SKU: 81771138702

鍋島焼 鍋島虎仙窯作 手描き草紙散文急須 170ml

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鍋島焼 鍋島虎仙窯作 手描き草紙散文急須 170ml() (16031868)() ( ) 1963 350 2016 200300 1600300 () 12cm()8cm6. 5cm 170ml 130ml 130g () () <> ()() 16

鍋島虎仙窯の草紙散文(そうしちらしもん)急須です。草紙とは紙を綴じた冊子のことであり、本を描いた絵柄です。色絵磁器の最高峰と言われる鍋島焼の、中国茶・台湾茶向け茶器です。絵付けは熟練の職人による手描きであり、とても贅沢な急須です。

 

鍋島焼は佐賀県伊万里市で生産される磁器であり、日本で最初の色絵磁器です。その起源は、江戸時代(1603~1868年)の肥前佐賀藩の藩窯(はんよう)です。鍋島焼は徳川将軍家や大名家への贈答品であり、一般的に流通しなかったため、「殿様のうつわ」と呼ばれます。

 

明治時代以降、藩窯はなくなりましたが、鍋島焼の生産に従事した人々の子孫が今もその地で磁器を作り続けています。この急須を作る鍋島虎仙窯も、そうした家系による窯元です。

 

(鍋島虎仙窯 概要)

1963年創業の鍋島焼の窯元です。創業者である川副家は、江戸時代に置物や釉薬研究を行う職人として、鍋島藩窯で磁器生産に従事し、伝統的な磁器の技術を継承して来ました。

 

鍋島虎仙窯は鍋島焼の350年継承されてきた技術や原料を使い、手仕事にこだわり、磁器制作に取り組みます。経済産業省認定の伝統工芸士が一つ一つ、丁寧に絵付けします。

 

2016年に虎仙窯という名称を、鍋島虎仙窯に変え、「鍋島焼文化の確立」というビジョンを掲げ、受け継いできた技術と文化を、未来へ継承することに取り組んでいます。色鍋島や鍋島青磁を得意とする窯元です。

 

 

磁器は陶石と呼ばれる石を粉砕し作られた粘土に、無色透明の釉薬を掛けて焼成されます。釉薬は焼成時にガラス化することで、器の強度を高め、耐水性を向上させます。釉薬を掛ける前に描かれる絵は下絵、釉薬を掛け焼成した後に掛かれる絵は上絵と呼ばれます。

 

色鍋島と呼ばれる鍋島焼の絵柄は、染付の青と、赤・緑・黄の四色で構成されます。染付は釉薬を掛ける前に描かれる下絵で、赤・緑・黄の三色は上絵です。上絵が描かれた後にも急須は焼成され、絵具は表面に定着します。

 

鍋島焼の伝統的な絵柄の特徴は、デザイン性が高いことです。植物モチーフが多い一方で、斬新な図形の絵柄も多いです。現代のグラフィックアートを見ているようで、200~300年前の鍋島焼の先進性を垣間見ることが出来ます。


冊子の表紙には、植物、青海波、麻模様などが描かれています。繊細な手描きの技術です。手描きの絵付けにはとても手間がかかりますが、柔らかく上品な雰囲気があります。絵具に触れると、僅かな摩擦と表面の盛り上がりに気付きます。手描きには特有の質感があり、手ざわりが良いのです。

 

書籍と喫茶は深い関係にあります。日本では江戸時代後半、商都大阪では読書と喫茶は、文人の嗜みと考えられていました。富裕な商家や文化人の間では、煎茶文化が盛んでした。書籍を描いた急須は、まさに文人趣味的な茶器と言えます。

 

急須の内側にも釉薬が掛けられているので、茶葉の香りを吸収しづらいです。岩茶、烏龍茶、白茶、紅茶など、香りが異なるお茶を淹れることができます。

 

日本で最初の磁器である鍋島焼は、中国や朝鮮半島からの磁器技術を基に、1600年代後半に開発されました。この急須は300年以上の時を経て、日本の磁器と中国茶文化が融合した茶器です。

 

作り手: 鍋島虎仙窯 (佐賀)

絵付け: 手描き

焼成:  ガス窯

成形:  石膏型成形

種類:  磁器 

サイズ: 全長12cm(把手・口含む)、胴径8cm、高さ6.5cm

容量:  満水170ml 実用130ml

重さ:  約130g (急須のみ)

