SKU: 9381909462

Littmann Classic III Monitoring Stethoscope: Mirror & Plum - Pink Stem 5960 - Over Engraved

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Description

Littmann Classic III Monitoring Stethoscope: Mirror & Plum - Pink Stem 5960 - Over EngravedThis is an over engraved stethoscope clearance item Please see the photo example before purchasing. This item CANNOT be engraved. Suitable for: It's here! The next generation of a clinical icon Introducing the brand new Littmann Classic III stethoscope from Littmann. With the first major upgrade of the iconic Littmann stethoscope in 18 years, the NEW industry standard has arrived! The Classic III stethoscope brings new design, materials, and

Suitable for:

It's here! The next generation of a clinical icon


Introducing the brand new Littmann Classic III stethoscope from Littmann. With the first major upgrade of the iconic Littmann stethoscope in 18 years, the NEW industry standard has arrived!

The Classic III stethoscope brings new design, materials, and technology to the Littmann stethoscope series that’s been used and trusted by millions of medical professionals worldwide for decades. With a two-sided chestpiece, dual tunable diaphragms, improved tubing, and much more, the Classic III stethoscope combines the best of new and traditional.

As with the Cardiology III, full adult and paediatric auscultation is available through its dual head chestpiece simply by rotating the central spline to alternate between the two sides. The more compact one piece diaphragm and rim assemblies have further increased acoustic sensitivity. The binaurals have been redesigned with larger diameter ear tubes and a thicker single lumen binaural to transfer sound more effectively. The selector spline is now recessed to allow a flush fit with the binaural tube and now features a visual indicator for easy identification of the operational diaphragm.

Features

  • NEW double-sided, dual diaphragm chestpiece for both adult and paediatric assessment.
  • NEW: The paediatric side is also easily transformed into a traditional open bell by replacing the single-piece diaphragm with the supplied non-chill rim.
  • NEW chestpiece is precision-machined into an aesthetically pleasing, less angular shape.
  • NEW single-piece diaphragm instead of separate diaphragm/rim making it easier to attach and easier to clean due to the smooth unbroken surface.
  • NEW: The stem features an open side indicator to easily identify which diaphragm is in operation.
  • NEW next-generation tubing gives even longer tube life with improved resistance to skin oils, alcohol and staining.
  • Littmann’s ‘Tunable Technology’ lets you easily switch from low to high frequency sounds by switching from light to firm pressure on both the adult and paediatric sides of the chestpiece.
  • High acoustic sensitivity when performing general physical assessment.
  • Larger ear tubes on the anatomically designed headset comfortably positioned for better sound transfer. Easy adjustment by simply squeezing or pulling apart the eartubes.
  • Comfortable Snap-Tight soft seal eartips create an excellent acoustic seal to reduce ambient noise.
  • No natural rubber latex or phthalate plasticisers are used in the tubing or any other component—to help protect health and the environment.
  • Complement your personal style with Littmann’s large range of chestpiece finishes and tubing colours.
  • Used as a diagnostic aid as part of the physical assessment of a patient.
  • 5 year warranty includes free repair on any manufacturing or material defects.
  • Littmann performance rating of 7 out of 10.
  • Tubing: Plum (69cm/27.2"). Finish: Stainless Steel

New chestpiece design
Precision machined engineering



Dual diaphragm
Adult and paediatric sides both with tunable diaphragm


Low Frequencies (adult)
Apply light pressure with the floating diaphragm. (Bell mode)


High Frequencies (Adult)
Apply firm pressure with the floating diaphragm. (Diaphragm mode)


Low Frequencies (Paediatric)
Rotate the chestpiece. Apply light pressure.

High Frequencies (Paediatric)
Apply firm pressure with the small floating diaphragm.

Traditional bell
Transforms into a traditional open bell with the adapter provided.


Stem indicator
Visual identification of the operational diaphragm.


Versatility
Easily interchangeable between open bell and tunable diaphragm, giving three possible functions.

