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St. Simeon the Stylites icon (1)

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St. Simeon the Stylites icon (1)Orthodox icon of Saint Simeon, Symeon the Stylites (1). Icon of 14 cent. Church of Protato, Mount Athos, Greece. Commemorated September 1st. Saint Simeon the Stylite was born in the Cappadocian village of Sisan of Christian parents, Sisotian and Martha. At thirteen years of age he began to tend his father's flock of sheep. He devoted himself attentively and with love to this, his first obedience. Once, after he heard the Beatitudes in church, he was

Orthodox icon of Saint Simeon, Symeon the Stylites (1). Icon of 14 cent. Church of Protato, Mount Athos, Greece.

Commemorated September 1st.

Saint Simeon the Stylite was born in the Cappadocian village of Sisan of Christian parents, Sisotian and Martha. At thirteen years of age he began to tend his father's flock of sheep. He devoted himself attentively and with love to this, his first obedience. Once, after he heard the Beatitudes in church, he was struck by their profundity. Not trusting to his own immature judgment, he turned therefore with his questions to an experienced Elder. The Elder readily explained to the boy the meaning of what he had heard. The seed fell on good soil, and it strengthened his resolve to serve God.

When Simeon was eighteen, he received monastic tonsure and devoted himself to feats of the strictest abstinence and unceasing prayer. His zeal, beyond the strength of the other monastic brethren, so alarmed the igumen that he told Simeon that to either moderate his ascetic deeds or leave the monastery. St Simeon then withdrew from the monastery and lived in an empty well in the nearby mountains, where he was able to carry out his austere struggles unhindered. After some time, angels appeared in a dream to the igumen, who commanded him to bring back Simeon to the monastery. The monk, however, did not long remain at the monastery.

After a short while he settled into a stony cave, situated not far from the village of Galanissa, and he dwelt there for three years, all the while perfecting himself in monastic feats. Once, he decided to spent the entire forty days of Great Lent without food or drink. With the help of God, the monk endured this strict fast. From that time he abstained from food completely during the entire period of the Great Lent, even from bread and water. For twenty days he prayed while standing, and for twenty days while sitting, so as not to permit the corporeal powers to relax.

A whole crowd of people began to throng to the place of his efforts, wanting to receive healing from sickness and to hear a word of Christian edification. Shunning worldly glory and striving again to find his lost solitude, the monk chose a previously unknown mode of asceticism. He went up a pillar six to eight feet high, and settled upon it in a little cell, devoting himself to intense prayer and fasting. Reports of St Simeon reached the highest church hierarchy and the imperial court. Patriarch Domninos II (441-448) of Antioch visited the monk, celebrated Divine Liturgy on the pillar and communed the ascetic with the Holy Mysteries.

Elders living in the desert heard about St Simeon, who had chosen a new and strange form of ascetic striving. Wanting to test the new ascetic and determine whether his extreme ascetic feats were pleasing to God, they sent messengers to him, who in the name of these desert fathers were to bid St Simeon to come down from the pillar. In the case of disobedience they were to forcibly drag him to the ground. But if he was willing to submit, they were to leave him on his pillar. St Simeon displayed complete obedience and deep Christian humility.

The monks told him to stay where he was, asking God to be his helper. St Simeon endured many temptations, and he invariably gained the victory over them. He relied not on his own weak powers, but on the Lord Himself, Who always came to help him. The monk gradually increased the height of the pillar on which he stood. His final pillar was 80 feet in height. Around him a double wall was raised, which hindered the unruly crowd of people from coming too close and disturbing his prayerful concentration. Women, in general, were not permitted beyond the wall.

The saint did not make an exception even for his own mother, who after long and unsuccessful searches finally succeeded in finding her lost son. He would not see her, saying, If we are worthy, we shall see one another in the life to come. St Martha submitted to this, remaining at the foot of the pillar in silence and prayer, where she finally died. St Simeon asked that her coffin be brought to him. He reverently bid farewell to his dead mother, and a joyful smile appeared on her face.

St Simeon spent 80 years in arduous monastic feats, 47 years of which he stood upon the pillar. God granted him to accomplish in such unusual conditions an indeed apostolic service. Many pagans accepted Baptism, struck by the moral staunchness and bodily strength which the Lord bestowed upon His servant. The first one to learn of the death of the saint was his close disciple Anthony.

Concerned that his teacher had not appeared to the people for three days, he went up on the pillar and found the dead body stooped over at prayer. Patriarch Martyrius of Antioch performed the funeral before a huge throng of clergy and people. They buried him near his pillar. At the place of his ascetic deeds, Anthony established a monastery, upon which rested the special blessing of St Simeon.

Reference: O.C.A.

