rendering index | 98 Ra |
| Colour temperature | 3750, 4000, 4250, 4,500 und 4750 Kelvin |
| Dimming range | 20-100% |
| Number of LEDs | 69 |
| Light field size | Ø 18-30 cm (focusable) |
| Power consumption | 72 W |
| LED service life | ≥ 60.000 |
| Working range | 70-160 cm |
| Light body | Ø 58 cm |
NB: Please note that the Ceiling Model (< 2.80 m) with spring arm is suitable for room heights below 2.80 m, while the Ceiling Model (2.80-3.00 m) is designed for room heights between 2.80 m and 3.00 m. For both the wall and ceiling models, the appropriate power supply unit must be ordered separately. The Stand model however, is delivered with a power supply unit.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
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- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 28 reviews
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Product Reviews
★★★★★ 5
A stark, brutish "Petulia" with a pistol in its pocket
It's about time this movie got released on DVD.
It's odd that a film could spawn a remake ("Payback"), a glib nod ("Grosse Pointe Blank") and countless homages ("The Limey," among others) and still be as underseen as "Point Blank."
The lack of a disc certainly didn't help its low profile, but of course this is a challenging, idiosyncratic movie, even three decades later. The plot is simple -- a crook is betrayed by his wife and partner and spends the rest of the movie trying to get what he's owed -- but the editing and narrative structure is unusual. What in the world did audiences possibly make of this back when it was first released?
It's a remarkable film, as startling and innovative as Richard Lester's "Petulia," although admittedly it's thematically much less complex.
This edition is excellent, too. Great sound, great picture and a fantastic commentary by director John Boorman and big-time "Point" fan Steven Soderbergh, who laughingly admits to Boorman that he's ripped this movie off more than a few times. Their chat is more technical than gossipy and deals heavily with the editing, the production (the script was only 70 pages long), the studio's concerns about the picture, the actors, violence, surrealism (is it all a dream?) and Boorman's elaborate use of color (the tones of clothing and sets intensify over the course of the film).
I've gotten a lot of good DVD's this year but in terms of content, presentation and extas, this is one of the best.
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Reviewed in the United States on August 1, 2005
★★★★★ 4
One of Marvins better offerings
Like the Killers before marvin was almost destined to play the part of Walker in this fast moving gut wrenching but always realistic thriller brilliantly collaborated by Marvin and Boorman who had no peer in this type of film.For those unenlightened souls who downplay Marvins career this was the one that to my mind surpassed most of his prior efforts with the exception of the Killers which was above par in all respects.Marvin was ahead of the pack in the 60s playing this type of hard nosed no nonsense gangster type, no other actor came close and type casted him to some extent in this type of role which unlike may actors became a positive in his career. Just to show his brilliance as an actor he gave us later comedy roles which produced more acting accolades than that material for which he was better known namely what we see in Point Blank.He carries the whole movie as did all the great actors of that era and many since which in itself is the hallmark of greatness. Marvin was a man who so perfectly personified the parts he was playing that often other actors looked wooden in comparison.He was one of the rare individuals who could take a small co starring role and end up being the star of the movie, no mean feat when you were up against the best in the business at that time and there were plenty in the 60 and 70s.To my mind Point Blank will always be a MARVIN film and this is not to downplay other good workmanlike performances in the film but it will always rank highly in Marvins body of work which is a cut above his contemporaries in the roles for which he was known and appreciated.As for the film it played out in fairly predictable fashion until the final scenes under the golden gate brige which gave a nice twist and left the viewer unsure whether Walker did in fact take his money or simply leave the scene of the set up empty handed. The obvious answer is that he waited till the coast was clear and took his money. It is hard to accept that he did otherwise.In retrospect a movie that stands up 40 odd years later and is just as watchable as it was in 67. No mean feat.
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Reviewed in the United States on May 20, 2010
★★★★★ 5
A forerunner to Dirty Harry and Lee Marvin shining...
If you liked "The Getaway" or "Dirty Harry", then meet their forerunner.
"Point Blank" is explosive, fast-paced, and still the acting is there.
Good acting that is.
Lee Marvin is at his best. Angie Dickinson. in her strong performance, is as beautiful as ever. Keenan Wynn and Carroll O'Connor play their parts to the hilt and it truly shows. John Vernon (who was The Mayor in "Dirty Harry") plays a slimy type with diligence and very believable.
Add the killing pace of the entire picture, and you have a hot item, as sharp and cutting as "Film Noir" can be.
Yes, because this is still a "Film Noir", despite the fact that it was filmed in Color and in the mid-sixties.
John Boorman ("Hell in the Pacific", "Deliverance" and "The Emerald Forest"), skillfully "color coded" the entire movie, bringing it from absolute colors at the beginning, to more red-tinted ones towards the end.
The only difference from a true "Film Noir" is its fast-paced storyline, that would lead us to movies as I have mentioned above.
Marvin's minimalistic acting, but forceful presence, is enough to fill every frame of the movie with tension, action and complete mayhem.
Compare him in "The Dirty Dozen" and "The Big Red One" and you will see what I mean.
A big plus was the release on DVD. An excellent transfer with a sharp picture resolution, a clearcut sound, make it a very enticing experience to watch it at home.
This is not just a Highly Recommended title. It is simply a Must!
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Reviewed in the United States on April 20, 2007
★★★★★ 5
Whiter teeth with out the trays
Size: 3.8 Ounce (Pack of 1)
Love this toothpaste! My teeth are a lot whiter and brighter. Doesn’t leave a bad taste in my mouth. Highly recommend this product.
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Reviewed in the United States on May 24, 2026
★★★★★ 5
smile time!!
Size: 3.8 Ounce (Pack of 1)
Love the whiteness! Works in a few weeks!
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Reviewed in the United States on June 8, 2026
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