SKU: 83107835601

OUTLET Max Pro Evolution Straightener (Black)

$48.57 $53.97
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Description

OUTLET Max Pro Evolution Straightener (Black)Particularities Please note: For all products in the outlet, while supplies last. This may contain a returned product, which means it may have been used The packaging may have some damage The product may have some minor scratches damage May not be in the original packagingThe products are always tested by one of our team members. We always ensure that you receive a working product. Description Are you looking for a professional straightener for daily

Particularities

Please note: For all products in the outlet, while supplies last.

  • This may contain a returned product, which means it may have been used
  • The packaging may have some damage
  • The product may have some minor scratches / damage
  • May not be in the original packaging

    The products are always tested by one of our team members. We always ensure that you receive a working product.
Description

Are you looking for a professional straightener for daily use? Then the Max Pro Evolution Straightener is the perfect straightener for you. Create shiny, straight, and smooth hair every day without worrying about damage. The plates of the straightener are made of 100% titanium. The Max Pro Evolution Straightener, with its lightweight design, is super easy to use and beloved by many professionals. The plates of the straightener do not come completely together, allowing it to effortlessly glide through any hair type.

Additional Information
Brand

Max Pro
Color

Black
Hair Type

Thick hair, Thin hair, Normal hair
Hair Structure

Straight hair, Wavy hair, Curly hair
EAN

8718781869250
SKU

OUT07
Warranty

Lifetime warranty
Material

100% Titanium
Plate Width (mm)

25
Plate Width (inch)

1
Minimum Temperature

130°C
Maximum Temperature

230°C
Warm-up Time

8 seconds
Voltage

110-240 V
Dual Voltage

Yes
Cable Length (cm)

250
Rotating Cable

Yes
Automatic Shut-off Function

Yes
ION Technology

Yes
Display

LCD
Memory Function

No
How to Use

1] Always make sure your hair is completely clean and dry before using the straightener.

2] Ensure there is no water on the floor or on other surfaces near the outlet or the hair styling tool.

3] Plug the straightener into the outlet. The straightener may have a polarized plug, with one prong wider than the other. If so, this plug will only fit into an outlet when properly inserted. If the plug does not fit into an outlet easily, ensure you insert the wider prong into the correct hole. If you are unable to plug in the straightener without difficulty, contact an electrician; never attempt to force the plug into an outlet.

4] Plug the styling tool into an outlet and press the "ON/OFF" button on the inside of the handle until the temperature is displayed on the screen.

5] The hair styling tool will become very hot immediately, but it takes about 40 seconds for it to reach optimal, even heat distribution.

6] The hair styling tool becomes very hot, so ensure it does not come into contact with the skin.

7] Allow your hair to cool before touching or brushing it.

8] After styling your hair, turn off the hair styling tool by switching the switch on the inside to the "OFF" position, unplug it from the outlet, and allow the hair styling tool to cool completely on a heat-resistant surface before storing it. Never leave the styling tool plugged in or turned on when you are not present.

Instruction Manual

Max Pro Evolution Straightener Manual


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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 83107835601

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4.7 ★★★★★
Based on 23 reviews
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Product Reviews
J
Verified Purchase
JR
New York, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Fort Morgan, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Cuba, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Battle Creek, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Boise, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021

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