SKU: 56270674027

Divina Black-Brown Wood w/ White Marble Top and Black Metal Base Accent Cabinet

Sale price$540.00 Regular price$600.00
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Description

Divina Black-Brown Wood w/ White Marble Top and Black Metal Base Accent CabinetOverview A truly exceptional, contemporary piece, the Divina Accent Table speaks volumes about its quality craftsmanship and excellent materials. Fall in love with the marble top, the solid black brown mango wood and sturdy iron base. This beautiful accent boasts three drawers perfect for secreting away essential items. Features What we love about it:: The wonderful imperfections of the natural marble* top ensures that no two cabinets will be the

Overview

A truly exceptional, contemporary piece, the Divina Accent Table speaks volumes about its quality craftsmanship and excellent materials. Fall in love with the marble top, the solid black-brown mango wood and sturdy iron base. This beautiful accent boasts three drawers – perfect for secreting away essential items.

Features

  • What we love about it:: The wonderful imperfections of the natural marble* top – ensures that no two cabinets will be the same. *This means you can expect variations in the color and texture of the marble  
  • Style:: Modern, Transitional, Contemporary 
  • Materials:: Solid mango wood in a black-brown finish, textured Iron, and beautiful white marble* 

Specifications

  • Release Season: Winter 2021
  • Cable Management (Y/N): No
  • Magazine Rack (Y/N): No
  • Locking?: No
  • Stackable?: No
  • Product Type: Accent Cabinet
  • Stain Resistant (Y/N): Yes
  • Design: Standard
  • Hand Made (Y/N): Yes
  • Hand Painted (Y/N): No
  • Kiln-Dried Wood: Yes
  • Top Scratch Resistant (Y/N): No
  • Top Stain Resistant (Y/N): Yes
  • Top Water Resistant (Y/N): Yes
  • Body Scratch Resistant (Y/N): No
  • Body Stain Resistant (Y/N): Yes
  • Body Water Resistant (Y/N): Yes
  • Fire Resistant (Y/N): No
  • Finished Back (Y/N): Yes
  • Mirrored?: No
  • Legs Included: Yes
  • Foot/Leg Design: Straight Legs
  • Sliding Doors: No
  • Locking Doors: No
  • Inlay: No
  • Shagreen-embossed Exterior: No
  • Magazine Rack(Y/N): No
  • Tray Top (Y/N): No
  • Exterior Shelves Included?: No
  • Shelves Included?: No
  • Fixed Shelf Quantity: 0
  • Removeable Shelf Quantity: 0
  • Drawers Included?: Yes
  • Number of Drawers: 3
  • Drawer Handle Design: Bar Pulls
  • Drawer Dividers (Y/N): Yes
  • Drawer Safety Stop?: Yes
  • Felt Lined Drawers: Yes
  • Open Storage included?: No
  • Cabinets Included?: No
  • Silverware Tray: No
  • Wine Rack: No
  • Removable Wine Rack?: No
  • Stemware Storage: No
  • Furniture Design: Standard
  • Glass Paned?: No
  • Microwave Shelf Included?: No
  • Removable Legs: Yes
  • Plug-In: No
  • Made to Order: No
  • Purposeful Distressing Type: No Distressing
  • Body Descriptive Color: Dark Brown
  • Top Stone Type: Bansawara Marble
  • Top Finish Texture: Polished
  • Material Code - Base: MM0012-BLK
  • Leg/Base Material Type: Metal
  • Base Metal Type: Iron
  • Drawer Material Details: 100% Mango Wood
  • Material Code - Drawer: M0004-A
  • Drawer Material Type: Solid Wood
  • Main Material: Solid Wood
  • Main Color: Black
  • Drawer Wood Species: Mango
  • Gloss Finish?: No
  • Hardware Finish: Black
  • Material Details: SOLID WOOD, MARBLE, METAL
  • Wayfair Top Color: White
  • Top Material Type: Marble
  • Top Material Details: WHITE BANSWARA MARBLE
  • Drawer Color: Black, Brown
  • Drawer Finish Texture: Plain/Smooth
  • Top Natural Variation: Natural Marble Color & Texture Variation
  • Material Code - Body: M0004-A
  • Body Color: Brown, Black
  • Body Finish Texture: Plain/Smooth
  • Body Material Type: Solid Wood
  • Body Material Details: 100% Mango Wood
