SKU: 11194746731

Various Artists - Even the Forest Hums: Ukrainian Sonic Archives 1971-1996 (Various Artists)

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Various Artists - Even the Forest Hums: Ukrainian Sonic Archives 1971-1996 (Various Artists)Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971 1996 the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the USSR's collapse. From subtly dissenting Soviet era singles to DIY recordings from Kyiv's vibrant underground scene, the compilation chronicles the development of Ukraine's rich musical landscape through rare folk, rock, jazz, and electronic

Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996-the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the USSR's collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv's vibrant underground scene, the compilation chronicles the development of Ukraine's rich musical landscape through rare folk, rock, jazz, and electronic recordings. "This record is a labor of love and a long time coming," says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("DBGO"), Mark "Frosty" McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. "We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project," Sullivan continues, "so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue." Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii "Bard" Bardetskyi-a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko's beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book. Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine. "Music has always pulled Ukrainians out of the abyss," writes Vitalii "Bard" Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. "When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity." While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval-and certainly reflect the resilience of the Ukrainian people-they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country's flourishing music scene for themselves. Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. "Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios," explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren't necessarily what they seemed. "Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet." Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. "This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves," writes Bardetskyi, who refers to this era of music as "Mustache Funk." Examples featured in Even the Forest Hums... include 1971's "Bunny" by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of "Mustache Funk" comes from the latter half of the decade, with the Caribbean-influenced "Remembrance" by Vodohrai. While the group-which included some of the best jazz musicians in the country-had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live. While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. "The Soviet system finally understood that funkified beats quite strongly contradict[ed] [it's] principles," notes Bardetskyi, who adds that by the 80s, "The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers." With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine's independence was marked by great turmoil-including the political reform of Perestroika in the USSR and the Chernobyl disaster-it also marked a time of incredible creativity. Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque "Dance" (written for Roman Balaian's iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the USSR's only existing British EMS Synthi 100 synthesizer. Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980's "Play, the Violin, Play," by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987's "Oh, how, how?," in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam. As the fall of communism approached, the scene continued to diversify-particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as "The first real Kyiv supergroup," Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow "Breath of Night Kyiv." By the late 80s, Kyiv "was buzzing like a beehive," recalls Bardetskyi. "It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound." While rock bands comprised much of this era's first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

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SKU: 11194746731

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4.8 ★★★★★
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Kimberly G
Lexington, US
★★★★★ 5
delightful read
Format: Kindle
What a delightful read. The characters are awesome, the plot was so good, I loved it. I was intrigued and it kept me wanting more. Told in multiple pov, the book sucks you in and doesn’t let go. I cannot wait to read the next book.
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Reviewed in the United States on January 30, 2025
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Kimberly B
Fort Morgan, US
★★★★★ 4
not bad
Format: Kindle
I loved the plot of this book. The characters just didn’t have a lot of depth. The connections and “love” just weren’t communicated very well in the writing. The author didn’t write the sweet psycho trope very well at all either. Lachlan was just a mess of a character.
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Reviewed in the United States on November 17, 2023
C
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Carmen Alicea
Dallas, US
★★★★★ 5
A Beta Worth Rooting For
Format: Kindle
In Spare, Violet Fox flips the omegaverse on its head, giving us a Beta heroine determined to make her mark. Joining the Beta Trials to support her sick father, she's thrown into a pack that doesn't want her, especially the possessive Alphas. But here's the twist: their sweet Omega turns out to be her scent match. Cue the angst, forbidden tension, and a slow-burn romance that will make your heart ache in the best way. Violet Fox delivers an emotional, refreshing take on the genre, proving Betas aren't "spares." They're stars.
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Reviewed in the United States on January 10, 2025
C
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C. Hunter
Dallas, US
★★★★★ 5
Beta, Alpha, Omega oh my!
Format: Kindle
Omegas are precious and given to Alphas & their packs... but the Betas want in too. To this end, the Beta government is rolling out its trial of assigning a Beta to each Alpha-Omega pack. But forcing a Beta into a pack where they are not wanted will not end well... Of course, no one expected the Omega to fall for the assigned Beta. Great read and cliffhanger
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Reviewed in the United States on February 15, 2025
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B. Stubby
Omaha, US
★★★★★ 3
A familiar story, just with…..less.
Format: Kindle
So, as other reviewers make clear, this is very similar to Pack Darling and The Beta. It’s much closer aligned with The Beta, in plot and maybe more like Pack Darling with characters. That being said, I don’t hate this…..but it wasn’t great either. It’s both books mentioned but just….less. Less angst, less emotion, less feeling. The plot feels very half fleshed out, and the “bad guy” feels underwhelming. I didn’t really feel any real emotions from and of the male leads, except maybe Oliver. The others fell sorta flat for me. And Mika makes herself out to be this big bad ass straight outta training and then we never see it from here again with the one fitting room incident as the exception. SPOILER: The whole, “Oh, I’m actually probably an Omega, but I don’t wanna be but I do actually wanna be but no one can ever know my secret that I do nothing to hide “ thing fell so flat. She never commutes to believing she was secretly an omega, but also mentions her “secret” a lot. It just felt so manufactured. I’m intrigued enough to read part 2 and see how the author closes everything out, but this is not one I’ll recommend or ever come back to.
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Reviewed in the United States on February 13, 2024

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