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Straitjackets, Los – Somos Los Straitjackets [Hypnowheel Picture Disc Vinyl] – New LPConstantly tagged with a surf music label, Los Straitjackets are better characterized as instrumental rock n roll, and have been since founders Danny Amis and Eddie Angel met and watched drummer Jimmy Lester play drums with Webb Wilder at a Nashville club. Their influences range from the double picking surf attack of Dick Dale, to the proto rock of Link Wray, the hooks of The Ventures, to the groove of Booker T. & The MGs, all played with an energy
Constantly tagged with a “surf music” label, Los Straitjackets are better characterized as “instrumental rock n’ roll,” and have been since founders Danny Amis and Eddie Angel met and watched drummer Jimmy Lester play drums with Webb Wilder at a Nashville club. Their influences range from the double-picking-surf-attack of Dick Dale, to the proto-rock of Link Wray, the hooks of The Ventures, to the groove of Booker T. & The MG’s, all played with an energy that acknowledges The Cramps and punk rock. And past the golden age of instrumentals of the 1960s, one could argue they have brought this music to more fans than any other band, having done it for more than 30 years.
They have taken their combo sound around the world, mostly making instrumental records, but also backing vocalists along the way, most notably for over a decade with Nick Lowe. It’s that collaboration that fuels this latest album, Somos Los Straitjackets. The lineup that has been touring since founder Danny Amis had to drop out of day-to-day operations because of his (winning) battle against multiple myeloma is Eddie Angel, longtime bassist Pete Curry, drummer Chris Sprague (The Sprague Brothers, Deke Dickerson) and Rochester guitar hero Greg Townson (The Hi-Risers, John Ellison). Playing hundreds of songs with and without Lowe, this four-piece has coalesced into an incredibly tight, rockin’ combo. “Playing behind a master like Nick Lowe makes you laser-focused on your playing. It has also made us very adept at coming up with twin guitar parts that complement each other,” says Eddie Angel. After recording with Lowe at Alex Hall’s Reliable Recorders, the band knew they had met the man who could capture the sound of this group. Angel elaborates, “We trusted Alex’s instincts and we were fans of some of the studio’s other outputs like JD McPherson and The Cactus Blossoms. The recording process we used this time was different. We got together numerous times at Pete Curry’s Powow Fun Room studio in LA to work up the songs, then we recorded demos to listen back to. Having some time to tweak the songs, and in some cases play them live, really helped when it came time to record.” They booked a session with Hall at bassist Pete Curry’s Marina Del Rey-adjacent studio, the Powow Fun Room, and followed up with a couple of sessions in Chicago. This list of songs built the first album of original material the band would record since Jet Set (2012). They worked on them at soundchecks and even peppered them into live sets. Somos is rounded out with two re-recordings of pandemic-era remote compositions (Townson’s “Genesee River Rock” and Angel’s “April Showers”) as well as revisiting “Spinout,” a track recorded by Eddie’s other band The Neanderthals (bolstered by guest vocals from voice-over king Tom Kenny).
From Townson’s thrilling “High Wire Act” to Angel’s down and dirty “Numbskull” to the beautiful “Polaris,” Somos Los Straitjackets pulsates with wit, twang and thunderous rock n’ roll. On “Cry for a Beatle,” drummer Chris Sprague strapped on a rickenbacker, Pete Curry moved to his original instrument (the drums!), and Eddie Angel picked up a bass. Paying explicit tribute to the combo sound of the Beatles and evoking The Fab Four’s nod to The Shadows (“Cry for a Shadow”), this song closes the circle. Somos Los Straitjackets demonstrates why Los Straitjackets have reigned as the kings of modern instrumental rock for over thirty years; with shimmering tremolo, relentless drum grooves, and hooks so catchy they don’t need lyrics to get stuck in your head. Produced with a vintage touch but packed with fresh intensity, Somos Los Straitjackets is both a love letter to rock and roll’s past and a declaration of purpose with feet firmly planted in the present: “We Are Los Straitjackets.”
They have taken their combo sound around the world, mostly making instrumental records, but also backing vocalists along the way, most notably for over a decade with Nick Lowe. It’s that collaboration that fuels this latest album, Somos Los Straitjackets. The lineup that has been touring since founder Danny Amis had to drop out of day-to-day operations because of his (winning) battle against multiple myeloma is Eddie Angel, longtime bassist Pete Curry, drummer Chris Sprague (The Sprague Brothers, Deke Dickerson) and Rochester guitar hero Greg Townson (The Hi-Risers, John Ellison). Playing hundreds of songs with and without Lowe, this four-piece has coalesced into an incredibly tight, rockin’ combo. “Playing behind a master like Nick Lowe makes you laser-focused on your playing. It has also made us very adept at coming up with twin guitar parts that complement each other,” says Eddie Angel. After recording with Lowe at Alex Hall’s Reliable Recorders, the band knew they had met the man who could capture the sound of this group. Angel elaborates, “We trusted Alex’s instincts and we were fans of some of the studio’s other outputs like JD McPherson and The Cactus Blossoms. The recording process we used this time was different. We got together numerous times at Pete Curry’s Powow Fun Room studio in LA to work up the songs, then we recorded demos to listen back to. Having some time to tweak the songs, and in some cases play them live, really helped when it came time to record.” They booked a session with Hall at bassist Pete Curry’s Marina Del Rey-adjacent studio, the Powow Fun Room, and followed up with a couple of sessions in Chicago. This list of songs built the first album of original material the band would record since Jet Set (2012). They worked on them at soundchecks and even peppered them into live sets. Somos is rounded out with two re-recordings of pandemic-era remote compositions (Townson’s “Genesee River Rock” and Angel’s “April Showers”) as well as revisiting “Spinout,” a track recorded by Eddie’s other band The Neanderthals (bolstered by guest vocals from voice-over king Tom Kenny).
