Overloud TH-U 60s Pack Add-On for Owners of TH-U Full

Overloud TH-U 60s Pack Add-On for Owners of TH-U FullVideo of Overloud TH U 60's Pack Rock 'n' Roll, Psychedelic, Early Rock, British Rock, Blues and many more guitar tones in one pack! TH U 60's pack includes everything you need to recreate the guitar tones of the most influential artists of the 60's. Rock 'n' Roll, Psychedelic, Early Rock, British Rock, Blues and many more musical styles are included in the pack. FREE STANDING PACK The pack does not require a pre existing TH U installation. It is a

Rock 'n' Roll, Psychedelic, Early Rock, British Rock, Blues and many more guitar tones in one pack!

TH-U 60's pack includes everything you need to recreate the guitar tones of the most influential artists of the 60's. Rock 'n' Roll, Psychedelic, Early Rock, British Rock, Blues and many more musical styles are included in the pack.

FREE-STANDING PACK-The pack does not require a pre-existing TH-U installation. It is a self-contained product that includes all of the TH-U editing features, including the Rig Player, the Amp Tweaks, the Tuner and the Looper.

In addition, this pack contains new amp models and effects that are not found in TH-U Full, so if your customers are TH-U Full owners, they can upgrade to this pack for a discount and get all of the new models.

IMPORTANT-The crossgrade title can be purchased for your customer only if they own TH-U Full.

EXPAND TH-U WITH NEW MODELS-The pack includes 22 models selected among the most representative guitar gear of the 60's.

• Six guitar amplifiers
• Five speaker cabinets
• Eleven effects

It also includes 36 patches designed to recreate guitar tones of the most famous songs of that decade.

NEW! ROCK '59 RR AMP & CAB-Inspired by a Marshall 1959RR, this model is based on a Super Lead head with the Randy Rhoads mod. In this mod the two input stages are cascaded for additional gain. You can select Input 1 for a more traditional SLP tone, or Input 2 for the modded channel. In this second case, the VOL 1 knob acts as the standard Master Volume and the VOL 2 knob controls the additional gain. Tube models can be changed in TH-U, to extend its tone palette. The pack also includes the IRs of a 4x12" 1960AW speaker cabinet, with four G12T-75 speakers.

NEW! VOCS TOP15 AMP+CAB-Inspired by the 1958 Vox AC15, this amp 'started it all". Compared to the AC30, it breaks up at lower levels and offers a slightly brighter tone. Tube models can be changed in TH-U, to extend its tone palette. It includes the model of its 1x12" cabinet based on a single 12" Celestion/Vox alnico speaker.

NEW! AMERICAN SUPER '66 AMP+CAB-Inspired by the 1966 Fender Super Reverb, this amp is loud, proud, and punchy. This darkface 40w amplifier includes the Bright switch, whose response changes according to the Volume settings to provide a solid and well balanced clean-to-crunchy tone. This amp is a standard found in many studios and collections! Tube models can be changed in TH-U, to extend its tone palette. It includes the model of its 4x10" speaker cabinet.

NEW! MAGNETIC DELAY-The Magnetic Delay component seeks to recreate the tone of a Binson Echorec 2, the legendary magnetic drum delay unit used by David Gilmour and by The Shadows to create sounds that were quite innovative at the time. Only magnetic (tape and drum) delays were available in the 60s, as the bucket brigade circuits didn't provide long delay times. This is a crucial effect to recreate the typical mood of that decade.

NEW! SATISFACTION FUZZ-Inspired by the Maestro FZ-1 Fuzz, it was the first widely marketed guitar fuzz effect. Introduced in 1962, it became popular in 1965 after Rolling Stones guitarist Keith Richards prominently used it on 'satisfaction". Based on three germanium transistors, it has a very brilliant tone. The Attack knob controls the amount of fuzz and the Volume knob can be used to set how hard it drives the amplifier.

NEW! ANALOG BOOST-This special treble booster separately controls the total amount of boost and the amount of treble boost. This pedal is particularly useful to push saturation into amps of the 60's which, without a treble booster, may sound too muddy in the low end.