SKU: 19567280975

Jaguar E-type Series 1 Coupe - 85cm Half Tone Flat Bed Print - Three Quarter View

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Description

Jaguar E-type Series 1 Coupe - 85cm Half Tone Flat Bed Print - Three Quarter ViewLimited to 200 Prints Print measures 85 centimetres (33 inches) wide by 60 centimetres (24 inches) tall Created from a dedicated high resolution studio shoot of the Jaguar E type Series 1 Coupe car in an Opalescent Silver Blue Half Tone Flat Bed on brushed aluminium composite panel UV cured inks, can be hung directly and elegantly without frame or glass Created by artist and photographer Alan Thornton This print will be delivered from the UK. Local

  • Limited to 200 Prints
  • Print measures 85 centimetres (33 inches) wide by 60 centimetres (24 inches) tall
  • Created from a dedicated high resolution studio shoot of the Jaguar E-type Series 1 Coupe car in an Opalescent Silver Blue
  • Half Tone Flat Bed on brushed aluminium composite panel
  • UV cured inks, can be hung directly and elegantly without frame or glass
  • Created by artist and photographer Alan Thornton

This print will be delivered from the UK. Local duties and taxes may be applicable on import to regions outside the UK. By purchasing this title, you agree and consent to your information being shared with Alan Thornton for use in the fulfilment of your order.

Often hailed as the most beautiful production road car of all time, the sublime Jaguar E-type Series 1 stirred passions in automotive aficionados the world over when launched at the Geneva Salon in 1961. Based on Jaguar’s racing D-type, which had won Le Mans from 1955-57, the E–type was powered by a 3.8 litre version of the proven Jaguar XK engine, developing 265 brake horsepower and providing a top speed of close to 150 miles per hour.

The monocoque chassis construction, using the engine itself as a structural part of the car within the front subframe, was also indebted to the racing D-type and resulted in a considerable weight benefit. With disc brakes fitted all around the car and the addition of a sophisticated independent front and rear suspension, the E-type was ahead of its time. Allegedly described by Enzo Ferrari as ‘the most beautiful car ever made’, the E-type became an iconic symbol of the 1960s and was particularly successful in the American market.

Amalgam Collection and Alan Thornton

Amalgam is delighted to partner with artist Alan Thornton to introduce a collection of Half Tone Flat Bed prints. Precise and technical in nature, these prints isolate the subject, laying the image onto Alan’s signature metallic background, that focuses the viewer’s eye on the sculptural, organic qualities of iconic cars and planes. Alan’s obsession with form, function and beauty, combined with his enduring passion for all things automotive and mechanical, align perfectly with Amalgam’s mission.

The Process

A reprographic technique that simulates continuous-tone imagery through the use of dots, thus generating a gradient-like effect, Alan's Half Tone artwork brings his traditional approach to screen printing into the contemporary digital world. Applied directly on to the brushed aluminium composite panels, the ink is then cured by a UV light that bonds it to the surface of the substrate, resulting in a resistant and long-lasting work of art that can even be displayed in outdoor exhibitions. This approach opens up endless ways to add texture and depth by building the image up in multiple layers, very much like the screen-printing process. The finished image is waterproof and very resistant to abrasion, so that there is no need to protect the art behind glass. The piece can be hung without a frame, creating a sharp and minimal presentation of the art floating less than an inch (15 mms) off of the wall. The piece can also be traditionally framed and hung if desired. Alan’s work in this medium brings exceptional precision, intensity, and glamour to the finished art.

Handling Your Print

Half Tone Flat Bed prints are supplied with a subframe attached to the back, enabling immediate ‘float’ effect hanging on the wall. The finished image is waterproof and very resistant to abrasion, so that there is no need to protect the art behind glass.

Half Tone Flat Bed Fine Art Prints of the Jaguar E-type Series 1 Coupe in an Opalescent Silver Blue are limited to just 200 copies. By purchasing this print, you agree and consent to your information being shared with Alan Thornton for use in the fulfilment of your order.

