SKU: 18857060616

Bob Dylan - The Bootleg Series Volumes 1 - 3 [Rare & Unreleased] 1961-1991 (3xCD, Comp, RE)

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Bob Dylan - The Bootleg Series Volumes 1 - 3 [Rare & Unreleased] 1961-1991 (3xCD, Comp, RE)Media Condition: Mint (M) Sleeve Condition: Near Mint (NM or M ) Comments: SEALED , brand new copy General notes about this release (please note: our version may differ a little. see the comments above): Sony Music Entertainment Inc. Sony Music Entertainment Inc. "Columbia" This collection contains rare and unreleased recordings covering the period from 1961 through to its release in 1991. Includes 60 page coloured booklet with extensive liner notes

Media Condition: Mint (M)
Sleeve Condition: Near Mint (NM or M-)

Comments:
SEALED , brand new copy

General notes about this release (please note: our version may differ a little. see the comments above):
© Sony Music Entertainment Inc./℗ Sony Music Entertainment Inc./"Columbia" This collection contains rare and unreleased recordings covering the period from 1961 through to its release in 1991. Includes 60-page coloured booklet with extensive liner notes to every song. Comes in a carton box set. Columbia Outtakes mixed at The Sony Music Studio Operations, New York City. - Shot Of Love, Desire, Planet Waves outtakes mixed at RPM Studio, New York City. - Slow Train Coming, Infidels, Empire Burlesque outtakes mixed at Power Station, New York City. Kingsport Town (1-12): Unknown second guitar. Last Thoughts On Woody Guthrie (1-22): Poem recitation. If You Gotta Go, Go Now (2-7): Unknown background vocalist If Not For You (2-15): Unknown additional guitar. Tangled Up In Blue (2-18): Unknown additional acoustic guitar, possibly Charles Brown III, Eric Weissberg, Barry Kornfeld. Need A Woman, Angelina (3-8; 3-9): Possible performers Fred Tackett, Bob Tench, Tim Drummond, Jim Keltner, Regina Havis, Clydie King, Carolyn Dennis. Series Of Dreams (3-16): Remix with overdubs, 1/91, New York City. The typeface of the credits suggests, that Peter Wood and Rick DiFonzo did the overdubs. Track 1-1 -Copyright © 1962, 1965 MCA. Recorded Live in a Minnesota Hotel room, Minneapolis, Minnesota 12/22/61. Track 1-2 - Copyright © 1962 MCA. Recorded at CBS Studios, New York City 11/20/61. Outtake from the album "4221". Track 1-3 - Copyright © 1962, 1965 MCA. Recorded at CBS Studios, New York City 11/22/61. Outtake from the album "4221". Track 1-4 - Copyright © 1991 Special Rider Music. Recorded Live at The Gaslight Cafe, Greenwich Village, New York City, Late 1962. Track 1-5 - Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 3/19/61. Outtake from the album "4455". Track 1-6 - Copyright © 1962, 1965 MCA. Recorded at CBS Studios, New York City, 4/25/62. Outtake from the album "4455". Track 1-7 - Copyright © 1963, 1965 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 4/25/62. Outtake from the album "4455". Track 1-8 - Copyright © 1962, 1965 MCA. Recorded at CBS Studios, New York City 11/24/62. Outtake from the album "4455". Track 1-9 - Copyright © 1963, 1968 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 4/25/62. Outtake from the album "4455". Track 1-10 - Copyright © 1963, 1964 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 7/9/62. Outtake from the album "4455". Track 1-11 - Copyright © 1991 Special Rider Music. Recorded 7/9/62. Outtake from the album "4455". Track 1-12 - Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 11/14/62. Outtake from the album "4455". Track 1-13 - Copyright © 1963, 1965 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at the Witmark Studios, New York City, sometime during 1963. Publishing demo for the Witmark Music Publishing Company. Track 1-14 - Copyright © 1963 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 4/24/63. Outtake from the album "4455". Track 1-15 - Copyright © 1964 Warner Chappell. Recorded at CBS Studios, New York City, 8/12/63. Outtake from the album "4030". Track 1-16 - Copyright © 1970, 1973 Special Rider Music. Recorded Live at Carnegie Hall, New York City, 10/26/63. Track 1-17 - Copyright © 1964, 1965 Warner Chappell. Recorded Live at Carnegie Hall, New York City, 10/26/63. Track 1-18 - Copyright © 1963, 1968 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 8/12/63. Outtake from the album "4030". Track 1-19 - Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 8/12/63. Outtake from the album "4030". Track 1-20 - Copyright © 1963, 1964 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at the Witmark Studios, New York City, sometime during 1962. Publishing demo for the Witmark Music Publishing Company. Track 1-21 - Copyright © 1963, 1968 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at