SKU: 87518140194

Empire Style French “Chiffonier”

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Description

Empire Style French “Chiffonier”French antique chiffonier in the Empire style. This piece is made of solid wood construction, primarily mahogany that has been fully ebonized and finished with a lustrous French polish of museum quality. There are seven dovetailed drawers. The top drawer is a hidden drawer, while the rest feature brass trim and hardware. There is a greenpietra verde marble top original the piece. This chiffonier is in very nice antique condition with only minor

French antique chiffonier in the Empire style. This piece is made of solid wood construction, primarily mahogany that has been fully ebonized and finished with a lustrous French polish of museum-quality. There are seven dovetailed drawers. The top drawer is a hidden drawer, while the rest feature brass trim and hardware. There is a green”pietra verde“ marble top original the piece. This chiffonier is in very nice antique condition with only minor surface wear consistent with age and use. The photos accurately depict the condition.

After many years of political instability, Napoleon Bonaparte crowned himself emperor of France in 1804 and began the Empire period. As the Empire period began, the economy was booming and there was a strong desire for fine furniture and decoration from the new bourgeois aristocracy. The Empire style drew most of its inspiration from the Classical world, especially the Roman Empire and often incorporated large architectural elements such as columns and pilasters. Ancient Egypt also started to be an influence after a French military campaign there awakened new fascination for this civilization. The characteristic furniture types were imposing: their flat surfaces and sharp corners, together with their lack of moldings, produced an effect of grandeur that was not without beauty. Antique forms and ornament, already seen in the Louis XVI style, blended with Napoleon’s imperial symbols for a strong impression.

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SKU: 87518140194

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4.5 ★★★★★
Based on 27 reviews
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Verified Purchase
David Lemberg
Lexington, US
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2015
J
Jordan Bell
Waukegan, US
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans' , and then read Waterfield's translation of the Timaeus . Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with. The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
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Reviewed in the United States on December 12, 2015
S
Steve Lookner
West Palm Beach, US
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield: http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16 A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
B
Brian Chrzastek
Battle Creek, US
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014
R
Roberto V. Novaes
Massapequa, US
★★★★★ 5
Plato's view of the creation of the world
Format: Paperback
A cosmology is a narrative concerning the creation of the universe. Many ancient philosophers have written or elaborated this kind of work. The Platonic dialogue Timeus is an account of the work of the creator god (called the demiurge - or artisan) sculpting the chaotic material world in accordance with the immaterial model of the Ideas. But the text was written in a very hermetic and symbolic language, making its interpretation difficult or even impossible without the knowledge of the references and symbols used by Plato. This book is a complete translation of the text followed by a comprehensive commentary explaining in detail every passage. Francis MacDonald Cornford is one of the most important ancient philosophy scholars, and this work reveals his deep knowledge of Platonic and Greek thought. It is a must have for anyone interested in greek and Platonic philosophy.
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Reviewed in the United States on February 13, 2008

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