SKU: 55456073077

Audient ASP8024|HE|24 Large-Format Analog Console

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Description

Audient ASP8024|HE|24 Large-Format Analog ConsoleHeritage Edition of a Legendary Console The Audient ASP8024 HE catapults David Dearden's original large format analog console into the twenty first century. Enjoy world class sound, courtesy of Audient's famous mic pres. American style summing amplifiers and British output transformers imbue your mixes with sublime character. Choose from four sonic personalities, supplied by the ASP8024 HE's variable mix bus, and glue your mix together with the

Heritage Edition of a Legendary Console

The Audient ASP8024-HE catapults David Dearden's original large-format analog console into the twenty-first century. Enjoy world-class sound, courtesy of Audient's famous mic pres. American-style summing amplifiers and British output transformers imbue your mixes with sublime character. Choose from four sonic personalities, supplied by the ASP8024-HE's variable mix bus, and glue your mix together with the onboard bus compressor. Each channel's highly flexible 4-band EQ can be split between short and long fader paths. Take command of your DAW with the ASP8024-HE's Dual Layer Control module. And you'll benefit from full sovereignty over monitoring and artist communication with the Audient ASP8024-HE large-format analog console's feature-packed monitor control section.

Musical-sounding mic pres yield clean, punchy character

Packed with Audient's famous Class A mic pres, the ASP8024-HE delivers the world-class sound you'd expect from a mixer of this pedigree. These preamps exhibit a clean, punchy, and musical character that will breathe life into everything you record. You'll capture the intricate details of every transient, thanks to the wide bandwidth offered by these preamps. An optimized gain range of 0 to 70dB, transformerless input stage, and incredibly low noise floor offer unparalleled detail and clarity.

Flexible tone-shaping with a splittable 4-band EQ

The Audient ASP8024-HE flexible 4-band EQ just might be the ultimate tone-sculpting tool. Two fully parametric bands cover the 40Hz to 20kHz range, injecting your mix with truckloads of powerful punch. LF (50Hz/100Hz switchable) and HF (10kHz/18kHz switchable) shelving bands gently enhance the weight and air of your tracks. Best of all, you can split the EQ across the ASP8024-HE's short and long fader paths. Shape your snare. Mold your guitar cab. You can do either with the ASP8024-HE's parametric bands, while simultaneously adding breadth and air to a playback source with the shelving bands.

Variable mix bus delivers a plethora of sonic choices

The mix bus summing amplifier is a crucial part of any console. The Audient ASP8024-HE's Retro Iron variable mix bus combines a pair of American John Hardy 990C summing amplifiers driving British Carnhill output transformers to produce a phenomenal level of character and harmonic excitement. Four modes of tone-shaping operation empower you with an arsenal of creative mix enhancement tools that can be tailored to the type of music you're mixing and to your personal mixing style. Whether you're tracking or summing, the ASP8024-HE delivers everything from transparent warmth to retro-style punch.

Glue your mix together with a classic bus compressor

Nothing makes your mix sound like a finished record more than a high-quality bus compressor. The Audient ASP8024-HE features a classic VCA-style bus compressor that,yields remarkable stereo imaging, thickness, and bite. Its smooth makeup gain is delightful. When you hit it hard, it saturates beautifully. And the built-in Bass Expand sidechain function ensures that your mix's kick drum doesn't hijack your bus compressor.

Take command of your DAW with Dual Layer Control

The Audient ASP8024-HE is a classic console that's been updated with modern DAWs in mind. Its Dual Layer Control module provides automation, along with eight moving faders that you can bank across your entire session. Utilize up to eight channels of VCA automation while mixing. Deftly navigate your session with transport controls, track record enable, and plug-in selection/editing. Whether you use Pro Tools, Logic, or Cubase/Nuendo, the ASP8024-HE provides you with the tactile control you need to add flair and dynamic movement to your mixes.

Achieve sovereignty over monitoring and artist communication

It's obvious that Audient designed the ASP8024-HE to be a complete monitoring solution. Enjoy full artist communication via remote talkback control. Powerful source selection and speaker controls make toggling between monitoring configurations effortless. Experience clear and accurate monitoring, whether through headphones or speakers, by virtue of the ASP8024-HE's short passive signal path. On top of that, the ALPS Blue Velvet RK271 pot and custom aluminum knob look and feel glorious.

A sweet-looking centerpiece for your studio

If you want to impress your clients, putting an eye-catching analog console in the middle of your control room works every time. Audient wanted the Heritage Edition of their ASP8024 to be as visually stunning as it sounds. The new Midnight Raven color scheme is gorgeous. The vintage-style knobs, chunky fader caps, and British-inspired design theme not only look great, but they're also intuitive and easy to see in a dark room. We predict that in 20 years, console builders will be trying to duplicate the style and elegance of the "vintage" Audient ASP8024-HE.

