SKU: 24918767029

Ohaus EXR6202 - 6200g x 0.01g Top Loading Balance

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Description

Ohaus EXR6202 - 6200g x 0.01g Top Loading BalanceOhaus Explorer EXR6202 6200g x 0. 01g Top Loading Balance Ohaus EXR6202 Top Loading Balance delivers exceptional precision with a capacity of 6200g at 0. 01g readability. Designed for advanced laboratory use, it features an intuitive interface that streamlines weighing tasks and enhances productivity. Its environmentally conscious construction supports sustainable lab practices while maintaining superior performance, making the EXR6202 a reliable

Ohaus Explorer EXR6202 - 6200g x 0.01g Top Loading Balance

Ohaus EXR6202 Top Loading Balance delivers exceptional precision with a capacity of 6200g at 0.01g readability. Designed for advanced laboratory use, it features an intuitive interface that streamlines weighing tasks and enhances productivity. Its environmentally conscious construction supports sustainable lab practices while maintaining superior performance, making the EXR6202 a reliable instrument for precise mass measurements and efficient laboratory operations.

Unique Features:

  • High Performance Weighing - Achieve consistent results with built-in automatic calibration, touchless sensors and a ventilated weighing pan. Get reliable data with the digital high-speed load cell.
  • Refined User Experience - An intuitive 7-inch glass touchscreen, digital leveling, and simplified data management is easy to use. With an effortless installation and chemical-protective design it ensures efficiency and comfort.
  • Effective Communication Options - Supports HID connection to PC or keyboard without drivers, and provides 2-way communication with RS232, USB, Ethernet, Bluetooth, and WiFi for seamless data transfer.

Applications:

  • Weighing
  • Parts Counting,
  • Percent Weighing
  • Check Counting
  • Check Weighing
  • Dynamic Weighing
  • Totalization/Statistics
  • Formulation
  • Differential Weighing
  • Density Determination
  • Peak Hold


Specifications:

Maximum Capacity 6200 g
Readability 0.01 g
Pan Size Trapezoid Pan 178mm x 201mm
Internal Calibration AutoCal™ - Automatic
Draftshield Not Included
Auxiliary Display Model Available as an Accessory
Battery Life Not Applicable
Communication USB Host (Type A) x 2
USB Device (Type C) x 1
Ethernet (RJ45) x 1
RS232 x 1
Optional Wi-Fi, Bluetooth Dongle
Dimensions 15.4 in x 9 in x 3.7 in (391 mm x 229 mm x 95 mm)
Display 7" colour TFT touchscreen
In-use cover Included
Legal for Trade Not Applicable
Linearity ± 0.02 g
Minimum Weight 1.4 g
Minimum Weight (USP, 0.1%, typical) 14 g
Net Weight 4.9 kg (10.8 lb)
Pan Construction Stainless Steel
Power AC Adapter (Included)
Repeatability (typical) 0.01 g
Stabilization Time 1 s
Tare Range To capacity by subtraction
Units of Measurement Ounce Troy; Pennyweight; Grain; Tical; Custom; Milligram; Momme; Newton; Baht; Gram; Tola; Mesghal; Carat; Ounc
Working Environment 50°F – 86°F, 80%RH, non-condensing (10°C – 30°C, 80%RH, non-condensing)
Warranty 2 Years

 

Additional Literature:

EXR6202 - Datasheet English
EXR6202 - Datasheet French - Coming Soon
EXR6202 - Manual English
EXR6202 - Manual French - Coming Soon

Shipping Notes
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Exchange/Return Notes
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SKU: 24918767029

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4.9 ★★★★★
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Product Reviews
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Verified Purchase
William
Massapequa, US
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book. What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 6, 2017
G
Verified Purchase
G. Fisher
Birmingham, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
A
Verified Purchase
Artie Anzaldua
Fort Morgan, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
H
Verified Purchase
Here
New York, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 5, 2013
J
Verified Purchase
Joel K. Williams
Bozeman, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 11, 2010

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