the Witmark Studios, New York City, sometime during 1963. Publishing demo for the Witmark Music Publishing Company. Track 1-22 - Copyright © 1973 Special Rider Music. Poem recitation Recorded Live in concert at Town Hall, New York City, 4/12/63. Track 2-1 - Copyright © 1963, 1964 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 8/6/63. Outtake from the album "4030". Track 2-2 - Copyright © 1963, 1964 Warner Chappell; Copyright renewed 1991 by Special Rider Music. This arrangement Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 10/24/63. Outtake from the album "4030". Track 2-3 - Copyright © 1991 Special Rider Music. Recorded at CBS Studios, New York City, 10/24/63. Outtake from the album "4030". Track 2-4 - Copyright © 1964, 1967 Warner Chappell. Recorded at CBS Studios, New York City, 1/13/65. Outtake from the album "3823". Track 2-5 - Copyright © 1964, 1966 Warner Chappell. Recorded at CBS Studios, New York City, 1/13/65. Outtake from the album "3823". Track 2-6 - Copyright © 1965 Warner Chappell. Recorded at CBS Studios, New York City, 1/13/65. Alternate acoustic version. Track 2-7 - Copyright © 1965 Warner Chappell. Recorded at CBS Studios, New York City, 1/15/65. Outtake from the album "3823". Track 2-8 - Copyright © 1970 Warner Chappell. Recorded at CBS Studios, New York City, 6/15/65. Outtake from the album "3986". Track 2-9 - Copyright © 1965 Warner Chappell. Recorded at CBS Studios, New York City, 6/15/65. Rehearsal in studio. Track 2-10 - Copyright © 1965 Warner Chappell. Recorded at CBS Studios, New York City, 6/15/65. Alternate version. Track 2-11 - Copyright © 1965, 1968 Warner Chappell. Recorded New York City, 1/27/66. Rehearsal in studio. Track 2-12 - Copyright © 1971, 1976 Dwarf Music. Recorded at CBS Studios, New York City, 1/21/66. Outtake from the album "3773". Track 2-13 - Copyright © 1967, 1976 Dwarf Music. Recorded during the Fall, 1967, with The Band. Outtake from the album "14459". Track 2-14 - Copyright © 1973 Dwarf Music. Recorded during the Fall, 1967, with The Band. Outtake from the album "14459". Track 2-15 - Copyright © 1970, 1985 Big Sky Music. Recorded 5/1/70. Alternate version. Track 2-16 - Copyright © 1971, 1976 Ram's Horn Music. Recorded New York City, 11/4/71. Studio recording. Track 2-17 - Copyright © 1973, 1976 Ram's Horn Music. Recorded Los Angeles, California, 11/2/73. Outtake from the album "28123". Track 2-18 - Copyright © 1974, 1976 Ram's Horn Music. Recorded 9/16/74. Original New York studio session for the album "3878". Track 2-19 - Copyright © 1974 Ram's Horn Music. Recorded 9/16/74. Original New York studio session for the album "3878". Track 2-20 - Copyright © 1974, 1976 Ram's Horn Music. Recorded 9/16/74. Original New York studio session for the album "3878". Track 3-1 - Copyright © 1974, 1976 Ram's Horn Music. Recorded 9/16/74. Original New York studio session for the album "3878". Track 3-2 - Copyright © 1975, 1976 Ram's Horn Music. Recorded 7/30/75. Outtake from the album "3911". Track 3-3 - Copyright © 1975, 1976 Ram's Horn Music. Recorded 7/28/75. Outtake from the album "3911". Track 3-4 - Copyright © 1976, 1979 Ram's Horn Music. Recorded Live, Tampa, Florida, 4/21/76. Track 3-5 - Copyright © 1979 Special Rider Music. Recorded at Muscle Shoals Studio, Sheffield, Alabama, 5/2/79. Outtake from the album "4265". Track 3-6 - Copyright © 1981 Special Rider Music. Recorded 9/23/80. Publishing demo for Special Rider Music. Track 3-7 - Copyright © 1982 Special Rider Music. Recorded at Clover Studios, Los Angeles, California, 4/23/81. Outtake from the album "28063". Track 3-8 - Copyright © 1982 Special Rider Music. Recorded at Clover Studios, Los Angeles, California, 5/4/81. Outtake from the album "28063". Track 3-9 - Copyright © 1981 Special Rider Music. Recorded at Clover Studios, Los Angeles, California, 5/4/81. Outtake from the album "28063". Track 3-10 - Copyright © 1983 Special Rider Music. Recorded New York City, 4/25/83. Early version of the song "Tight Connection To My Heart". Track 3-11 - Copyright © 1983 Special Rider Music. Recorded New York City, 4/21/83. Outtake from the album "27903". Track 3-12 - Copyright © 1983 Special Rider Music. Recorded New York City, 5/3/83. Outtake from the album "27903". Track 3-13 - Copyright © 1983 Special Rider Music. Recorded New York City, 4/25/83. Outtake from the album "27903". Track 3-14 - Copyright © 1983 Special Rider Music. Recorded New York City, 5/5/83. Outtake from the album "27903". Track 3-15 - Copyright © 1985 Special Rider Music. Recorded New York City, 2/19/85. Original version. Track 3-16 - Copyright © 1989 Special Rider Music. Recorded New Orleans, 3/23/89. Outtake from the album "27823". Overdubs 1/91, New York City.

