SKU: 11032910566

Glatz Alu-Smart Ø 300 cm

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Description

Glatz Alu-Smart Ø 300 cmAlu Smart: De slimme alleskunner voor jouw buitenruimte De Alu Smart parasol is jouw ideale partner op zonnige dagen. Met zijn compacte formaat en doordachte ontwerp biedt hij de perfecte combinatie van gebruiksgemak en stijl. Deze parasol is gemaakt voor iedereen die houdt van comfort zonder concessies te doen aan design. Dankzij het intutieve schuifmechanisme is de Alu Smart met n soepele beweging te openen en sluiten, zodat jij in een handomdraai

Alu Smart: De slimme alleskunner voor jouw buitenruimte

De Alu Smart parasol is jouw ideale partner op zonnige dagen. Met zijn compacte formaat en doordachte ontwerp biedt hij de perfecte combinatie van gebruiksgemak en stijl. Deze parasol is gemaakt voor iedereen die houdt van comfort zonder concessies te doen aan design. Dankzij het intuïtieve schuifmechanisme is de Alu Smart met één soepele beweging te openen en sluiten, zodat jij in een handomdraai kunt genieten van heerlijke schaduw. Of je nu relaxt op je balkon, terras of in de tuin, de Alu Smart past overal.

Compact en stijlvol design

De Alu Smart bewijst dat klein en krachtig perfect samen kunnen gaan. Het slanke, minimalistische ontwerp voegt een moderne touch toe aan jouw buitenruimte, terwijl hij nauwelijks ruimte inneemt. Met een verstelbare hellingshoek tot 30° en een traploze hoogteverstelling kun je altijd optimaal profiteren van schaduw, ongeacht de stand van de zon. Perfect afgestemd op jouw comfort, waar je ook zit.

Sterk, duurzaam en praktisch

Het frame van de Alu Smart is gemaakt van hoogwaardig gepoedercoat aluminium, verkrijgbaar in tijdloze kleuren zoals wit en antraciet. Deze materialen maken de parasol niet alleen licht van gewicht, maar ook uiterst duurzaam. De slimme constructie met platte ribben en subtiele scharnierpunten zorgt voor een strak, modern uiterlijk dat naadloos past in elke omgeving. Dankzij de verborgen technieken in de bediening geniet je van een parasol die even functioneel als elegant is.

Topkwaliteit doek voor ultieme bescherming

De Alu Smart parasol is voorzien van doeken van stofkwaliteit 2 , 4 of 5 – een garantie voor uitstekende prestaties en langdurig gebruik. Met een UV-beschermingsfactor van 98% kun je zorgeloos genieten van je tijd buiten, beschermd tegen schadelijke straling. Daarnaast zijn de stoffen bestand tegen verkleuring en slijtage, zodat jouw parasol er jarenlang als nieuw uit blijft zien.

Kortom, de Alu Smart biedt alles wat je nodig hebt: stijl, gemak en kwaliteit in één compacte parasol. Perfect voor iedere buitenruimte!

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SKU: 11032910566

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4.8 ★★★★★
Based on 29 reviews
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D
Verified Purchase
David R. Papke
Birmingham, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Battle Creek, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
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Matt M.
Belleville, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Belleville, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Pawtucket, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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