SKU: 64799997891

Colourphone Telephone Distortion Colour

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Description

Colourphone Telephone Distortion ColourOne theory about why older records sound so great is that back in the day of all analog studios, every signal traveled through multiple stages of analog circuitry before hitting tape. Well how about thousands of miles of analog circuitry? XQP Audio's Colourphone packs the sound of a continent's worth of copper, transformers, speakers, and microphones into a Colour module. Through aggressive distortion and filtering, the Colourphone recreates the

One theory about why older records sound so great is that back in the day of all-analog studios, every signal traveled through multiple stages of analog circuitry before hitting tape. Well how about thousands of miles of analog circuitry?

XQP Audio's Colourphone packs the sound of a continent's worth of copper, transformers, speakers, and microphones into a Colour module. Through aggressive distortion and filtering, the Colourphone recreates the nasty, tinny sound of pre-cellular telephony. Use it on it's own for a perfectly dialed-in telephone effect or blend it with the dry signal for added presence.

FEATURES

  • Telephone filter and distortion Colour
  • Compatible with the Colour 500-Series Palette
  • Full, step-by-step assembly instructions

SAMPLES

See audio tab for more samples.

Audio
The samples below demonstrate the Colourphone with the Colour Palette's input control set to 1 o'clock.
Design Notes

If you've tried creating a telephone sound by dialing EQ, you'll find it lacking in certain sterling qualities that the phone system supplies in addition to bandwidth limitation. The Colourphone was designed to duplicate the essential circuitry of a telephone and its network. When you make a phone call, the signal is going through a telephone at one end, a telephone at the other end, the little-bitty speakers and marginal microphones employed in each, several sets of electronics at the phone company and its various central offices scattered about, and countless miles of copper (and possibly other more exotic methods of delivery and their associated equipment, but let's stop talking about this).

The basic essence of the telephone sound, at least from the standpoint of what the telephone equipment purposefully does, is a bandpass filter that passes audio between about 400Hz to 3.5kHz, and a diode clipper to elegantly limit the dynamic range. The Colourphone includes carefully crafted pro audio versions of these circuits. It also includes a nice yellow telephone transformer to help things along.

During the design process, Peterson suggested a rearrangement of a couple of things to better fit into the Colour design parameters (because I was too lazy to read them). The result was even more telephonic. One of the distinctive characteristics of telephone sound is a tearing of sibilants. The Colourphone now achieves this state of audio nirvana, having had its various parts rearranged, thanks to Peterson's diligence. Sometimes it pays to obey the rules. And telephone companies historically have been sticklers for rules, and here we are now trying to emulate their desirable sound.

In use, you might want to do a bit of further EQ to achieve a tinnier sound, but that is a matter of taste. And of course, telephone mic and speaker quality varies from bad to really bad, so everyone's idea of what really sounds like a phone call is going to differ. If you really want to achieve total realism, my recommendation would be to fill a 10-slot rack with Colour Palettes - each featuring three Colourphone modules - and then turn them all up full blast.

-Dane Tate, XQP Audio
Resources

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 64799997891

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Junta151
Massapequa, US
★★★★★ 5
Great sunscreen, easy to use and absorbs well
I would recommend this product because it's super easy to apply and doesn't leave a greasy feeling. The SPF 50 gives good sun protection, and it feels lightweight on my face. Plus, it's hydrating thanks to the hyaluronic acid. Definitely a good choice for daily use, and I like that it doesn't clog pores.
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Reviewed in the United States on September 2, 2025
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New York, US
★★★★★ 5
Great Facial Sunscreen
Great sunscreen with moistuizer so no need to apply a second product. Keeps face feeling hydrated while protected.
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Reviewed in the United States on May 10, 2026
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Tansu
San Leandro, US
★★★★★ 5
Clear face
I love using Eucerin products. It’s safe my skin and protects. It’s my first time trying the sunscreen so far I like it. I don’t do makeups. It has a clear view on my face, doesn’t leave any whit spot le so I love it.
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Reviewed in the United States on May 20, 2026
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Melody Recktenwald
Dallas, US
★★★★★ 5
Best face sun protection
My Neutrogena one stung my eyes and made me constantly tear and this is soooo much better. It feels light and dries down well without feeling greasy. Also it didn't make my skin react. A++
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Reviewed in the United States on March 13, 2026
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John
Chelsea, US
★★★★★ 4
Greasy but light
It's very lightweight and is definitely hydrating it's lightly greasy after its dry and it is not matte but has a dewy shine to it , I have tried many sunscreens and settled on this one as it just has a nicer feel to it and is easier to apply everyday, it goes on quickly and leaves no white streaks at all Its more watery than thick And does NOT peel whatsoever I Would definitely recommend this as a daily Face sunscreen if you not mind the shine it has to it. Its convenient Yet the bottle is small and last only about a 1 to 3 weeks depending how many times you use it To bad They DO NOT MAKE A BIGGER SIZE
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Reviewed in the United States on May 25, 2026

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