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SAITO ROLLCAGE SIX POINTS STEEL (2 Seats) FOR NISSAN SKYLINE R32 2DRBrand SAITO ROLLCAGE Product Number SRC 680 NISSAN Compatible Car NISSAN SKYLINE R32 2DR Product Description 2 passengers type 6 point steel Remarks Purchase before, notes please check from here after purchase _x000D_ Accessories: caul plate, bolt set. _x000D_ 2 people riding type, capacity ride type setting. In the case of _x000D_ 2 passengers type is necessary to change the procedure of capacity ride. amount of _x000D_ additional option is the
| Brand | SAITO ROLLCAGE |
| Product Number | SRC-680-NISSAN |
| Compatible Car | NISSAN SKYLINE R32 2DR |
| Product Description | 2 passengers type 6-point steel |
| Remarks | Purchase before, notes please check from here after purchase _x000D_ Accessories: caul plate, bolt set. _x000D_ 2 people riding type, capacity ride type setting. In the case of _x000D_ 2 passengers type is necessary to change the procedure of capacity ride. amount of _x000D_ additional option is the amount of case that you created in the roll cage and the same material of the underlying four-point or 6-point. Please contact us for additional options case of another material (additional options the basic structure is in steel or chromoly is the case of aluminum, etc.) will vary the amount of money from the above table. _x000D_ inspection: 2 passengers type, you need to wind the roll cage pad and person riding type both. (Roll cage pads are sold separately.) If you are using in the _x000D_ competition, please check the competition rules on their own. _x000D_ sun visor will basically become detached. _x000D_ glove box door models that interfere with the opening and closing of there. _x000D_ This product is to order. For _x000D_ delivery: Steel & Kuromori 12 business days after. Aluminum 18 business days after. |
| Notes | Images are for illustration purpose only. Actual product may vary. |
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4.2 ★★★★★
Based on 7 reviews
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Product Reviews
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
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Reviewed in the United States on May 10, 2000
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper.
Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading".
Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave?
While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
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Reviewed in the United States on July 28, 2001
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked.
I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001
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