Shipping Notes
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Exchange/Return Notes
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SKU: 19567280975

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True Crime Reader
Port Orchard, US
★★★★★ 5
Well Researched and a Terrific Read
Format: Kindle
Thank you Rachel! I enjoyed this so much, it was an eye-opener. So much I didn't know.
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Reviewed in the United States on February 12, 2026
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dmh65016
Draper, US
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Format: Hardcover
Rachel is a very fine writer.
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Reviewed in the United States on April 19, 2026
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THOMAS KAVANAGH
Carnegie, US
★★★★★ 5
Informative
Format: Hardcover
Good read
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Reviewed in the United States on March 28, 2026
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Elizabeth Bennett
Dallas, US
★★★★★ 5
If we care about racism and white privilege, what should we do?
Format: Kindle
One hundred and fifty-two years ago, slavery ended in the United States. And yet the tentacles of that time touch lives every day, all these years later. What can be done to make things better? Michael Eric Dyson, a sociology professor at Georgetown University, and an ordained Baptist minister, suggests that white people who care about the lives of black people should make individual reparations. In his book, Tears We Cannot Stop …A Sermon to White America, Dyson says, “{Black people} built a legacy of excellence and struggle and pride amidst one of the most vicious assaults on humanity in recorded history. That assault may have started with slavery, but it didn’t end there. The legacy of that assault, its lingering and lethal effect, continues to this day. It flares in broken homes and blighted communities, in low wages and social chaos, in self-destruction and self-hate too. But so much of what ails us—black people. That is—is tied up with what ails you—white folk, that is. We are tied together in what Martin Luther King Jr. called a single garment of destiny. Yet sewed into that garment are pockets of misery and suffering that seem to be filled with a disproportionate number of black people.” The book, unlike Dyson’s other scholarly works, takes the form of a worship service, and uses the concept of an extended sermon, or jeremiad, to lead the reader through confession, repentence, and redemption “through the long night of despair to the bright day of hope.” In Dysons’s view, “whiteness is a problem to be struggled with,” and his book is of inestimable value in grappling with the struggle. The book speaks at length of police brutality against black people, and fervently tries to create empathy in white readers. It includes an extraordinary bibliography of books which give insight and voice to black history, oppression, pain, achievement, and lives. And it speaks of reparations, and our responsibility as white beneficiaries of an unequal system, to take concrete actions to right the wrong, the change our country and the lives of our black sisters and brothers and their children. Dyson is imaginative, and has many suggestions for how an individual or group “I.R.A.”—an Individual Reparations Account. We could buy books for black college students, overpay our black accountant or hairdresser, pay the black person who cuts our grass double the amount on the bill, give to the United Negro College Fund, and more. He suggests that faith groups consider giving 10% of their revenues to a church I.R.A. In an interview in the New York Times Magazine, Dyson says, “If the sermon ain’t making you a little bit uncomfortable, it ain’t effective. Look, if it doesn’t cost you anything, you’re not really engaging in change: you’re engaging in convenience. I’m asking you to do stuff you wouldn’t ordinarily do. I’m asking you to think more seriously and strategically about why you possess and what you possess…..you ain’t got to ask the government, you don’t have to ask your local politician—this is what you, an individual, conscientious, ‘woke’ citizen can do. I have read many—though surely not all—of the books Dyson recommends. I have grappled with white privilege as a mother of black children, a fighter against apartheid, a civil rights activist, a human being. I have never read anything which more cogently offers “woke whites” a path to being a part of the change. I urge you to read Tears We Cannot Stop …A Sermon to White America, and to take your place in the pantheon of people who help this country grow beyond its racist past.
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Reviewed in the United States on January 23, 2017
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Anita Miles Cary
Omaha, US
★★★★★ 5
Powerful and especially so read aloud by the author.
Format: Audio CD
Hearing this powerful book read by Dr Tyson made it doubly understandable and enlightening. I needed to hear the experience, hurt and anger expressed so incredibly honestly and with the power of his emotion. I saw the CDs here at a reasonable price and I am so much more aware hearing rather than reading this book. Dr Tyson teaches powerful historic and current systemic racial experience such as every white person will do well to encounter. If you want to learn more than you already know, listen to these CDs on Black experience from Dr Tyson. Could be disturbing to anyone who does not want to learn the truth he teaches. It’s so packed with truth I will listen to it more than once more. Thank you, Dr Tyson.
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Reviewed in the United States on July 3, 2025

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