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淡水新建成 圓形沙其馬 - (喜事)(10兩)()(10) () (): 60 1951401951 13
淡水新建成 圓形沙其馬 - (喜事)(10兩)
(蛋奶素) 麵粉、芥花油、砂糖、雞蛋、葡萄乾、奶粉、麥芽、酵母
產品含麩質穀類製品、牛奶製品、花生類及蛋類，不適合過敏體質食用
產品含麩質穀類製品、牛奶製品、花生類及蛋類，不適合過敏體質食用
※ 本頁商品圖片為示意，僅供參考。實際出貨依照每日現場製作狀況為準，內容物、擺放方式與包裝可能略有不同，敬請理解。
保存期限(室溫): 60天
新建成餅店，成立於1951年（民國40年），當時創始人林清鐓先生還是糕餅店學徒。1951年他正式創辦了新建成餅店，開店至今已超過一甲子的時間，店內研發出不少產品。除了芝麻蛋黃餅外，還有和生餅、米香、沙其瑪，以及傳統婚禮需要的禮餅，目前店中顧客以準備訂婚的新人和家屬居多，零售的比率較低。
淡水老街上，年逾半百的新建成以傳統喜餅著稱，新建成餅店到了第二代新建成經營者林建盛時，以「只要有華人，就有新建成」對接手餅店的自己以及新建成期許，也意味著新建成餅店未來國際化的走向。因此，有鑒於現今不能用傳統方式經營，必須擴大規模，新建成和日本高帽子的臺灣總代理新順益公司合作，也可以在臺北的忠孝東路門市訂到新建成喜餅，消費者以訂婚的客戶為主，因為每個地方的訂婚禮俗有些許差異，店家會主動提供訂婚相關的資訊與服務。新建成喜餅遠近馳名，來訂餅的華僑遍及臺灣、美國、日本、加拿大、澳洲等國家。
招牌─芝麻蛋黃餅
新建成餅店的招牌─製作芝麻蛋黃餅，需要將近13種原料，才能創造出香酥的餅皮和適中的甜味，為了創造出如此美妙的口感，餅裡頭所添加的食材，曾更改過不下百次。另外，常吸引觀光客購買的商品，則叫做「和生餅」，上頭印有中國傳統餅模圖案，裡頭包含著不同的材料，有鳳梨、紅豆和咖哩口味，任由顧客依自己的口味挑選。而現在也為因應現代人口味，逐一加入健康、養生的食材，並堅持烘焙的精緻可口、傳統的質感供顧客享用。
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4.7 ★★★★★
Based on 30 reviews
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Product Reviews
★★★★★ 5
Loved the Tension in the Book
Format: Kindle
I actually read this book awhile ago but now just getting to review it. I absolutely loved this book. The cover attracted my attention just because it's all in one cover and it's not something that I normally see. I loved the tension between Rosie and Ford. They fought so much that you knew once they both gave in to their temptation that it was going to be explosive. Also I fell in love with Ford's twelve year old daughter with her snarky and sass behavior. Though, you will see where she gets it from as you read the book. The plot is great, a little slow in some parts but it is easy to get past it. If you want to build up with some humor this is the book for you. The smut in this book is mild but it is what is expected since it's not a dark romance. I highly recommend checking out this book.
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Reviewed in the United States on March 20, 2026
★★★★★ 4
4.5⭐️
Format: Kindle, Format: Kindle
Wild Love deserves all the hype it’s gotten. For my first Elsie Silver book, this one was a 4.5⭐️
A sweet, simple small town romance that will keep you on your toes. Rosie was a pretty relatable character if you’ve grown up in a small town. That feeling of wanting to get out, and wanting something more is something most probably feel. But it turned out that wasn’t what she actually wanted, and moving back to Rose Hill ended up being the peace she really needed. While we all love a good enemies to lovers trope, Ford discovering he had a daughter was a nice touch and kept the story much more interesting. Wild love didn’t just tell of two friends falling for each other, but also Ford navigating his newfound fatherhood and Rosie stepping in to help not only him but his daughter.