 

. Volume 1
1-1. Hard Times In New York Town 2:17
1-2. He Was A Friend Of Mine 4:03
1-3. Man On The Street 1:54
1-4. No More Auction Block 3:02
1-5. House Carpenter 4:08
1-6. Talkin' Bear Mountain Picnic Massacre Blues 3:44
1-7. Let Me Die In My Footsteps 3:33
1-8. Rambling, Gambling Willie 4:11
1-9. Talkin' Hava Negeilah Blues 0:50
1-10. Quit Your Low Down Ways 2:37
1-11. Worried Blues 2:37
1-12. Kingsport Town 3:27
1-13. Walkin' Down The Line 2:52
1-14. Walls Of Red Wing 5:01
1-15. Paths Of Victory 3:17
1-16. Talkin' John Birch Paranoid Blues 4:24
1-17. Who Killed Davey Moore? 3:08
1-18. Only A Hobo 3:28
1-19. Moonshiner 5:05
1-20. When The Ship Comes In 2:54
1-21. The Times They Are A-Changin' 2:58
1-22. Last Thoughts On Woody Guthrie 7:08
. Volume 2
2-1. Seven Curses 3:46
2-2. Eternal Circle 2:38
2-3. Suze (The Cough Song) 1:57
2-4. Mama, You Been On My Mind 2:56
2-5. Farewell, Angelina 5:26
2-6. Subterranean Homesick Blues 2:55
2-7. If You Gotta Go, Go Now (Or Else You Got To Stay All Night) 2:54
2-8. Sitting On A Barbed Wire Fence 3:52
2-9. Like A Rolling Stone 1:35
2-10. It Takes A Lot To Laugh, It Takes A Train To Cry 3:21
2-11. I'll Keep It With Mine 3:38
2-12. She's Your Lover Now 6:09
2-13. I Shall Be Released 3:54
2-14. Santa-Fe 2:08
2-15. If Not For You 3:32
2-16. Wallflower 2:48
2-17. Nobody 'Cept You 2:39
2-18. Tangled Up In Blue 6:50
2-19. Call Letter Blues 4:27
2-20. Idiot Wind 8:52
. Volume 3
3-1. If You See Her, Say Hello 3:44
3-2. Golden Loom 4:25
3-3. Catfish 2:48
3-4. Seven Days 3:59
3-5. Ye Shall Be Changed 4:07
3-6. Every Grain Of Sand 3:37
3-7. You Changed My Life 5:13
3-8. Need A Woman 5:43
3-9. Angelina 6:57
3-10. Someone's Got A Hold Of My Heart 4:33
3-11. Tell Me 4:24
3-12. Lord Protect My Child 3:56
3-13. Foot Of Pride 5:56
3-14. Blind Willie McTell 5:51
3-15. When The Night Comes Falling Down From The Sky 5:37
3-16. Series Of Dreams 5:52

