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Description
OperAria AltoComposers: Modest Mussorgsky (1839 1881), Camille Saint Sans (1835 1921), Wolfgang Amadeus Mozart (1756 1791), Otto Nicolai (1810 1849), Richard Strauss (1864 1949), Wilhelm Kienzl (1857 1941), Giuseppe Verdi (1813 1901), Claude Debussy (1862 1918), Giacomo Meyerbeer (1791 1864), Richard Wagner (1813 1883), Aribert Reimann (1936 2024), Pyotr Ilyich Tchaikovsky (1840 1893), Gioachino Rossini (1792 1862), Amilcare Ponchielli (1834 1886), Igor Stravinsky
- Composers: Modest Mussorgsky (1839-1881), Camille Saint-Saëns (1835-1921), Wolfgang Amadeus Mozart (1756-1791), Otto Nicolai (1810-1849), Richard Strauss (1864-1949), Wilhelm Kienzl (1857-1941), Giuseppe Verdi (1813-1901), Claude Debussy (1862-1918), Giacomo Meyerbeer (1791-1864), Richard Wagner (1813-1883), Aribert Reimann (1936-2024), Pyotr Ilyich Tchaikovsky (1840-1893), Gioachino Rossini (1792-1862), Amilcare Ponchielli (1834-1886), Igor Stravinsky (1882-1971), Christoph Willibald Gluck (1714-1787)
- Editors: Peter Anton Ling, Marina Sandel
- Format: Vocal Score
- Instrumentation (this edition): Piano Reduction, Alto
- Originally for: Opera
- Work Language: German
- ISMN:
- Size: 9.1 x 12.0 inches
- Pages: 144
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Description
"Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres." (Peter Anton Ling and Marina Sandel, editors)
Works:
- Gluck: Ahimè! Dove trascorsi? / Che farò senza Euridice from Orfeo ed Euridice (Italian Version), Wq. 30
- Mozart: Va, l’error mio palesa from Mitridate, Re di Ponto, K. 87 (74a)
- Mozart: Ah giacché son tradito / Son reo from Mitridate, Re di Ponto, K. 87 (74a)
- Mozart: Perché tacer degg’io? / Cara, lontano ancora from Ascanio in Alba, K. 111
- Meyerbeer: Ah ! mon fils from Le prophète
- Rossini: Ah! quel giorno ognor rammento from Semiramide
- Rossini: In sì barbara sciagura from Semiramide
- Rossini: Cruda sorte! from L'Italiana in Algeri
- Rossini: Mura felici / Oh quante lagrime from La donna del lago
- O. Nicolai: Ballade vom Jäger Herne from Die lustige Weiber von Windsor (The Merry Wives of Windsor)
- Wagner: Weiche, Wotan, weiche! from Das Rheingold, WWV 86a
- Wagner: Höre mit Sinn from Götterdämmerung, WWV 86D
- Verdi: Re dell’abisso affrettati from Un ballo in maschera (A Masked Ball)
- Ponchielli: Voce di donna from La Gioconda
- Saint-Saëns: Samson, recherchant ma présence from Samson and Delilah, Op. 47
- Saint-Saëns: Mon cœur s’ouvre à ta voix from Samson and Delilah, Op. 47
- Mussorgsky: Gadan’e from Khovanshchina (Хованщина)
- Tchaikovsky: Ach, Tanja, Tanja! from Yevgeny Onegin (Eugene Onegin), ČW 5, Op. 24
- Kienzl: Johannes schläft from Der Evangelimann
- Debussy: Voici ce qu’il écrit à son frère Pelléas from Pelléas et Mélisande, CD 93, L 88
- Strauss: Daphne! Wir warten dein from Daphne, TrV 272, Op. 82
- Stravinsky: As I was saying from The Rake's Progress (1951)
- Reimann: Was für ein Lärm from Bernarda Albas Haus
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