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Domo Branch – The Melodies Of A Branch [Portland] – New LP1. Theme A Black Thought 2. Purity Honesty 3. Togetherness 4. Influence 5. Motion 6. Patience 7. Tribal 8. Theme Black Lives Matter 9. Longing Albina Music Trust has served as a vital resource amplifying Portlands musical past most consistently through work with underrepresented soul musicians active in the 1950s 1990s. Another important element of the nonprofits work has been strengthening connections between these foundational artists and our
1. Theme - A Black Thought
2. Purity/Honesty
3. Togetherness
4. Influence
5. Motion
6. Patience
7. Tribal
8. Theme - Black Lives Matter
9. Longing
Albina Music Trust has served as a vital resource amplifying Portland’s musical past - most consistently through work with underrepresented soul musicians active in the 1950s-1990s. Another important element of the nonprofit’s work has been strengthening connections between these foundational artists and our current generation of regional musicians, especially those mentored by elders in the Albina musician community. One such artist is drummer, composer, and educator Domo Branch. At twenty-three years old, Branch has come up through the ranks of the American Music Program - a crucial proving ground for Portland’s jazz musicians that includes Esperanza Spaulding and Charlie Brown III. Founded by Gangsters alum, Thara Memory, Branch received vital instruction through community-centered operations such as AMP and the Mel Brown Jazz Workshop. He now lives in Manhattan and performs with the Jazz at Lincoln Center Orchestra under the direction of Wynton Marsalis. He has since formed a bi-coastal group, Branchin’ Out.
The Melodies of a Branch is a solo drum recording made in Riga, Latvia. This rare session followed Branch’s 2022 performance at the city’s annual jazz festival. Performing in an intimate setting at Latvian Radio Recording Studios, Branch’s range of motion is now on full display in this exploration of the many nuances of a drum set.
The record also keys into the emotional value of the Black experience through music. Whether it be the evolution of drumming ranging from tribal to contemporary forms or the sheer capacity of melodic phrasing on the drums, the album is expressive, free, and spiritually sound. Through its spare, minimalist genesis into the polyrhythmic power and beauty of its conclusion, the work evidenced here is consistent with the many iterations of Branch’s work with other ensembles. Except now we get him to ourselves.
2. Purity/Honesty
3. Togetherness
4. Influence
5. Motion
6. Patience
7. Tribal
8. Theme - Black Lives Matter
9. Longing
Albina Music Trust has served as a vital resource amplifying Portland’s musical past - most consistently through work with underrepresented soul musicians active in the 1950s-1990s. Another important element of the nonprofit’s work has been strengthening connections between these foundational artists and our current generation of regional musicians, especially those mentored by elders in the Albina musician community. One such artist is drummer, composer, and educator Domo Branch. At twenty-three years old, Branch has come up through the ranks of the American Music Program - a crucial proving ground for Portland’s jazz musicians that includes Esperanza Spaulding and Charlie Brown III. Founded by Gangsters alum, Thara Memory, Branch received vital instruction through community-centered operations such as AMP and the Mel Brown Jazz Workshop. He now lives in Manhattan and performs with the Jazz at Lincoln Center Orchestra under the direction of Wynton Marsalis. He has since formed a bi-coastal group, Branchin’ Out.
The Melodies of a Branch is a solo drum recording made in Riga, Latvia. This rare session followed Branch’s 2022 performance at the city’s annual jazz festival. Performing in an intimate setting at Latvian Radio Recording Studios, Branch’s range of motion is now on full display in this exploration of the many nuances of a drum set.
The record also keys into the emotional value of the Black experience through music. Whether it be the evolution of drumming ranging from tribal to contemporary forms or the sheer capacity of melodic phrasing on the drums, the album is expressive, free, and spiritually sound. Through its spare, minimalist genesis into the polyrhythmic power and beauty of its conclusion, the work evidenced here is consistent with the many iterations of Branch’s work with other ensembles. Except now we get him to ourselves.
released December 15, 2023
This solo drum performance took place on July 1, 2022 as part of the Riga Jazz Festival. A small audience was present at Latvian Radio Recording Studios to bear witness to the performance. Recording engineered by Maris Briezkalns. Mixed and mastered by Victor Franca. Photography and photographic edits by Zach Feiner & Cooper Pattison. Design by Eric Mast. Lacquer cuts by Gus Elg. Vinyl pressing by Cascade Record Pressing. Produced by Sound Poets Production. Produced for vinyl by Bobby Smith. Publishing by TheBranch. This recording is made possible by Riga Jazz Festival. Special thanks to Maris Briezkalns, Zach Feiner, Cooper Pattison, Riga Jazz Stage, and World Arts Foundation.
This solo drum performance took place on July 1, 2022 as part of the Riga Jazz Festival. A small audience was present at Latvian Radio Recording Studios to bear witness to the performance. Recording engineered by Maris Briezkalns. Mixed and mastered by Victor Franca. Photography and photographic edits by Zach Feiner & Cooper Pattison. Design by Eric Mast. Lacquer cuts by Gus Elg. Vinyl pressing by Cascade Record Pressing. Produced by Sound Poets Production. Produced for vinyl by Bobby Smith. Publishing by TheBranch. This recording is made possible by Riga Jazz Festival. Special thanks to Maris Briezkalns, Zach Feiner, Cooper Pattison, Riga Jazz Stage, and World Arts Foundation.
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4.6 ★★★★★
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Product Reviews
★★★★★ 5
Very good quality for a reasonable price.
Size: 10, Color: Grey
Very good quality, very soft, very comfortable, look amazing, I’m very happy.
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Reviewed in the United States on May 23, 2026
★★★★★ 4
Comfortable fit for slip-in fabric shoes
Size: 14, Color: Black/Black
My first experience with Marc Joseph. I typically purchase dress and casual work shoes from Florsheim and occasionally Rockport. I'm giving these four stars because the initial fit and feel appear solid. Depending on the shoe brand I wear a size 14 or 15. My feet are slightly wide but I don't alway need wide fit. These size 14 fit well with wide enough toe box. I've tried slip in shoes before and they just don't feel right. These somehow work and there is no heel slip. My only reservation is the high lip on the heel for slip-in and hope they dont catch pant hems. I gave 4 stars because I'll have to determine durability. Granted they are a light fabric shoe with a soft rubber tread. I'd like them to last for at least 6 months..and use them for business casual work wear during warm weather.
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Reviewed in the United States on May 19, 2026
★★★★★ 5
Stylish and comfortable.
Size: 8 Wide, Color: Black/Black
Shoes look great and fits well. Definitely recommend pocking another pair.
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Reviewed in the United States on May 10, 2026
★★★★★ 3
Narrow for an 11.5W
Size: 11.5 Wide, Color: Navy
Nice look and material but very narrow for a wide, had to return
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Reviewed in the United States on February 25, 2026
★★★★★ 5
Great shoe.
Size: 11.5, Color: Navy
Perfect fit. Stylish comfortable.
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Reviewed in the United States on May 2, 2026
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