SKU: 10220130963

2022-2023 Road Glide ST FLTRXST Detachable Mounting Luggage Rack Black

$75.39 $83.77
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Description

2022-2023 Road Glide ST FLTRXST Detachable Mounting Luggage Rack BlackDetachable Mounting Rear Luggage Rack Carrier Fit for Touring 2009 2025 Features: Perfectly integrated into the appearance of the Motorcycle. Glossy deep black powder coat finish. Luggage rack compatible with all types of soft luggage. Not for topcases. With 4 point pins to easily attach straps and hooks. Can not be combined with with accessory grab bar. Come with 4 point docking hardware kit. Recommended maximum load 5kg, but this is very

Detachable Mounting Rear Luggage Rack Carrier Fit for Touring 2009-2025

Features:
Perfectly integrated into the appearance of the Motorcycle.
Glossy deep black powder coat finish.
Luggage rack compatible with all types of soft luggage. Not for topcases.
With 4 point pins to easily attach straps and hooks.
Can not be combined with with accessory grab bar.
Come with 4-point docking hardware kit.
Recommended maximum load 5kg, but this is very conservative - maybe on long distances at 15kgs with no issue whatsoever.
Easy installation with basic tools. Installation instructions not included.

Specifications:
Condition: Aftermarket 100% Brand New
Material: Tubular steel
Tube diameter: 25mm
Color: Glossy Black
Surface Finish: Powder-coated
Type: Luggage Rack
Placement on Vehicle: Rear
Recommended Max load: 5kg

Fits Models:
Fit for Electra Glide Classic FLHTC/I 2009 - 2013
Fit for Electra Glide Standard FLHT/I 2009/2019 - 2022
Fit for Electra Glide Ultra Classic FLHTCU/I 2009 - 2019
Fit for Electra Glide Ultra Classic CVO/SE FLHTCUSE 2009 - 2013
Fit for Electra Glide Ultra Classic Low FLHTCUL 2015 - 2016
Fit for Electra Glide Ultra Limited FLHTK 2010 - 2024
Fit for Electra Glide Ultra Limited CVO/SE FLHTKSE 2014 - 2021
Fit for Electra Glide Ultra Limited Low FLHTKL 2015 - 2019
Fit for Road Glide FLTR/I 2009
Fit for Road Glide CVO/SE FLTR/X/SE 2009/2012-2013/2019 - 2025
Fit for Road Glide CVO ST FLTRXSTSE 2024 - 2025
Fit for Road Glide Limited CVO FLTRKSE 2022 - 2023
Fit for Road Glide Limited FLTRK 2020 - 2024
Fit for Road Glide Custom FLTRX 2010 - 2013
Fit for Road Glide Ultra CVO/SE FLTRUSE 2011/2015 - 2016
Fit for Road Glide Ultra FLTRU 2011 - 2013/2016 - 2019
Fit for Road Glide FLTRX 2015 - 2025
Fit for Road Glide Special FLTRXS 2015 - 2023
Fit for Road Glide ST FLTRXST 2022 - 2023
Fit for Road King FLHR/I 2009 - 2022
Fit for Road King Classic FLHRC/I 2009 - 2013
Fit for Road King Custom FLHRS/I 2009 - 2012
Fit for Road King CVO/SE FLHRSE 2013 - 2014
Fit for Road King Special FLHRXS 2017 - 2025
Fit for Street Glide FLHX/I 2009 - 2025
Fit for Street Glide CVO/SE FLHXSE 2010 - 2012/2015 - 2025
Fit for Street Glide Special FLHXS 2014 - 2023
Fit for Street Glide ST FLHXST 2022 - 2023
Fit for Street Glide Ultra FLHXU 2025
Fit for Revival FLH 2021

(Compatibility Chart is for Reference ONLY!!!
Please Compare with Your faulty unit and the image / size we provided to Decide Fitments.)

Package includes:
1x Detachable Rear Luggage Rack

(The product contains all that can be seen in the picture.)

Note:
Please note the model-specific information as well as the motorcycle manufacturer-specific information. Heavy luggage should generally be transported on the rear, but in the side cases or the tank bag.
The product on offer is an accessory or spare part and thus is not an original product of the vehicle manufacturer.
The name of the vehicle manufacturer is stated only as an indication of the determination of the product being offered as an accessory or spare part, to clarify, for which vehicle the product on offer fits.

Warranty:
Returns: Customers have the right to apply for a return within 60 days after the receipt of the product
24-Hour Expert Online: Solve your installation and product problems

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 10220130963

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4.8 ★★★★★
Based on 22 reviews
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Product Reviews
D
Verified Purchase
David R. Papke
Massapequa, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Lake Worth, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Lowell, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
San Leandro, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Phoenix, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017

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