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Reviewed in the United States on March 17, 2026
★★★★★ 5
I’m absolutely OBSESSED!!!!!!
Format: Paperback
My love for this book is everything. Just thinking back to the little family—Ford, Cora, and Rosie—was absolutely amazing to read about. The way I completely fell in love with the lovesick billionaire, the grieving daughter, and a woman trying to find herself again was the best part of the book. I felt like each word drew me closer to the main characters.
Ford is a billionaire who buys a run-down house in his old vacation town when, surprise, a quiet, guarded, incredibly smart twelve-year-old girl shows up on his doorstep claiming to be his daughter through a past sperm donation. Cora has lost her father, and her mother is struggling deeply, so Ford unexpectedly takes Cora under his wing. She’s sharp, sarcastic, emotionally reserved, and clearly carrying more weight than a kid her age should have to bear.
Not long after, Rosie—Ford’s best friend’s little sister and his long-lost love—returns to town after being mistreated by her boss. Her arrival catches Ford completely off guard, and all the feelings he thought he’d buried come crashing back. Throughout the book, Rosie forms a deep, natural bond with Cora, and together they slowly build something that feels like home. Ford doesn’t just fall in love with Rosie—he falls in love with the family they create.
Favorite Parts
★ Rosie’s bond with Cora was literally my breaking point. They are so incredibly sweet and felt completely real.
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Reviewed in the United States on February 3, 2026
★★★★★ 5
If you want to write that best seller correctly, this is the book for you!
Format: Paperback
Plot & Structure is a thorough handbook for writers looking to improve their storytelling. Bell, as many already know is a successful novelist and writing coach. He simplifies complex ideas like plot development and narrative structure into useful advice, practical tactics, and interesting activities that we can all understand.
Bell's strategy revolves around the LOCK methodology, which stands for Lead, Objective, Confrontation, and Knockout. Not a new technique at all, this framework is intended to assist authors in crafting captivating story lines that hold readers' attention from start to finish.
Bell clearly emphasizes the significance of developing a strong lead character who propels the story forward, a definite aim that guides the plot, a confrontation that adds tension and drama, and a knockout finish that leaves readers happy but wanting more.
Clarity and order are two of the book's strongest points. Bell delivers his thoughts in a logical order, beginning with the basics of plot structure and progressing to more sophisticated themes such as subplots, pacing, and thematic depth.
Each chapter is illustrated with examples from popular literature and cinema, making theoretical topics more concrete and understandable.
This method not only enhances comprehension but also encourages readers to study and appreciate the workmanship behind their favorite stories. But Bell does this in a fun, and still factually correct manner.
Bell's writing style is both informative and motivating. He communicates directly to the reader, anticipating their worries and queries and providing encouragement with his advice.
His encouraging tone is especially helpful for aspiring authors who may be intimidated by the hurdles of narrative development, I know I was one of those.
Bell tells them that, while creating a compelling plot is difficult, it is possible with perseverance, effort, and a willingness to learn from failures.
The exercises at the end of each chapter are another standout feature of the book. These are intentionally created to put the concepts covered into practice, encouraging authors to explore various story scenarios, character motives, and narrative structures.
By constantly promoting active participation, Bell guarantees that readers not only absorb the material but also apply it.
This hands-on approach encourages creativity and experimentation, which are crucial skills for any writer trying to improve their art.
He makes the whole process fun to do, which helps one feel involved more than some dreary instructional how-to book that we have all read and forgotten.
Furthermore, Bell discusses frequent plotting difficulties and provides solutions to solve them. He addresses difficulties like predictable storylines, uninteresting characters, and drooping middles, offering practical advice on how to increase suspense, deepen character development, and sustain momentum throughout the novel.
This problem-solving part of the book is crucial since it provides writers with skills for critically evaluating and improving their work.
It dives into the psychological and emotional sides of narrative, recognizing that a successful plot is more than just what occurs, but how it affects the characters and, as a result, the readers. Bell urges writers to explore their characters' emotional journeys, claiming that emotional resonance is critical to producing a memorable and meaningful story.
