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Description
Break Out - c1360017919374 (#BRKOUT_04)About: A series of highly visual designs by digital artist and programmer Robert Allison. "Break Out: Four coloured quarters, each quarter quartered again and again. Colour mutation jumps distinguish the regions as they break apart" In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then expressed as the usual RGB or HSV colour
About: A series of highly visual designs by digital artist and programmer Robert Allison. "Break Out: Four coloured quarters, each quarter quartered again and again. Colour mutation jumps distinguish the regions as they break apart" In Robert's work individual colours are defined as 'genetic sequences', realised digitally as a string of 1s and 0s. Each is a kind of 'creature', encoded by a binary DNA, but then expressed as the usual RGB or HSV colour-map values. Because of this representation, colours can be mutated and crossed with each other within the computer to form new variations. Oversized pixels, rastered onto the image plane, are used to record these colours as they are created.
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
Visualising these operations shows how richness and complexity can emerge from simple processes iterated to a massive scale. The potential of the purely computational, the mechanistic, is explored as it approaches the boundary with the natural, the tactile, the 'real'.
Each series investigates a different combination of techniques, rendered for effect. The pieces are randomly seeded, and are a unique result from the process they express. They are titled by their 'Unix timestamp' - the exact time of creation recorded as the number of milliseconds since 00:00:00 UTC 1st January 1970.
Medium: A range of designs printed onto a canvas and stretched over a chunky box frame
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4.3 ★★★★★
Based on 5 reviews
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Product Reviews
★★★★★ 5
Best sublimation tape
Number of Items: 4
This is the best sublimation heat tape I have found. I started buying bigger rolls of it as I bought these smaller rolls when I first started. Stick and hold good works well
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 4, 2026
★★★★★ 5
Reliable Product
Number of Items: 4
Tape works great with no residue or coloring left behind after heating. Just wish there was more to each roll.
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Reviewed in the United States on May 11, 2026
★★★★★ 4
Residue free, Long lasting
Number of Items: 2
Works pretty good, it sticks to polo tshirt polyester material better than the inside of fleece hoodies. One roll lasts me for a bunch of clothing pieces. The tape didn’t leave any residue on clothing.
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Reviewed in the United States on April 13, 2026
★★★★★ 5
Love this tape
Number of Items: 4
Love this tape! It's a nice width and sticks great. Super awesome price and I will order again!
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Reviewed in the United States on March 18, 2026
★★★★★ 5
Great Tape
Number of Items: 4
Great tape for sublimating.
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Reviewed in the United States on April 27, 2026
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