梱包:  桐箱 (絹紐付き)

備考: 手描きなので、一点ごとにわずかに絵柄の違いがあります。

急須の胴体と蓋が上手く合うよう、蓋内側の一部は無釉です。無釉の箇所は、わずかに褐色を帯びていますが、これは磁器の粘土に含まれる少量の鉄分が発色したものです。

 

食器洗浄機による洗浄は、避けていただくようお願いたします。高圧の水に長時間晒されると、絵が剥がれる恐れがあります。硬いスポンジや金属で急須表面を擦ると、絵が剥がれてしまうため、柔らかいスポンジで洗浄ください。

 

<鍋島焼>

鍋島焼は佐賀県伊万里市で生産される磁器です。鍋島焼の絵付けには、呉須による染付の青色と、赤色・緑色・黄色の四色のみ使うという決まりがあります。色絵は上品かつ互いに調和しています。優雅な雰囲気の絵付けです。図案は中国や朝鮮からの影響を脱し、日本独自の絵画趣味が遺憾なく表現されています。

 

鍋島焼の起源は、肥前佐賀藩主、鍋島候の命で作られた藩窯です。藩窯で作られた磁器は、将軍家や大名家への贈答品であり、一般には流通しない貴重なものでした。藩窯は当初、有田の岩谷川内(いわやがわち)にあり、後に伊万里の大川内山(おおかわちやま)へと移転されました。色絵磁器は当時最高峰の技術であり、外部へ技術が漏れないよう、大川内山の入口に関門が設置され、人の出入りは制限されました。

 

藩窯の移転後も、有田に留まった陶工たちが生産した磁器が有田焼です。鍋島焼と有田焼は同じ起源を持つ、兄弟のような関係にあります。鍋島焼と有田焼は、16世紀後半以降、伊万里港を通じて輸出され、港の名前にちなみ伊万里焼とも呼ばれました。