 

Littmann recommend using 70% Alcohol Wipes to clean their stethoscopes. These Robinsons 70% alcohol wipes have rapid microbiological kill performance, meaning they are highly effective against a wide range of bacteria, yeasts and moulds. IPA is used globally for professional healthcare disinfection in hospitals and clinics.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 9381909462

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TheInternets
Grantham, US
★★★★★ 4
Nice gold paper towel holder on a budget
Color: Gold-aa
For a less expensive option I was please with the assembly and the look. It did come a little scratched but mostly in hidden spots and for the price, can’t be beat. It is not super heavy feeling though, so if you want a really solid heavy holder this might disappoint, however I like that feature since I don’t want heavy things scratching and breaking my counter or tile floor. It doesn’t wobble and I like the color so I am mostly pleased, only giving it a little less of a review because it did come a little scratched
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Reviewed in the United States on June 1, 2026
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Kindle Customer
Omaha, US
★★★★★ 5
Does the job.
Works as a paper towel holder. Its a stick. It doesnt look like a cheap stick and it didn't break. Which means it met all my criteria. Great job.
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Reviewed in the United States on June 3, 2026
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Lisa S.
Chelsea, US
★★★★★ 5
Nice product
Color: Gold-aa
when having guests over, it's nice for each one to use their own towel instead of having a 'community' guest towel, or those fancy ones that people feel guilty using. This solved the problem.
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Reviewed in the United States on April 7, 2026
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Anonymous B
West Palm Beach, US
★★★★★ 5
Rich
Format: Paperback
A wonderful book that illuminates the reality of the God of Israel compared to the ANE deities.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 28, 2026
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F. Gwin
Belleville, US
★★★★★ 5
Excellent. An invaluable resource!
Format: Paperback
Recently I have been reading a lot of books that have told me that the Bible's story of Adam and Eve plus the Exodus etc. are all myths that are extremely similar. Therefore, we should rethink the Bible and change our understanding of it to a more modern worldview that incorporates this knowledge and denies any sort of originality in the biblical account. John Oswalt thinks differently. He thinks that the Genesis story of origins is not some random piece of Semitic or Mesopotamian literature, but that is really unique revelation from God (and is prepared to back that statement up!). The book is divided into two sections: The Bible and Myth The Bible and History Oswalt spends the first few chapters defining the world of the Old Testament and trying to find a definition for the word myth. He comes to the conclusion that a myth "the reflection of a certain way of thinking about the world. To be sure, because of the way in which it thinks, the fantastic is often found in myth. But it is not the presence of the fantastic that makes a piece of literature myth; rather, it is the presence of the mythic worldview." This worldview, he asserts, is based off of what he calls "continuity," which he describes as "when the human, natural, and divine realms are expressed and actualized [together]." The worldview that assumes continuity is based on the here and now, and is very panentheistic. Primordial time is a key factor and the gods are dependent on the humans. This is not so with the biblical worldview. The worldview of the Bible assumes transcendence - an independent God meeting with people on his own terms. He then compares and contrasts these views and shows the real differences between stories like Enimu Elish and Genesis 1. He doesn't deny similarities in the narratives, but he shows the differences in the worldviews. He then moves on to history. Just like the word "myth," Oswalt has to define history, because how civilizations have viewed history in the past has never been the same as Western civilization views history. Then he asks whether or not the Bible is history, and whether or not it matters. He makes several great points here, one of which is that ancient annuals and chronicles never recorded the defeats of kings, yet we find Israel's holy book littered with their failures and mess ups. This is a serious deal when looking at whether or not the Bible is history, because in the ancient way of thinking this surely stands out. He then looks at other questions, like "Are Biblical Faith and Biblical History Inseparable?" and responds to some critics (including Bultmann!). He then looks into the origins of the Israelites' worldview by means of authorship. Is the Bible a late text that was updated from an older, polytheistic one? "No!" says Oswalt. He deals with critiques here as well before moving on to a brilliant conclusion where he sums up the book and gives us a view of how modernism and rationalism are taking us back to the worldview based on continuity. Overall, this was a brilliant book and I wish I had read it sooner!!! It seems like so many authors today are trying to convince us that the Bible has so much in common with the other stories of origin out of an anti-biblical or liberal worldview (like ). However, under close scrutiny these criticisms do not stand up. I thank John for this book, and I will be recommending it to countless others!
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Reviewed in the United States on August 11, 2012

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