SKU: 96161704606

STYX Mixer - Utility Switching/ Mixing Rack

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Description

STYX Mixer - Utility Switching/ Mixing RackSTYX Mixer The STYX Mixer is a non blocking 48x46 mixer matrix with all 2208 cross points fully software adjustable, and it has 24 configurable front panel shaft encoders and switches. It has redundant network interfaces and can be powered by PoE as well as mains. AoIP Inputs & Outputs 32 audio inputs and outputs to the network are provided. These are Dante but can also be set to AES67. They are fixed at 48kHz and there is a fully redundant physical

STYX Mixer
The STYX Mixer is a non-blocking 48x46 mixer matrix with all 2208 cross points fully software adjustable, and it has 24 configurable front panel shaft encoders and switches. It has redundant network interfaces and can be powered by PoE as well as mains.
AoIP Inputs & Outputs
32 audio inputs and outputs to the network are provided. These are Dante® but can also be set to AES67. They are fixed at 48kHz and there is a fully redundant physical connection of two copper network circuits (Ethercon) and two SFP slots normally used for fibre).

Line Level Analogue Inputs & Outputs
There are 5 balanced line level analogue inputs and outputs presented on 2 x D25 plugs wired to the AES59 (Tascam) standard.

Microphone Inputs
Three low noise, large dynamic range, high quality microphone inputs are provided on rear panel XLRs. Gain is set via the App, and 48 Volt phantom power can also be turned on/ off from the App. The output of the microphone amplifiers are routed in the DSP to individual compressor/ limiter circuits. Both compressed and uncompressed signals are presented as inputs to the mixer. These inputs can also be set to receive a line level circuit.

AES3 Inputs & Outputs
On a rear panel 9 way D connector that is shared with the GPIO there is an AES3 input & output circuit. Being AES3 this provides 2 audio channels in & out.

Headphone Outputs
For monitoring purposes three stereo headphone outputs are provided. These utilise our unique amplifier circuit suitable for both low and high impedance headphones.

Line Up Tone
The internal DSP provides two fixed rate oscillators, one at 1kHz and the other 1/5th Octave lower at 629Hz. The outputs of these oscillators are presented as two inputs to the mixer.

Shaft Encoders
The 24 front panel shaft encoders are rotary level controls. When one is rotated a row of LEDs above the front panel PPM illuminate to indicate the current position (i.e. how far up (or down) the control is currently set). These shaft encoders can also pan the associated circuits, achieved by pushing them in while rotating.

The mixer cross point circuits that these controls adjust can be configured in GlenController. One shaft encoder can be set to control many cross points, however individual cross points can only ever be controlled by one shaft encoder.

Switches
There are 24 illuminated push switches on the front panel. These can be set to turn any or multiple mixer cross points on/ off. They can also be set to route outputs to the headphones and meter circuits. The interaction between switches is fully configurable.
Shipping Notes
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 96161704606

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Dr. Daniel L. Young
Charlottesville, US
★★★★★ 5
Five Stars
Format: Paperback
I love this book and have absolutely no talent drawing, etc.,
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Reviewed in the United States on August 11, 2014
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Patrick Terra
Carnegie, US
★★★★★ 3
Seeing the Creative Process for Graphic Novels
Format: Paperback
This is a fascinating look at the early creative processes writers do when they make scripts for graphic novels. The only down side to this book is it doesn't show any comparison between the scripts and the final product. I suppose that's part of the fun of this book is that you have to imagine the graphics just like the original artists did.
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Reviewed in the United States on July 20, 2024
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Benjamin Bieker
Grantham, US
★★★★★ 4
I liked it
Format: Paperback
Pretty good if you want to see varied styles of writing comic book scripts. SOme are pretty off the wall, but will help you find your own style.
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Reviewed in the United States on January 27, 2014
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Stephen Naetzker
Port Orchard, US
★★★★★ 5
Great Comic
Format: Kindle
Wolverine is one of my favorite Marvel characters. He encapsulates the paradox for young adolescent boys. He’s everything we wish to be, and at the same time, everything we would be terrified to be.
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Reviewed in the United States on September 6, 2024
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Brian Reaves
Waukegan, US
★★★★★ 5
A huge book that gives you the hero's beginnings.
Format: Hardcover
I own several Marvel Omnibus collections (Captain America, Miller's Daredevil run, etc) but I have to say I think this one is the biggest in terms of thickness. This has a serious page count, and is definitely worth the money you spend on it for size alone. Those coming off the Wolverine movie and interested in more of his back-story will enjoy most of this. The stories here are not put together in chronological order of publication, but rather in chronological order of when it supposedly happened in his life. That being said, it's odd that Marvel chose to leave out "Origin", since that six-part story would have made an obvious choice for the beginning of this collection. Instead, we start out with a number of "Weapon X" stories that are supposed to set the stage for his creation into a weapon. The stories are not easy to follow for a casual read, however. You'll have to invest time reading dozens of dialogue balloons over the constantly-resting pose of Logan with wires coming out of him. Not the best start they could have hoped for, but I can see the logic of it. The Wolverine/Kitty Pryde miniseries is also here for some reason. I guess its inclusion into the collection is for completist purposes, but it's not that great. Eventually, you reach the Frank Miller Wolverine mini-series that started it all and paved the way for his solo series later on. If you've read that one, you know it's a classic as we get more back story into his Samurai/Ninja training past (and it's also rumored to be the basis for the second Wolverine solo film if it gets made). This leads into the first 10 issues of his solo series as we meet Logan's "Patch" identity, his weird black "facepaint mask" costume, and the dark dealings of Madripor. The colors here are rich and vibrant. Those who were disappointed with the washed-out look of the "Essentials" collection of Wolverine stuff will find nothing but happiness here. The price is reasonable for what you're getting here. Let me say again though that this is a MONSTER of a book, so you won't be carrying this around for a casual read at the coffee shop. This is more along the lines of a serious collector book than those Essential volumes.
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Reviewed in the United States on May 20, 2009

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