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Description
Abbie Curved Back Oatmeal Fabric Dining Side Chair, Set of 2Overview Soft curves and sculptural details define the Abbie Dining Chair, expertly crafted from kiln dried solid rubberwood. Its gently arched back and tapered, angled legs offer refined form, while commercial grade cream fabric brings everyday durability and comfort. Designed to elevate high traffic dining spaces with enduring style. Features Durable Craftsmanship: Sculptural light wood frame crafted from kiln dried rubberwood Conscious Comfort:
Overview
Soft curves and sculptural details define the Abbie Dining Chair, expertly crafted from kiln-dried solid rubberwood. Its gently arched back and tapered, angled legs offer refined form, while commercial-grade cream fabric brings everyday durability and comfort. Designed to elevate high-traffic dining spaces with enduring style.
Features
- Durable Craftsmanship: Sculptural light wood frame crafted from kiln-dried rubberwood
- Conscious Comfort: Upholstered in a cream, OEKO-TEX® certified, formaldehyde-free polyester-linen blend
- Armless Profile: Tucks easily under tables to maximize space without losing style
- Adaptable Aesthetic: A relaxed modern look with cross-style versatility for any space
- Standard Dining Size: 20.9L x 20.9W x 33.7H - ideal for standard dining settings
- Fully Assembled: Arrives fully assembled—just unbox and enjoy
Specifications
- Hand Made (Y/N): Yes
- Hand Painted (Y/N): No
- Stain Resistant (Y/N): No
- Scratch Resistant (Y/N): Yes
- Water Resistant (Y/N): No
- Fire Resistant (Y/N): No
- Finished Back (Y/N): Yes
- Kiln-Dried Wood: Yes
- Seat Style: Square
- Type of Chair: Side Chair
- Total Number of Pieces Included: 1
- Leg/Base Type: 4 Legs
- Back Type: Wingback
- Arms Included?: No
- Upholstered: Yes
- Tufted Upholstery?: No
- Slip Covered: No
- Nailhead Trim?: No
- Seat Cushions Included?: No
- Swivel: No
- Foldable: No
- Stackable?: No
- Adjustable Seat?: No
- Pneumatic/Hydraulic Lift?: No
- Wheels/Casters (Y/N): No
- Wheels/Casters - Lock (Y/N): No
- Seat Cushion Reversible Cushion (Y/N): No
- Performance Fabric (Y/N): No
- Made to Order: No
- Upholstery Material: Fabric
- Upholstery Material Performance Brand: Unavailable
- Upholstery Material Texture: Unavailable
- Material Code - Body: M0495-B-RUB
- Body Material Type: Solid Wood
- Body Wood Species: Rubberwood
- Body Finish Application Description: Spray with Lacquer Coated
- Body Finish Texture: Fine Sandblast
- Body Color: Natural Wood
- Body Natural Variation: Natural Wood Grain Color Variation
- Material Code - Legs/Base: M0495-B-RUB
- Leg/Base Material Type: Solid Wood
- Leg/Base Wood Species: Rubberwood
- Leg/Base Finish Application Description: Spray with Lacquer Coated
- Leg/Base Finish Texture: Fine Sandblast
- Leg/Base Color: Natural Wood
- Leg/Base Natural Variation: Natural Wood Grain Color Variation
- Fabric/Leather Material Code - Seat: Branzino-005-Natural
- Seat Material Type: Fabric
- Seat Fabric/Leather Type: Polyester
- Seat Fabric/Leather Composition: 100% Polyester
- Seat Fabric/Leather Rub Count: 100,000
- Seat Fabric/Leather Color Fastness: 4
- Seat Color: Beige
- Seat Natural Variation: No Natural Variation
- Fabric/Leather Material Code - Back Cushion: Branzino-005-Natural
- Back Cushion Rub Count: 100,000
- Back Cushion Fabric/Leather Color Fastness: 4
- Back Cushion Color: Beige
- Back Cushion Natural Variation: No Natural Variation
- Main Color: Beige
- Main Material: Solid Wood
- Reclaimed Wood?: No
- Purposeful Distressing Type: No Distressing
- Seat Height - Floor to Seat: 18.89 inch (47.98 cm)
- Seat Width - Side to Side: 20.86 inch (52.98 cm)
- Seat Depth - Front to Back: 18.89 inch (47.98 cm)
- Back Height: 14.36 inch (36.47 cm)
- # of Parts/Components: 1
- Assembly Required (Y/N): No
- Removeable Legs (Y/N): No
- Additional tools needed (Y/N): No
- Avoid Power Tools?: Yes
- Level of Assembly: None
- CAL TB 116 Compliant: Yes
- Durability: No Extra Durability
- Supplier Intended and Approved Use: Residential Use
- Uniform Packaging and Labeling Regulations (UPLR) Compliant: Yes
- Canada Product Restriction: No
- Reason for Restriction: Does Not Apply
- General Certificate of Conformity (GCC): Yes
- CAL TB 117-2013 Compliant: Yes
- Composite Wood Product (CWP): No
- Commercial Warranty: No
- Warranty Length: 90 Days
- Product Warranty: Yes
- Mercana Look- Intended: Relaxed Modern
- Mercana Style - Influences: Contemporary, Mid-Century, Modern Rustic, American Traditional
Dimensions
- Product Size (inches): 23.8L x 21.0W x 33.3H
- Weight: 20.72 lbs
- Box Size (inches): 31.8L x 21.3W x 20.3H
- Box Weight: 27.88 lbs
- CBM: 0.2718
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.8 ★★★★★
Based on 9 reviews
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Product Reviews
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones.
That being said, this book was too detailed, making it slow reading.
Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
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Reviewed in the United States on June 3, 2014