 

Barcode and Other Identifiers:

Barcode 5 099748 810021
Barcode 5099748810021
Label Code LC 0162
Rights Society BIEM
Rights Society SACEM SACD SDRM SGDL
Other 02-488100-10
Other CDX
Matrix / Runout S0248810010-0103 11 A3
Mastering SID Code IFPI L551
Mould SID Code IFPI 944B
Matrix / Runout S0248810010-0203 14 A2
Mastering SID Code IFPI L554
Mould SID Code IFPI 944B
Matrix / Runout S0248810010-0303 11 A1
Mastering SID Code IFPI L551
Mould SID Code IFPI 946B
Matrix / Runout Sony Music S0248810010-0103 41 A4
Mastering SID Code IFPI L551
Mould SID Code IFPI 94K7
Matrix / Runout Sony Music S0248810010-0203 55 A5
Mastering SID Code IFPI L555
Mould SID Code IFPI 94K1
Matrix / Runout Sony Music S0248810010-0303 11 D13
Mastering SID Code IFPI L551
Mould SID Code IFPI 94K7
Matrix / Runout Sony Music S0248810010-0103 41 A6
Mastering SID Code IFPI L551
Mould SID Code IFPI 94Z6
Matrix / Runout Sony Music S0248810010-0203 55 A5
Mastering SID Code IFPI L555
Mould SID Code IFPI 94Z5
Matrix / Runout Sony Music S0248810010-0303 11 C13
Mastering SID Code IFPI L551
Mould SID Code IFPI 94Z6
Matrix / Runout Sony Music S0248810010-0103 41 A6
Mastering SID Code IFPI L551
Mould SID Code IFPI 94Y3
Matrix / Runout Sony Music S0248810010-0203 55 A4
Mastering SID Code IFPI L555
Mould SID Code IFPI 94K1
Matrix / Runout Sony Music S0248810010-0303 11 C14
Mastering SID Code IFPI L551
Mould SID Code IFPI 94K2
Matrix / Runout Sony Music S0248810010-0103 41 A10
Mastering SID Code IFPI L551
Mould SID Code IFPI 94K6
Matrix / Runout Sony Music S0248810010-0203 55 A5
Mastering SID Code IFPI L555
Mould SID Code IFPI 94K6
Matrix / Runout Sony Music S0248810010-0303 11 C16
Mastering SID Code IFPI L551
Mould SID Code IFPI 94K6
Matrix / Runout Sony Music S0248810010-0103 41 A08
Mastering SID Code IFPI L551
Mould SID Code IFPI 94K2
Matrix / Runout Sony Music S0248810010-0203 55 A5
Mastering SID Code IFPI L555
Mould SID Code IFPI 94K4
Matrix / Runout Sony Music S0248810010-0303 11 C16
Mastering SID Code IFPI L551
Mould SID Code IFPI 94K8

 

Phonographic Copyright (p) Sony Music Entertainment Inc.
Copyright (c) Sony Music Entertainment Inc.
Made By Sony Music
Glass Mastered At DADC Austria