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SKU: 81771138702

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4.9 ★★★★★
Based on 13 reviews
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Michael Valdivielso
Belleville, US
★★★★★ 5
Three books in one....
Format: Paperback
This is a three books in one. Could You Survive The Cretaceous Period, Could You Survive The Jurassic Period, and Could You Survive The Ice Age? It’s a LOT of fun. The last book is, in fact, split into three stories. As you get to try to survive in North America, Europe, and Australia. I enjoyed all the setting. Though I have to be honest I failed to return to the modern time from the Jurassic period. Trapped!!!! And…my friends in the book had a kid. I hope that does not destroy the timeline. But I enjoyed it. It reminded me a lot of the old Time Machine books.
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Reviewed in the United States on January 11, 2023
S
Verified Purchase
Sara
Lowell, US
★★★★★ 5
They choose reading over screen time!
Format: Paperback
The nephews (10 & 8) love these kinds of books! I bought the prehistoric one as well and after they were done they swapped to continue their adventures! They're asking for more and choose the books over screen time! I'd say thats a win for the Aunt!
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Reviewed in the United States on April 7, 2026
R
Verified Purchase
Reading Writing And Me
Carnegie, US
★★★★★ 5
Awesome!
Format: Hardcover
This was an awesome book with a focus on friendship and family which isn't seen often enough in YA. If you liked Who's That Girl, you'll love this music infused book. I have a full review for this book posted on my blog: Reading, Writing, And Me.
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Reviewed in the United States on February 2, 2018
D
Destiny B.
Bozeman, US
★★★★★ 3
She starts the book off fairly amusing and relateable with an excellent depiction of anxiety and paranoia
Format: Paperback
This was actually a 3.5 star read for me, but the more I pondered it over the two-day span between finishing it and reviewing it, I realized it wasn't quite remarkable enough for me to round up. Here We Are Now tells the story of Taliah, a biracial white/Arabic teen who's never met her father. She's only working on an educated guess that he might be Julian Oliver, rockstar sensationalist, when the man shows up at her door one day to tell her that her assumptions were correct - and he wants to take her to meet his family, including his dying father. Tal isn't the most enjoyable narrator in the beginning of the story. She starts the book off fairly amusing and relateable with an excellent depiction of anxiety and paranoia, but those feelings quickly morph into a level of snark and distrust that's not pleasant to read through. Despite the fact that Julian's entire existence points blatantly to a million lies Tal's mother has fed her throughout her life, Tal refuses to place any blame on her mother. The nice thing about Taliah, however, is how much she grows; throughout the story, through a handful of "tough love" scenarios from multiple friends and family members, she learns that life isn't as black and white as she thinks it is. She grows to slowly trust people and open up, and is forced to come to terms with her unhealthy level of possessiveness over her best friend, Harlow. The most unexpected thing about Here We Are Now was how quickly and how much I fell in love with Tal's father, Julian. From the opening of the story, I honestly expected him to be this flighty, dirtbag sort of stereotypical rockstar who would show up, get her hopes up, and then shatter her dreams a few times before disappearing again at the end of the book. That is totally not Julian at all, though. From the beginning, he's awkward, uncertain, and a little bit shy about learning he's Taliah's father. I won't spoil the fine details for you, but we learn that Julian hasn't been half bad enough to deserve some of the events of the past, and he's actually a pretty well-meaning guy. His banter with Tal is so enjoyable, and I loved the way the we got to see the past through his memories, but they were written in Lena's (Tal's mother) perspectives. Harlow is Tal's childhood best friend, who happens to be a lesbian. I loved the idea of Harlow to bits: she's obsessed with baking, she's sassy, she's proud of her sexuality, and she's got a good head on her shoulders. Unfortunately, her actual interactions with Tal and the other characters in the story are cringe-y most of the time, and her "tough love" spiel about not relying on only one person would have been a lot better if it hadn't been laced with her breaking a promise to Tal so she could hang out with her girlfriend. The romance in this book was one hundred percent the biggest disappointment in the entire story. It felt so incredibly lackluster and out of place that I probably would have rounded up to 4 stars if I could have somehow gone through and edited out the entire existence of this friend-of-the-family character. He's not a bad kid, but it would be so nice to see a YA contemporary every now and then that doesn't end in a couple forming, and this book would have been perfect for that! Totally a missed opportunity. First of all, I am not Muslim - or religious at all - and I cannot speak for how good this rep was. I do know, however, that Jasmine Warga identifies as a Middle Eastern/American woman, so the POC rep is own-voice and was so enjoyable to read. Tal's mother's perspectives frequently reflect on her Muslim beliefs and family, as well as how incredibly homesick she is for Jordan. She frets constantly that she is letting her parents down if she doesn't make a name for herself in the States, and there is even a solid bit of conversation about hijab-wearing and eating habits! Of course, there is also the lesbian rep that I mentioned in Harlow's case, which I found really enjoyable. Harlow is out and proud and has no questions about her sexuality. There are no tropes, or painful moments we commonly see through queer characters in YA contemporary titles. All in all, Here We Are Now was a fun read, but nothing spectacular. Had it not been for the romantic aspect, I would have given this 4 stars, but it was such a downer that I couldn't justify rounding up the rating. If you're looking for a fun YA contemporary story about family, with some nice diverse representation thrown in, or if you're already a Jasmine Warga fan, I'd recommend picking it up.
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Reviewed in the United States on November 9, 2017
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Verified Purchase
CassieopiaBooks
Boise, US
★★★★★ 4
A very witty and heartwarming story for everyone...
Format: Hardcover
Wow, Pamplemousse! I think this book found me at the right time in my life. Here We Are Now is short and expands over a few days, but I also enjoyed that flashbacks of the main character’s parents falling in and out love is littered throughout the pages. I really connected with the main character Taliah, who is definitely a hard shell to crack. But I loved that although she is sarcastic, smart, and funny, she also holds a tight rope around her emotions. She is cautious with letting people in, but I liked that her journey to meet her father and his family for the very first time, opens up her world to new challenges and emotional breakthroughs. I don’t want to give too much away in regards to the plot, because it is very straight forward and well-focused on Taliah, a teenager, meeting her father, a well-known rock star, for the very first time. And throughout the pages, Taliah pushes herself to open up to her dad, discover unknown information about her mom, and meet her long lost family. And importantly she matures and discovers things about herself. Here We Are Now is very straight-forward and focuses a lot on modern day scenarios, such as familial conflicts, diversity, biracial relationships, and tough love. I found myself laughing a lot during this book, because these characters are so witty and heartwarming. But there are also some parts that are heartbreaking, and these moments are so raw and gritty and realistic. In the end, I liked that the conclusion of this book leaves the characters wide open for new possibilities and room to grow, instead of a simple “happily ever after” ending.
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Reviewed in the United States on January 19, 2018

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