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4.2 ★★★★★
Based on 7 reviews
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Steve_T_USA
Louisville, US
★★★★★ 5
Vintage Bradbury Fantasy Is My Favorite
Format: Hardcover
DANDELION WINE is first and foremost the story of a 12 year old boy discovering that he is alive. I was lucky enough to read this gorgeous, perfect novel, wrapped in a library's dandelion yellow hardcover, the summer of my 12th year, in the small town of New Haven, Indiana, probably wearing my own pair of Red Ball Jets or Keds, lying in my living room as usual, curled up in a chair with the screen door open to let in the blustery summer wind and sun, with the lush green Indiana grass blowing in waves just outside. I understood what Bradbury was saying at age 12, an incredible thing in itself, since the themes here are fairly grown-up. Essentially, this book is about a boy flooded with the sudden realization of his own "aliveness", and never has a child's experience of innocent living been so perfectly, passionately illustrated. Douglas Spaulding lying in the grass, or feeling the keen pleasure and pain of carrying heavy laden buckets of self-picked berries out of the woods while the handles crease the insides of his hands. Douglas Spaulding discovering the wonder of a Number Two pencil, and the joy of rising early in the morning to watch his town come to life with the sunrise. Douglas Spaulding discovering that nothing makes a boy fly weightless through his summer vacation better than slipping his feet into the cool, cloudwrapped heaven of a new pair of tennis shoes. I found this book, at age 12 and several times since, to be an experience ranking with the most important books about human life that I have ever read. Bradbury sees so much, and conveys the experiences so clearly that one knows what Douglas and Ray know by the end. This is a book about passion and joy and being fully alive from moment to moment. It is a sonnet to and affirmation of childhood and innocence of such persuasive power that it has become a key volume of my core library. I don't expect everyone to have such a trascendent experience in the reading, and not everyone is fortunate enough to read this book at as perfect a moment as I did. But it is undeniable in its power and equal to the greatest work Ray Bradbury has produced, in my opinion. I was fortunate enough to meet him and thank him for it while at college. But this book has meant more to me than I could tell him. Give this to a boy you care about, or read it to evoke, soothe and elevate the child in you. It is pure poetry, Bradbury at the height of his powers, written with genius, on the vital topic of the nature of life. I can only say Douglas Spaulding has never left me. You may find him equally provocative.
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Reviewed in the United States on July 3, 2000
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Chris O
Bozeman, US
★★★★★ 5
Bottle up your own Dandelion Wine memories
Format: Mass Market Paperback
When I think of Ray Bradbury, I usually think of science-fiction or at least fantastical-fiction. Dandelion Wine captures the magic and fantastical of his other writing but it does so in a much more subtle manner. This book is a story of the summertime adventures of Douglas Spaulding, a 12-year old boy in the small town of Green Town, Illinois in 1928. Douglas' experiences vary wildly in scope and nature but from a high level, they could mostly be considered fairly ordinary. And yet, Bradbury weaves them into magical tales of growth and imagination. The title of the book comes from the story of Douglas' grandfather bottling dandelion wine throughout the summer and Douglas presenting it as a metaphor for bottling up the various experiences and memories of each summer day. Each golden bottle represents a different memory, tucked away to be retrieved and savored at a later date. For the first few chapters, I kept waiting for something supernatural or literally magical to sweep onto the scene and take over the plot with its fantastical presence. Instead, each story works its way methodically through the pages and showcases the magic to be found inside the ordinary moments of life. The magic of extra speed found in a new pair of sneakers, the "time machine" to be experienced by listening to an old community member talk about their past, the sorrow of death bringing the painful realization that life will one day end. Each of the short scenes explores concepts of human nature and our interactions with one another. The stories remind us of the imagination and freedom of youth coupled alongside the realities learned as we grow into adults. In many ways, this could be read as a nostalgia for life in small town America a century ago. And yet, the emotional truths presented still resonate today. Our technology may have advanced and our lives may be more hectic, but the human condition remains and we should stop and consider how we interact with those around us and with the events we experience. We should bottle up our own Dandelion Wine memories so that we can savor them and learn from them and share them with others. ***** 4.5 out of 5 stars
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Reviewed in the United States on December 28, 2021
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Jaspeter
Bozeman, US
★★★★★ 3
Great read, bad book
Format: Mass Market Paperback
Ray Bradbury dragged me in with his style when I recently read Farenheit 451. He kept me hooked with Dandelion Wine. This book is full of imagery and nostalgic longing for a place and time that doesn't exist anymore. There are stories that stretch the limits of belief (particularly The Happiness Machine), yet somehow they still seem to fit comfortably within the world of Green Town. I don't often reread books, but this might fall into a rotation. The bad part of this was that the physical book, itself. The font is difficult to read. The binding is brittle. And chunks of pages separated from the spine. If there's another version besides this one, or the e-book, maybe you'll have a better experience.
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Reviewed in the United States on June 19, 2024
M
Verified Purchase
michael chad cleary
Massapequa, US
★★★★★ 5
The diversity of Bradbury
Format: Mass Market Paperback
Book one in the Green Town series is a colorful and poetic journey following the adventures of a 12 year old boy named Douglas over the course of a summer. Some readers may be wondering when something dark, scary, magical, or mythical will happen--but this isn't that type of book. In this work RB shows exactly why he had such a large fanbase by showcasing his ability to not be put in any particular genre. He can do horror, he can do sci-fi, he can do mystery, he can do adventure! This is a book for a writer to read in order to see how a good book is written. Many people are put off by Bradbury's sometimes semi-pretentious word usage, but I truly think the man saw things in a magical way. He works very hard in this novel to share that with the reader and he does it beautifully. As I explored the first few chapters I began to realize it isn't about trying to understand every word he writes, but rather let the town take shape in your mind with the words on the page. Bradbury seems to be more prone to use descriptive language as it relates to objects rather than people which allows the reader to create the characters appearances. The much like SWTWC is a must have addition to your Bradbury collection!
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Reviewed in the United States on November 21, 2023
M
Verified Purchase
Mr Toad
Chelsea, US
★★★★★ 4
Like drinking dandelion wine- it grows on you over time
Format: Hardcover
I was not terribly engaged with this book initially. The writing was beautiful. Poetic. But it was easy to put down and did not compel me to pick the book up again. Yet I had been warned of this and had been told to stick with it - and the advice was good. There is a slow poetic build as the reader comes to know the town and swim in its nostalgic melancholy. Ultimately, the book was a beautiful read. Never gripping but reflective and perfect for a contemplative read. It is about the passing of time. Youth and our mortality. Our eccentricities as our strengths. It is a picture of a small town in 1928, in summer, if you were white and middle class. It is a time and place and yet somehow captures something universal about the nature of memory and an awareness of inevitable death. About life in its truest sense.
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Reviewed in the United States on June 8, 2019

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