SKU: 17892162029

XL SCHEURICH KERAMIK FAT LAVA VASE Nr. 517/30

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Description

XL SCHEURICH KERAMIK FAT LAVA VASE Nr. 517/30A tall SCHEURICH KERAMIK vase with a fiery orange, black, and deep red fat lava glaze on a beautifully urn shaped tapered body. SCHEURICH KERAMIK had its origins in a joint venture launched in 1928 by Alois Scheurich (d. 1968) and his cousin Fridolin Greulich in the small town of Schneeberg near the Czech border in Saxonywholesaling glass, porcelain, and ceramics. The business was moved to the market community of Kleinheubach in the northeast corner

A tall SCHEURICH KERAMIK vase with a fiery orange, black, and deep red fat-lava glaze on a beautifully urn-shaped tapered body.


SCHEURICH KERAMIK had its origins in a joint venture launched in 1928 by Alois Scheurich (d. 1968) and his cousin Fridolin Greulich in the small town of Schneeberg near the Czech border in Saxony—wholesaling glass, porcelain, and ceramics. The business was moved to the market community of Kleinheubach in the northeast corner of Bavaria in 1938, and ten years later the partners began to produce household ceramics of their own, selling them under the name Scheurich & Greulich. The partnership was dissolved in 1954, and Alois founded Scheurich GmbH & Co. KG to continue production on his own. The new company employed Germany's first electrical tunnel kiln.

The celebrated designer Heinz Siery was recruited as SCHEURICH’s lead modeler the following year in 1955. In addition to creating his own extensive range of shapes, Siery helped the firm develop its overarching product strategy. SCHEURICH would manufacture an assortment of simple forms that could be made cheaply and then decorated in a great variety of glazes. The natural result was an enormous range of merchandise that was both diverse and easily adaptable. The approach proved altogether successful.

Low prices combined with a dizzying array of attractive designs translated into millions in sales for SCHEURICH, and the company remained one of the largest manufacturers of ceramics in Germany through the 1980s. To keep pace with the public's ever-changing tastes, décors were adapted twice a year. Some of the better-known décors include the hand-painted Montignac (1972–1973); Amsterdam (1974–1975), with its onion motif (Zwiebeldekor); Fabiola, with its flowing, brown-red top glaze; and Jura, with its fossil, or snail, motif.

Among the more famous components of the décors used to finish mid-century ceramics are the unusually thick, often flowing glazes nicknamed "fat lava." (Strictly speaking, "fat" is something of a misnomer, generally thought to be a careless translation of the German word groß—meaning "large," or "thick"—referring here to the depth of the glaze, how much it rises above the surface of the clay, not its viscosity.) The term has proven slippery. Some conflate it with volcanic glazing generally, where the use of certain ingredients causes controlled, gaseous explosions, producing holes in the glazes that are visually suggestive of lava (or the surface of the moon); some apply it wholesale to all German pottery from the mid-century! Regardless, fat lava glazes were very popular in the '60s and '70s, and SCHEURICH produced many stunning examples.

SCHEURICH KERAMIK used white clay exclusively. Objects were always formed by mold and were fired at 1000 degrees Celsius. A minimum of 500 pieces were made of every item that was produced. Identifying marks were embossed on the base. Model numbers are three digits long and followed by the height of the object in whole (in a few instances, half) centimeters, usually with a dash separating the two components. Most SCHEURICH items have no embossed company mark. If noted, the country of origin appears as either W. GERMANY or WEST GERMANY (occasionally abbreviated to GERM). Many SCHEURICH items retain their original foil or paper labels.

SCHEURICH KERAMIK exported more ceramics than any other German company. Some lines were specifically manufactured for foreign markets. Indeed, the historical distributions of particular forms and glazes suggest that some were produced for specific countries. The bottoms of exported vases are often embossed with the word "FOREIGN" rather than "WEST GERMANY." Not surprisingly, some vases so marked wound up on the home market.