From Townson’s thrilling “High Wire Act” to Angel’s down and dirty “Numbskull” to the beautiful “Polaris,” Somos Los Straitjackets pulsates with wit, twang and thunderous rock n’ roll. On “Cry for a Beatle,” drummer Chris Sprague strapped on a rickenbacker, Pete Curry moved to his original instrument (the drums!), and Eddie Angel picked up a bass. Paying explicit tribute to the combo sound of the Beatles and evoking The Fab Four’s nod to The Shadows (“Cry for a Shadow”), this song closes the circle. Somos Los Straitjackets demonstrates why Los Straitjackets have reigned as the kings of modern instrumental rock for over thirty years; with shimmering tremolo, relentless drum grooves, and hooks so catchy they don’t need lyrics to get stuck in your head. Produced with a vintage touch but packed with fresh intensity, Somos Los Straitjackets is both a love letter to rock and roll’s past and a declaration of purpose with feet firmly planted in the present: “We Are Los Straitjackets.”
released September 19, 2025
2025 Pacifica Music, LLC under exclusive license to Yep Roc, LLC.
Eddie Angel – Guitar (Bass on “Cry for a Beatle”)
Greg Townson – Guitar
Chris Sprague – Drums, Voices (Guitar on “Cry for a Beatle”)
Pete Curry – Bass (Drums on “Cry for a Beatle”)
With:
Simon Heeran – guitar on “April Showers,” “Virgon” and “Catalina Farewell”
Alex Hall – Vibes
Thanks to Gabrielle Sutton & Tom Kenny for additional voices
Produced by Los Straitjackets & Jake Guralnick
Recorded & Mixed by Alex Hall
Recorded at Reliable Recorders, Chicago, IL & PowWow Fun Room, Mar Vista, CA
Mixed at Reliable Recorders, Chicago, IL
2025 Pacifica Music, LLC under exclusive license to Yep Roc, LLC.
Eddie Angel – Guitar (Bass on “Cry for a Beatle”)
Greg Townson – Guitar
Chris Sprague – Drums, Voices (Guitar on “Cry for a Beatle”)
Pete Curry – Bass (Drums on “Cry for a Beatle”)
With:
Simon Heeran – guitar on “April Showers,” “Virgon” and “Catalina Farewell”
Alex Hall – Vibes
Thanks to Gabrielle Sutton & Tom Kenny for additional voices
Produced by Los Straitjackets & Jake Guralnick
Recorded & Mixed by Alex Hall
Recorded at Reliable Recorders, Chicago, IL & PowWow Fun Room, Mar Vista, CA
Mixed at Reliable Recorders, Chicago, IL
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Reliable Everyday Printer Paper
Size: 1 Ream | 500 Sheets, Style: Letter (8.5x11)
This is standard plain printer paper for everyday home use, and it does exactly what it’s supposed to do without any issues. I have had no problems with paper jams, ink smudging, or feeding through the printer.
The paper is an average thickness, nothing special, but perfectly fine for printing documents. The color is white. It does not curl, and everything comes out clean and readable. It does not stand out in any particular way, but there is also nothing to complain about. Overall, it is reliable, consistent, and works well for regular home printing needs. I will buy again.
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Reviewed in the United States on May 29, 2026
★★★★★ 5
Good price. Good paper.
Size: 8 Reams | 4000 Sheets, Style: Letter (8.5x11)
I feel like I have purchased this paper a hundred times. I have it on subscription. It works great in all my printers.
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Reviewed in the United States on May 30, 2026
★★★★★ 5
Love it.
Style: Ink
I love my epson workforce printer. I used to be a Canon person but once I got this printer. It changed my mind. So the ink is worth it. Especially in the bundle package. It may be a bit on the pricey side but it last me awhile. At least, in my opinion, it’s less expensive than buying them separately. Epson makes great stuff and glad I chose to stick with them. The ink is very good and looks great after it prints. Thanks to Epson for functionality, cost and efficiency when it comes you your products.
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Reviewed in the United States on November 10, 2025
★★★★★ 5
Epson Ink for the win
Style: Ink
Love my epson printer and that I can order the ink just about anywhere. Ink is of good quality and depending on the amount you print, it seems to last a decent amount of time.
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Reviewed in the United States on April 28, 2026
★★★★★ 5
It's ink and it works.
Style: Ink
It's ink and it works. My Epson printer is VERY finicky and only wants name-brand ink. This is it. A little pricey but they all are.
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Reviewed in the United States on July 4, 2025