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Description
HorseBy: Geraldine Brooks "Brooks' chronological and cross disciplinary leaps are thrilling." The New York Times Book Review"Horse isn't just an animal story it's a moving narrative about race and art." TIME"A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck and neck horse race, galloping to its conclusion you just can't look away." Oprah DailyWinner
By: Geraldine Brooks
"Brooks' chronological and cross-disciplinary leaps are thrilling." -The New York Times Book Review
"Horse isn't just an animal story-it's a moving narrative about race and art." -TIME
"A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion-you just can't look away." -Oprah Daily
Winner of the Anisfield-Wolf Book Award
A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history
Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse-one studying the stallion's bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
About Author
Geraldine Brooks is the author of the Pulitzer Prize-winning novel March and the international bestsellers The Secret Chord, Caleb’s Crossing, People of the Book, and Year of Wonders. She has also written the acclaimed nonfiction works Nine Parts of Desire and Foreign Correspondence. Born and raised in Australia, Brooks lives in Massachusetts.
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4.2 ★★★★★
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Product Reviews
★★★★★ 5
Instruction manual
Format: Paperback
Great read!!
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Reviewed in the United States on January 27, 2026
★★★★★ 5
How to take back what the thief has stolen
Format: Paperback
I took a long time to read this book so I could soak in and apply the principles laid out from God's Word. We have all been stolen from in some way or another, whether it has been failed relationships, finances, health, or even what we feel is our calling or destiny. The good news is that we can stand on God's Word and take back what the thief has stolen. I am still applying what I have learned to have faith that God will restore the years that the locusts have eaten
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Reviewed in the United States on July 13, 2025
★★★★★ 5
Hardcopy
Format: Paperback
I love this book. I purchase the audiobook, I wish I had purchased the hardcopy instead. It has so much information that you must read and re-read each chapter in order to gleam all the knowledge it provides.
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Reviewed in the United States on February 16, 2026
★★★★★ 5
A penetrating discussion of important books by Black authors.
Format: Kindle
Atcho’s choice of texts is smart: each has survived many decades in print, fascinates modern readers, and probes profound and current themes. Most are well known. Each one is worth your while to read or reread. Fiction, in particular, makes the Black experience in our country accessible to others. Living inside the head of Bigger Thomas (Native Son) offers a more personal understanding than any essay can.
The church has always been part of the story, and Atcho does justice to this by examining African-American literature in a theological light. He is sensitive to what each text is saying on a spiritual level, discerning the subtext and bringing it to light. Over and over, as I read his analyses, I had the experience of seeing more clearly what I had only vaguely intuited. The readings he discusses are not one-dimensional or didactic, and I found having a Virgil at my side was invaluable.
This book is a gift to us all.
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Reviewed in the United States on November 14, 2022
★★★★★ 5
Our church read this book together, and I can't recommend enough that your church do the same!
Format: Paperback
I am so grateful to Claude Atcho for inextricably weaving together a spacious reformed theology with the heights and depths of great African American literature. Thanks to his gracious, nuanced, and substantive guidance, I can no longer separate the two. For example, I will no longer be able to read the Exodus account of liberation without imagining Zora Neale Hurston's "Moses, Man of the Mountain." Where the themes of great African American literature (and indeed, great theology) do not short-cut suffering, death, lament, and evil, Atcho manages to do this heavy lifting in a way that welcomes uninitiated readers like me. Our church read this book together, and I can't recommend enough that your church do the same!
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Reviewed in the United States on January 19, 2024