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Description
Aheaplus TV Stand for 55 60 Inch TV, Entertainment Center with LED Light and Charging Station, TV Console Table, Large Media Console Cabinet w/Soundbar Shelf, for Living Room, Bedroom, EspressoAbout This TV Stand with Power Outlet and USB PortsThis TV stand shelf with power outlets built in 2 USB ports and 3 standard plug outlets, so it can meet the needs of different equipment, which is convenient to charge your TV, DVD, WiFi router, and etc. This is a real combination of stylish and functional. The back cord hole also helps you organize your wires and cables. Entertainment center with Cool smart led lightsOur Entertainment center adds RGB
About This
- 【TV Stand with Power Outlet and USB Ports】This TV stand shelf with power outlets built-in 2 USB ports and 3 standard plug outlets, so it can meet the needs of different equipment, which is convenient to charge your TV, DVD, WiFi router, and etc. This is a real combination of stylish and functional. The back cord hole also helps you organize your wires and cables.
- 【Entertainment center with Cool smart led lights】Our Entertainment center adds RGB LED strip with RF remote control, features over 60,000 colors and multiple dynamic modes can be selected to create an immersive home theater effect and provide an excellent viewing experience. Our music sync function and timer functions allow you to change the light's color with the rhythm of the sound and music. You can customize any color you like to match any interior theme and aesthetic.
- 【Solid & Durable TV Stand Cabinet】Choose high-quality wood board, sturdy structure.For up to 50, 55, 58, 60 and even 65 inch TV. With 2 exquisite acrylic frosted textured doors, stylish and dustproof. Classic design for adding a modern touch with traditional functionality. （Note: The 65-inch TV will be slightly larger than the TV cabinet and is better for hanging on the wall.）
- 【Ample Storage and Elegant X Design】With 2-Tier Spacious desktop,1 open storage and 2 cabinets with doors offers ample storage space, allowing you to store DVDs, CD collections, gaming devices, remote controls, books, magazines and a variety of other items with no problem. And the middle storage layer has a reserved position for the sound bar. Keeping your space tidy and clutter-free. Reinforced X design on the sides adds charm to the stand and adds strength and stability.
- 【Easy Assembly and Excellent Support】All necessary tools and hardware are provided for easy assembly, with clear instructions and labeled parts. We also offer lifetime customer support, so you can reach out to our experienced team anytime for assistance with any issues before or after your purchase.
Overview
- Brand : Aheaplus
- Maximum Compatible Size : 60 Inches
- Color : Espresso
- Minimum Compatible Size : 60 Inches
- Compatible Devices : Television
- Manufacturer : Aheaplus
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4.7 ★★★★★
Based on 23 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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