  • Body Wood Species: Mango
  • Body Natural Variation: Natural Wood Grain Color Variation
  • Material Code - Body Backing: M0004-A
  • Body Backing Color: Black, Brown
  • Body Backing Finish Texture: Plain/Smooth
  • Body Backing Wood Species: Mango
  • Body Backing Natural Variation: Natural Wood Grain Color Variation
  • Base Color: Black, Brown
  • Base Material Details: Iron
  • Base Metal Surface Type: Square Tube
  • Base Natural Variation: Natural Wood Grain Color Variation
  • Drawer Natural Variation: Natural Wood Grain Color Variation
  • Floor to Top Height: 32 inch (81.28 cm)
  • Knob Dimensions (W x D x H): 8 x 1.5 x 0.5 inch
  • Top Dimension (L x W x H): 36 x 18.5 x 0.75
  • Top Surface Weight Capacity: 100 lbs (45.35 kg)
  • Countertop Thickness: 0.79 inch (2.01 cm)
  • Drawer Weight Capacity: 75 lbs (34.01 kg)
  • Overhang on Sides: 0.5 inch (1.27 cm)
  • Tube/Bar Dimensions: 25mm square pipe & 25mm square bar
  • Shape: Rectangular (Horizontal)
  • Overall Weight Capacity: 200 lbs (90.7 kg)
  • Top Surface Size (L x W x H): 36L x 18.5W x 1H
  • Shelf Depth - Front to Back: Does Not Apply
  • Shelf Width - Side to Side: Does Not Apply
  • Shelf Weight Capacity: Does Not Apply
  • Drawer Dimensions (L x W x H): 35L x 16W x 7.5H
  • Drawer Interior Height - Top to Bottom: (1) 5, (2) 6.125 inch
  • Drawer Interior Width - Side to Side: 31.5 inch
  • Drawer Interior Depth - Front to Back: 14.5 ic
  • Leg Clearance - space between legs (WxDxH): 33.37 x 16.35 x 6.75 inch
  • Tube/Bar Dimensions (mm): 1" SQ PIPE & 1" SQ BAR
  • Knob/Pull Dimensions (LxWxH): 8L x 1.5W x 0.5H
  • Metal Gauge: 18
  • Leg/Base Height - Top to Bottom: 7.75 inch (19.68 cm)
  • Leg/Base Width - Side to Side: 0.62 inch (1.57 cm)
  • Leg/Base Depth - Front to Back: 0.62 inch (1.57 cm)
  • # of Parts/Components: 1
  • Assembly Required (Y/N): Yes
  • Removeable Legs (Y/N): No
  • Suggested Number of People: 2
  • Estimated Time to Assemble: 20 min
  • Additional tools needed (Y/N): No
  • Avoid Power Tools?: Yes
  • Level of Assembly: Partial
  • Prop 65 Label: Yes
  • Prop 65 Chemicals: Formaldehyde (gas)
  • Supplier Intended and Approved Use: Residential Use
  • Tipover Restraint Device Included?: No
  • Uniform Packaging and Labeling Regulations (UPLR) Compliant: Yes
  • Canada Product Restriction: No
  • Reason for Restriction: Does Not Apply
  • General Certificate of Conformity (GCC): Yes
  • Outdoor Use: No
  • Composite Wood Product (CWP): No
  • Commercial Warranty: No
  • Warranty Length: 90 Days
  • Product Warranty: Yes
  • Floor Protection: Levelers
  • Knob or Pull Finish: Black
  • Knob or Pull Material: Iron
  • Hardware Material: Iron
  • Anti-Tipping: Yes
  • Eligible for Replacement Parts: No
  • Number of Doors: Does Not Apply
  • Number of Knobs/Pulls: 3

Dimensions

  • Product Size (inches): 36.0L x 18.5W x 32.0H
  • Weight: 129.00 lbs
  • CBM: 0.3492
  • Box 1 69201-A Size (Inches): 39.5L x 4.0W x 22.5H
  • Box 1 69201-A Weight: 69.00 lbs
  • Box 2 69201-B Size (Inches): 38.0L x 22.0W x 35.0H
  • Box 2 69201-B Weight: 88.00 lbs
Shipping Notes
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Exchange/Return Notes
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SKU: 56270674027

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4.7 ★★★★★
Based on 16 reviews
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Product Reviews
R
Verified Purchase
Rachel S.
Houston, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Boise, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Bozeman, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Boise, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Massapequa, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020

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