Despite its numerous qualities, the book might have used more diverse examples, such as those from genres outside of Bell's area of expertise, contemporary literature, and indie presses.
While the emphasis is mostly on traditional narrative frameworks, some consideration of experimental and non-linear storytelling could have provided a more comprehensive perspective on the art of plotting.
Its thorough examination of plot creation, along with practical exercises and insightful suggestions, makes it an invaluable resource for anybody wishing to master the craft of storytelling.
Whether you're a new writer struggling with your first plot or an experienced author looking to improve your skills, this book provides the assistance and inspiration you need to create captivating narratives that keep readers engaged from beginning to end. Plus, you will have fun along the way too!
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Reviewed in the United States on February 6, 2024
★★★★★ 5
One of the best books about writing!
Format: Paperback
Each chapter offered valuable information. I can't praise it enough. It's simply one of the best books that I have read about writing. I have learned plenty, and I will apply it to my new novel that I'm working on right now!
Buy it! Read it! It works wonders! It's invaluable to my collection. If you're building your collection, make sure this book finds a place in your home. I have outlined so much. I have taken so many notes. I memorized elements of the structure. The author didn't take any break. He didn't stop surprising me toward the end.
Great work!
OVERVIEW
The author talks about the LOCK system for your novel.
L --You need to have a gripping Lead with whom readers can identify with. You need sympathy, likability, and inner conflict. You need to build an arc of your character breaking into his layers, so the lead changes by the end of the novel. You need to show it through action and show the moment of change.
O-- Objective, a goal your lead wants to achieve. You need to create a strong opposition, and put that opposition close to the lead. It might be a physical location, moral duty, professional obligation, life or death situation, obsession, etc.
C--Confrontation or simply said conflict that grows; stakes are raised higher leading to the climax of the story.
K--Knockout--final fight against opposition
You need three ACT structure:
Beginning (Act 1) , Middle(Act 2), Ending (Act 3)
Beginnings- You need to reveal the lead; hook the reader; create sympathy through those things that I have mentioned earlier. You need to create disturbance in his life that will move the Lead to Act 2 which is the middle, no return.
Middles- Raise the stakes; scenes are more tense; create more conflict and have a death hanging over your Lead (emotional death, physical, or professional, etc.) The customer is nearing the black moment. The Lead enters another door of no return.
Endings-Battle--tie those lose endings (some might contain sacrifice) 1. A final choice or 2. A final battle
Add a twist if possible.
If you follow the above and create a back cover blurb, you can go ahead and write your novel knowing it will not fail. Create an arc of the character that concentrates on the internal part of the character.
I like to create also two charts. One is for the Lead showing how the character is changing internally.
Another one, characters who play the parts in your novel divided into following categories:
Character, Description, Objective, Role, Secret, and Emotion Evoked.
You can add as much as you want in your never ending list.
Scenes- HIP- Hook, Keep it Intense, Prompt to another scene
Stretch tension! You need show instead of tell.
ARM- Action, Reaction, and More Action
Soap Opera-- don't resolve anything until the end, and you might want to end the scene with a secret revealed or a cliff hanging moment.
Complex Plots--Play with symbols or motifs; create subplots and integrate them into the main plot, or use parallel plots used so much in romance novels.
Or divide into sections; each section to contain the LOCK system and three act structure.
Some other things that I found valuable:
Flashbacks -- keep them short; create scenes out of them; use one HAD.
If your middle doesn't play well, do something unexpected like throwing a guy with a gun.
Unanticipate-- avoid cliches, create unpredictiable scenes, endings
If you present something in the story, make sure you use it later in your novel. If you mention the riffle on the wall, make sure it will play out in the future scene. You need to work backwards. You need to plant things, so the future scenes will make sense.
The author talked about SHUTDOWN. I have experienced it myself just after the conference. It happens when the writer is overwhelmed and can't produce. It's a phase that passes. I did have it for two weeks. I was just simply exhausted and overwhelmed. I took a break, and the passion came back.
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Reviewed in the United States on November 1, 2011