Data provided by Discogs
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A better topper from a company I trust
Color: Black, Size: Twin
I have a memory foam daybed that has seen better days. The top layer has started to shift from regular use, and I wanted something that would help hold it together. The Bedsure Twin Mattress Topper does exactly that and made a huge difference right away. This is a high quality, well constructed mattress pad. It fits securely over an extra thick mattress and stays in place. The corner bands under deep pockets are strong and keep everything aligned without slipping. The measurements are accurate. There are instructions to dry it, then leave it out to expand. There was no weird smell. What you see is exactly what you get, in a good way. The cushioning is even and comfortable, and the fabric feels thick and smooth. It adds structure while still improving comfort. It has a more premium look and function than expected, similar to what you would find in a Five-Star hotel. It feels expensive. I also appreciate that the color is not white. It looks cleaner over time and feels like a more practical choice. I have used several Bedsure products, and the quality has been consistent. I also like that it is a woman founded and owned brand, and they continue to improve their products.
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Reviewed in the United States on May 27, 2026
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MyHonestTake
Bozeman, US
★★★★★ 5
adds a touch of comfort!
Color: Black, Size: Queen, Color: Black, Size: Queen
I ordered this mattress topper for our guest bedroom. It is soft and adds a little plushness to the existing mattress. I ordered the queen size for our queen size mattress. It fit well, without much overlap from the mattress topper. The topper has elastic corner bands as well as the fitted sheet like band around the edge, so the topper should stay in place. The color is black, as shown and if you use light colored sheets, it will likely show through. To combat this, I used a white mattress protector overtop of the pillow topper. You cannot see it through our protector and white sheets. The topper is more like a padded mattress protector than a true topper. It reminds me of a pillow top, it's not foam just filled to add softness to the mattress. I think it's a great addition, it adds a little height and comfort to the mattress. Overall, I think this is a nice upgrade to our guest room. It fits well, and serves its intended purpose. I would recommend to anyone wanting to improve the comfort of their mattress.
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Natrona Heights, US
★★★★★ 4
Try it but have lower expectations
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Pros: -fairly heavy -fits right -soft enough to dream on -not too expensive Cons: -kinda lumpy feeling and that’s hard to shake -not the classiest wrap/attachment -a little stinky out of the box that can take a while to offgas or whatever It definitely upgrades a futon mattress, even if it doesn’t want to bend easily with it. It’s meant for a stationary mattress.
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Red panda
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Feels Like Sleeping on a Cloud
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This mattress topper completely transformed my bed. From the first night, I noticed how much softer and more comfortable my mattress felt. The pillow-top design adds a plush layer of cushioning without making the bed feel overly soft or unsupportive. I was especially impressed by how breathable it is. I tend to get warm while sleeping, but this topper stays comfortable throughout the night and doesn’t trap heat. The moisture-wicking fabric is a nice bonus and helps keep the bed feeling fresh. The deep-pocket design fit my mattress perfectly and stayed securely in place without shifting around. Installation was quick and easy, and the black color gives it a sleek, premium look. After fluffing up, it provided just the right amount of extra comfort and made my mattress feel much more luxurious. For the price, this topper offers excellent value and has greatly improved my sleep quality. I would definitely purchase it again and recommend it to anyone looking to add softness and comfort to their bed.
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Reviewed in the United States on May 30, 2026
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Michelle Pepe
Houston, US
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Feels Like Sleeping on a Cloud — One of My Favorite Bedsure Products Yet
Color: Black, Size: King
I’ve had really good experiences with Bedsure products over time, so whenever I get the chance to try another one I usually do, and this mattress topper definitely did not disappoint. This one went on my mom’s king size bed and the difference was noticeable immediately. The topper has a soft, cloud-like feel while still giving enough support underneath so you don’t just sink straight through it. It added a much more comfortable layer to the mattress and made the bed feel cozy and inviting without being overly heavy or hot. I also appreciated how easy it was to put on. The deep pocket design fit securely over the king mattress without struggling to stretch the corners, and once it was on, it stayed in place well through the night. The material feels breathable and smooth, which is especially nice for warmer nights. My mom commented that she slept really well with it and woke up feeling more comfortable than usual, which honestly says a lot. Overall this feels like a high-quality mattress topper that makes a bed instantly more comfortable. Bedsure continues to be one of those brands I trust for soft bedding and reliable quality.
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