Spent Graphic Novel

Spent Graphic NovelThe celebrated and beloved New York Times bestselling author of the modern classic Fun Home presents a laugh out loud, brilliant, and passionately political work of autofiction. In Alison Bechdel's hilariously skewering and gloriously cast new comic novel confection, a cartoonist named Alison Bechdel, running a pygmy goat sanctuary in Vermont, is existentially irked by a climate challenged world and a citizenry on the brink of civil war. She wonders:

The celebrated and beloved New York Times bestselling author of the modern classic Fun Home presents a laugh-out-loud, brilliant, and passionately political work of autofiction. In Alison Bechdel's hilariously skewering and gloriously cast new comic novel confection, a cartoonist named Alison Bechdel, running a pygmy goat sanctuary in Vermont, is existentially irked by a climate-challenged world and a citizenry on the brink of civil war. She wonders: Can she pull humanity out of its death spiral by writing a scathingly self-critical memoir about her own greed and privilege? Meanwhile, Alison's first graphic memoir about growing up with her father, a taxidermist who specialized in replicas of Victorian animal displays, has been adapted into a highly successful TV series. It's a phenomenon that makes Alison, formerly on the cultural margins, the envy of her friend group (recognizable as characters, now middle-aged and living communally in Vermont, from Bechdel's beloved comic strip Dykes to Watch Out For). As the TV show Death and Taxidermy racks up Emmy after Emmy-and when Alison's Pauline Bunyanesque partner Holly posts an instructional wood-chopping video that goes viral-Alison's own envy spirals. Why couldn't she be the writer for a critically lauded and wildly popular reality TV show like Queer Eye...showing people how to free themselves from consumer capitalism and live a more ethical life?!! Spent's rollicking and masterful denouement-making the case for seizing what's true about life in the world at this moment, before it's too late-once again proves that 'nobody does it better' (New York Times Book Review) than the real Alison Bechdel.