In addition to vases, SCHEURICH's mid-century output included flower pots, ashtrays, piggy banks, candle holders, beer mugs, buffet clocks, and wall plaques. By the late 1980s, the shapes and colors of its vases had become rather pedestrian; this work is not attractive to collectors. As a subsidiary of Sheurich-Group GmbH, the European market leader for indoor and outdoor planters, SCHEURICH KERAMIK is still in operation today.


KEY DESIGNERS:

  • Heinz Siery, forms
  • A Seidel, forms
  • Oswald Kleudgen, glazes

DETAILS

Maker – SCHEURICH KERAMIK

Production Period/Year – 1970s

Designer – UNKNOWN

Design Period/Year – 1970s

Origin – WEST GERMANY

Styles/Movements – MID-CENTURY MODERN

Materials – CERAMIC

Colors – RUBY RED, BURGUNDY, APRICOT

Condition – Excellent vintage condition. May show minor signs of previous use.

Dimensions – 5 ½" DIAM. × 11 ¾" H

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SKU: 17892162029

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Verified Purchase
joan
Battle Creek, US
★★★★★ 5
Will purchase again
Size: 8.5"*11", Color: 150 sheets
Paper has a high quality fell takes ink well print quality is amazing did not have any issues with smudging can be use for many different projects
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 5, 2026
G
Verified Purchase
Groschke
Los Angeles, US
★★★★★ 5
High Transfer, Bright Colors & No Ghosting
Size: 8.5"*14", Color: 150 sheets, Size: 8.5"*14", Color: 150 sheets
This HTVRONT sublimation paper 8.5x14 inch has been excellent for my sublimation projects. The 120gsm weight feels sturdy and feeds smoothly through my inkjet printer without jams or curling. It holds ink well, which helps produce clean, sharp prints before pressing. The transfer results are impressive. Colors come out vibrant and true, with strong detail and no dull or faded areas. I’ve had very little ghosting, and designs transfer evenly onto shirts, mugs, and other sublimation blanks. The claimed high transfer rate really shows in the final results. I also like the larger 8.5x14 size, which gives extra space for bigger designs or multiple smaller prints on one sheet. The paper releases well during pressing, leaving minimal residue and clean edges. Pros: ✔ Bright, vibrant color transfer ✔ Minimal ghosting or smudging ✔ Smooth printer feeding ✔ Great for shirts, mugs, and hard blanks ✔ Good value for the sheet count Cons: – Must be used with sublimation ink – Requires correct heat press settings for best results Overall, this HTVRONT sublimation paper is a reliable choice for anyone doing sublimation printing who wants strong color transfer, crisp detail, and consistent results. Great for both beginners and small business use.
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Reviewed in the United States on January 25, 2026
C
Verified Purchase
Cassandra Charlton
Natrona Heights, US
★★★★★ 4
Thin but with extra step works great
Size: 8.5"*11", Color: 150 sheets
It sublimated great but it’s thinner than what I normally use so it take an extra step to not have over lapping but it’s cheaper and you get more so definitely worth the price
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Reviewed in the United States on December 3, 2025
A
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Alicia
Alexandria, US
★★★★★ 5
Recommend
Size: 4x9.5inch
First, the sizing is absolutely perfect for these projects. Instead of wasting large sheets and having to cut them down, these pre-cut sizes save a ton of time and effort — and most importantly, reduce paper waste. The quality of A-Sub paper has always been excellent: it holds vibrant colors beautifully, releases ink consistently, and produces crisp, sharp designs. Both of these sizes continue that tradition. I’ve noticed my images transfer smoothly and evenly every time, whether I'm working on ceramic mugs or glass tumblers. In terms of value, these smaller sheets are definitely worth the price. You get professional-quality results without using more paper than you need, which in the long run saves money and materials. Overall, I highly recommend these A-Sub sublimation papers for anyone looking to streamline their mug and tumbler production. They’re efficient, reliable, and a great investment for any sublimation business or hobbyist. - send me stuff to review.
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Reviewed in the United States on June 28, 2025
D
Verified Purchase
Deicy Rodriguez
Alexandria, US
★★★★★ 5
100% recommended, excellent product
Size: 3.5x9inch
Great paper quality. Prints are sharp and vibrant. Works perfectly for sublimation.
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Reviewed in the United States on April 24, 2026

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