SKU: 52796011407

lush music new project stray horns

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Description

lush music new project stray hornsLUSH MUSIC ( CVLD268 ) Author : Billy Strayhorn, Duke Ellington Performer : New Project Stray Horns Available in: HD File, CD Traces 1 Upper Manhattan Medical Group (Billy Strayhorn arr. Fiorenzo Zeni) 5: 21 2 Chelsea Bridge (Billy Strayhorn arr. Roberto Spadoni) 6: 48 3 Half The Fun (Billy Strayhorn arr. Giorgio Beberi) 4: 49 4 Dolls (Roberto Spadoni) 4: 37 5 Star Crossed Lovers (Duke Ellington & Billy Strayhorn arr. Roberto Spadoni) 5: 26 6 Johnny

LUSH MUSIC ( CVLD268 )

Author : Billy Strayhorn, Duke Ellington
Performer : New Project Stray Horns

Available in: HD File, CD

Traces

1 Upper Manhattan Medical Group (Billy Strayhorn - arr. Fiorenzo Zeni) - 5:21
2 Chelsea Bridge (Billy Strayhorn - arr. Roberto Spadoni) - 6:48
3 Half The Fun (Billy Strayhorn - arr. Giorgio Beberi) - 4:49
4 Dolls (Roberto Spadoni) - 4:37
5 Star Crossed Lovers (Duke Ellington & Billy Strayhorn - arr. Roberto Spadoni) - 5:26
6 Johnny Come Lately (Billy Strayhorn - arr. Paolo Trettel) - 5.30
7 Lush Life (Billy Strayhorn - arr. Fiorenzo Zeni) - 5.39
8 Take The “A” Train (Billy Strayhorn - arr. Luigi Grata) - 3:39
9 Isfahan (Duke Ellington & Billy Strayhorn - arr. Fiorenzo Zeni) - 4:41
10 Rain Check (Billy Strayhorn - arr. Luigi Grata) - 5:08
11 Blood Count (Billy Strayhorn - arr. Renzo De Rossi) - 5:06

Total Time: 56:49


Stefano Menato, alto sax / clarinet
Fiorenzo Zeni, tenor sax / clarinet
Giorgio Beberi, baritone sax / bass clarinet
Paolo Trettel, Trumpet / Fluehorn
Christian Stanchina, trumpet
Luigi Grata, trombone
Roberto Spadoni, guitar
Stefano Colpi, double bass
Renzo De Rossi, piano
Vittorio Marinoni, drums

24bit/88.2kHz original recording made at MagisterArea Studio, Preganziol - Italy
on March 26 & 27, 2015

Production: Velut Luna
Executive Producer: Marco Lincetto
Recording, Mixing and Mastering Engineer: Marco Lincetto
Photo of the Band: Marco Lincetto
Design and Layout: ???
Sales Manager: Patrizia Pagiaro

Notes
In recent years, studies and insights into the figure, role, and art of Billy Strayhorn have increasingly led scholars and musicians to appreciate his personality, freeing it from the shadow of the immense figure of Duke Ellington, with whom he was a close collaborator for almost thirty years. The centenary of his birth - in 2015 - has given new impetus and stimulus to in-depth studies on the art and great musical qualities of Stray, as he was known by the orchestra's musicians. Ellington, who had a profound human and artistic relationship with him, never hid his admiration and gratitude, expressing it thus in his famous autobiography Music Is My Mistress (1973): "Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine."
His work with Ellington took the form of composer, arranger, and pianist (both in the studio and live), bringing a certain transparency to the orchestration of the leader's complex harmonic language and—with some of his compositions—a classical tone. In addition to collaborating on the large-scale works of masterpieces such as Such Sweet Thunder, A Drum Is a Woman, The Perfume Suite, The Far East Suite, Anatomy of a Murder, and The Nutcracker Suite, he wrote a series of songs that became hits for the orchestra, including "Take the "A" Train" and "Chelsea Bridge."
In this album, the NP Stray Horns ensemble, born within the activities of the New Project Association active between Trento and Bolzano, encounters Strayhorn's music, reinterpreting some of his masterpieces, from the youthful and celebrated Lush Life to his last work, recorded posthumously a few months after his premature death in 1967 by Ellington himself, Bloody Count.
The project was conceived as a collective effort, with many of the musicians contributing by arranging the original works, creating a kaleidoscope of sound in which the African-American composer's music has been reinterpreted with respect, but also with a certain adventurous spirit that often characterizes jazz reinterpretations.

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SKU: 52796011407

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The only labels I use for my thermal printer. Print quality is always perfect. The quality of the sticker is great! Super easy to use just drop them in. Easy to store and organize. Not the cheapest but they don’t stick to my products when removing but they stay on nicely until removal is needed.
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See below the way I choose the star rating. First I want to say that I am still mad, that the NIIMBOT printer only accepts original NIIMBOT labels, which come at a VERY limited choice, are pricey, and often not even available on Amazon. That being said, those labels work very well, the print is crisp, even the small letters (see picture, the small letters are 1/16"). The ink does not come off, even when rubbed with greasy fingers. I am not able to remove them easily, the adhesion is very good. All prints are centered, even when printing multiple. They align very well in the printer. Which is to be expected at that price! I will buy them again once they are available, because I have no choice, but also because the quality is very good. Star Rating: ***** Exceeds expectations and is better than thought **** Meets expectations and would buy again ***Some minor flaws but ok for the price, would not buy again ** Terrible and I only kept it when the price is right or because of the lack of better alternative *Returned the item because it doesn't work as advertised, is broken, or quality is extremely poor
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