SKU: 71341868821

Borla Cat-Back Exhaust System - S-Type (140590BC)

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Description

Borla Cat-Back Exhaust System - S-Type (140590BC)Borla S Type Cat Back Exhaust System for 2015 2017 Ford Mustang GT GT Convertible 5. 0L V8 Automatic Manual Transmission Rear Wheel Drive 2 Door. (140590BC) Upgrading your factory exhaust system to a Borla stainless steel performance exhaust system with a more efficient and less restrictive design can improve sound (adding more enjoyment driving your vehicle) and increase engine horsepower and torque throughout the RPM range (allowing quicker

Borla S-Type Cat-Back Exhaust System for 2015-2017 Ford Mustang GT/ GT Convertible 5.0L V8 Automatic/ Manual Transmission Rear Wheel Drive 2 Door. (140590BC)

Upgrading your factory exhaust system to a Borla stainless steel performance exhaust system with a more efficient and less restrictive design can improve sound (adding more enjoyment driving your vehicle) and increase engine horsepower and torque throughout the RPM range (allowing quicker acceleration to pass a vehicle or get to highway speeds quicker). Borla offers Axle Back exhaust systems, Cat back exhaust systems, and for select Competition-Use-Only vehicles, we offer long tube headers to replace your exhaust manifold for the best performance and sound.

The Borla "Cat Back™" name implies the exhaust system is located behind the factory catalytic converter where there factory emissions remain untouched and vehicle stays emissions compliant. This remains distinct from the Axle Back exhaust system that is located behind the rear axle. Alex Borla coined the phrase 'Cat Back' and introduced the Cat Back performance exhaust in 1978, a bolt-on replacement performance exhaust system requiring no welding, thus being secured using the factory hanger locations.

Borla Cat Back exhaust systems use engine-specific (not universal) mufflers that are designed, tested, and optimized specifically for a particular year/make/model vehicle. Borla Cat Back systems increase the overall sound level & performance. Vehicles that don't have a factory service-point require "cutting" the factory exhaust system before installing a Borla Cat Back performance exhaust system. Borla includes instructions where to make this cut and includes the hardware to complete the installation. Many of today's modern vehicles have a factory service-point in the exhaust system (flange or slip-fit) located in the exhaust tubing behind the catalytic converter. A Borla Cat Back performance exhaust system replaces the factory exhaust system (behind this service-point) following the same exhaust path and secured using the original vehicle hangars and rubber isolators. Borla pioneered the automotive exhaust aftermarket in exhausts constructed in aircraft grade 304 stainless steel tubing, a material with higher content of carbon & nickel that won't rust or corrode.

Features:

  • Horsepower and Torque Increased by 7 – 10%
  • Increased exhaust flow for better performance
  • Better fuel economy at cruising speeds
  • The most aggressive sound of any Borla system
  • Custom designed for each application
  • Patented straight-through, multi-core muffler design reduces backpressure while absorbing sound waves
  • Mandrel-bent stainless steel tubes with diameters optimized for reduced restriction while maintaining exhaust gas speed
  • Made from the finest austenitic stainless steel for long-lasting durability
  • All welded construction
  • Includes everything required for installation, including detailed instructions
  • Backed by the exclusive Borla Million-Mile warranty
  • Proudly made in the USA more

Not recommended for use on Convertibles. This system features a black chrome finish on T-304 stainless steel tips. Using BORLA Stainless Steel Polish p# 21461 is Not recommended with these black chrome tips. We suggest cleaning the tips with hot water and a microfiber cloth. BORLA Cat-Back and Axle-Back exhaust systems feature patented straight-through and multi-core technology designed to unleash hidden horsepower. Increased exhaust velocity adds power, driving excitement, fuel economy, and the distinctive BORLA Sound of Power respected by motoring enthusiasts everywhere. Each system is built from premium T-304 stainless steel, superior to T-400 series knockoffs (such as 409), to give you the absolute best in performance and durability. Ultra-smooth mandrel bends ensure maximum flow & power, and precision computer-controlled CNC manufacturing ensures an accurate fit. Best of all, BORLA stands behind every system with a Million-Mile Warranty. Just what you'd expect from the world's most experienced (and most winning) exhaust brand.

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SKU: 71341868821

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4.9 ★★★★★
Based on 22 reviews
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Verified Purchase
Eileen O Malley Callahan
Natrona Heights, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Bozeman, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Los Angeles, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Lexington, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
Houston, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 24, 2015

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