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SKU: 55456073077

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4.6 ★★★★★
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CB Review
Carnegie, US
★★★★★ 4
An Excellent Continuation For The New Dynamic Duo
I really loved Batman and Robin Volume 1. This arc is my favorite part of the Morrison Batman run, even though I really struggle with and don't enjoy everything that comes before it. But it's worth it for this duo of Dick Grayson and Damian Wayne. Volume 2 gets off to a slow start with a few issues about a deranged Batman resurrected by a Lazarus pit. Readers who haven't read Morrison's other work, including Final Crisis, will be confused by what occurs here. But the gist is that Dick and Damian learn what the readers already knew, that the corpse they thought was their father wasn't his (instead a failed clone from a Darkseid experiment), and that their father is out there somewhere. The art in these initial issues is also a bit rough and lower in quality, which is the only reason I brought this down to 4 stars. The second story in the remainder of the volume though, that pits Damian against Dick and tests Damian's loyalties is a great continuation of the Batman and Robin story and might be one of the best parts of the series. Damian may be rude and sociopathic, but this arc gets to let him shine a bit and show that he really does care about his big "brother" Dick Grayson, and about his father's legacy. As a bonus, there is a running mystery about the duo's new ally Oberon Sexton, which I thoroughly enjoyed. I won't spoil the ending, but it's a truly fun reveal that makes you rethink Sexton's role in the adventure in an interesting way. Again, this is a great story for Batman/Dick Grayson/Damian Wayne fans that I strongly recommend.
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Reviewed in the United States on August 7, 2019
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Verified Purchase
Brent Hill
Draper, US
★★★★★ 5
Not Perfect, But Loved It Anyway!
Format: Hardcover
The cover and title of this collection are slightly misleading, but it's still a fantastic read. Robin isn't willingly trying to kill Batman, however, I'll let you find out what's really happening yourself. I love the new Batman and Robin team of Dick Grayson and Damian Wayne. It's a fun change of pace to have a more lighthearted Batman, and a bratty and brooding Robin. This is the second collection of the new Batman and Robin series, but I still enjoyed it without having previously read all of the first volume. The Highlights: Batwoman, a zombie Batman, Talia al Guhl, Slade Wilson, the mysterious Mr. Sexton, the history of the Wayne family, and the beginning of a Joker story line. The new flying Batmobile is awesome. I love Grant Morrison's writing, and here he writes a fun and interesting Batman adventure. Things to Consider:There are two different artists in this volume. The first half is decent, and the second half is more unique with some great pen and ink work. I enjoyed the second part a lot, but it's not quite the classic super hero style art you might expect. This may not be a groundbreaking story, but this series is great. So if you're interested in Batman and Robin, you won't regret checking this out.
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Reviewed in the United States on April 16, 2011
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Verified Purchase
Tom Reagan
Pawtucket, US
★★★★★ 5
Wow! Great Stuff!
Format: Hardcover
Before I read this book, I had just read the other recent Batman trade, "Life After Death" by Tony S. Daniel, and I was seriously disappointed. I really struggled to get through it. So the next night, I started to read this one, Batman vs Robin, and I couldn't put it down - I almost read the whole book in one sitting (if it wasn't late at night, I probably would have finished it). It just confirms, once again, what a great writer Grant Morrison is. In this trade, you get two main story arcs (with a nice "cameo" by Batwoman in one story) and the search for Batman really starts to develop, here. I enjoyed Volume 1, but IMO, this one is far superior.
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Reviewed in the United States on November 18, 2010
S
Verified Purchase
SCM
Massapequa, US
★★★★★ 5
It gets AWESOME. I highly recommend this
First volume is kind of a drag, but it gives backstory and character development for this volume 2. It gets AWESOME. I highly recommend this, it has mystery, action, and great art. Fun read and you MUST read the first volume.
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Reviewed in the United States on July 14, 2017
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Verified Purchase
Xavier Zavala Heras
Phoenix, US
★★★★★ 4
Batman & Robin: Batman vs Robin
Format: Hardcover
First things first... This book will only make sense to you ONLY if you've been following Grant Morrison's complete run of Batman (including Final Crisis). If you haven't, most likely you won't like it or you'll get half the excitement this baby carries. I used to think I didn't like Frank Quiely's art, but after the psychedelic style he put on the first volume, I found myself missing him in this particular book. The art in the first 3 chapters (The Blackest Knight) is terrible. So simple and flat. The writing is good, but the art took whatever excitement for me. On the other hand, the art on the next chapters is quite better, and together with the story I end up wanting more. I have to give it to Grant Morrison. If they give him time and creativity control, he can make things happen (although it would be better if Dan Didio wouldn't make him re-write the end of Final Crisis). There's only 2 things I don't like about all this (besides the art on the first 3 issues): FIRST - I don't understand WHY Dick Grayson have to use electric knuckles every time he fights. SECOND: Seems to be now everybody knows Batman's secret identity. I liked the book as a whole, and I can't wait to check it all out now that lots of the beans has been spilled.
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Reviewed in the United States on June 19, 2011

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