SKU: 75961238218

Fucidin Cream

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Description

Fucidin CreamFucidin Cream Description Fucidin cream is a strong antibiotic cream used on the skin to treat infected eczema. It works by preventing bacteria like Staphylococcus aureus from multiplying. Apply the cream directly to the areas where your skin is inflamed or you have spots. Essential Information What is Fucidin? Fucidin is a cream applied to the skin to treat infected eczema. It contains fusidic acid, an antibiotic that stops bacteria from spreading.

Fucidin Cream Description
Fucidin cream is a strong antibiotic cream used on the skin to treat infected eczema.
It works by preventing bacteria like Staphylococcus aureus from multiplying.
Apply the cream directly to the areas where your skin is inflamed or you have spots.

What is Fucidin?

Fucidin is a cream applied to the skin to treat infected eczema. It contains fusidic acid, an antibiotic that stops bacteria from spreading. Fusidic acid, the main ingredient in Fucidin, is used to help manage skin conditions with inflammation, such as impetigo, cellulitis, and infected eczema.

Infected eczema happens when bacteria get into already irritated skin, often through cracks or open wounds. Inflamed, itchy skin can make it hard to avoid scratching, which can worsen eczema. Scratching can break the skin, letting bacteria and fungi in. If a bacterial infection develops, you'll likely need treatment with an antibiotic like Fucidin, in addition to managing your eczema.

How does Fucidin work?

Fusidic acid mainly stops bacteria from spreading. It disrupts the bacteria's protein synthesis, which stops them from growing. This supports your immune system in fighting skin infections, helping your skin to heal.

Fucidin is effective for treating staphylococcal infections and is also strong against other gram-positive bacteria. It's intended for use on specific patches of infected eczema, which you can treat with the cream. If your eczema is infected in several areas or in spots that are difficult to reach, you might be advised to take oral antibiotics instead of using a topical cream.

How long does Fucidin take to work?

We can't say exactly how fast Fucidin will work, but creams with fusidic acid can begin to improve your skin in just a few days.

Everyone reacts to treatments in their own way, so the time it takes for infected eczema to clear up can vary from one person to another. You'll be advised on how long to use Fucidin, and it's important to follow your dosage schedule until you notice an improvement in your symptoms.

Signs of an infection can include more itchiness, blisters filled with pus, and skin that feels more swollen or tender than normal. If these symptoms don't get better after using Fucidin for one to two weeks, inform a clinician.

How is Fucidin different from other treatments for eczema?

Unlike oral antibiotics that affect your entire body, Fucidin is applied directly to the specific areas of your skin that are affected.

Atopic eczema, a frequent form of eczema,

It can affect people in different ways. You might have dry, cracked skin in certain areas, or it could be more widespread. This often influences which treatment will work best for you. Smaller patches of skin might respond well to creams like Fucidin or Fucidin H, which has both a steroid and an antibiotic. Alternatively, you might find antiseptic washes like Hibiscrub effective, as they are gentle on irritated skin. This could be a better option if antibiotic creams tend to worsen your itchiness.

If your infected eczema is affecting multiple areas of your body, a clinician may suggest taking an oral antibiotic such as Clarithromycin or Flucloxacillin. These work throughout your entire system, which can sometimes eliminate bacteria faster than creams or ointments, as they don't have to be absorbed through the skin.

How well does Fucidin work for eczema?

Fusidic acid has been used in Europe for more than 40 years to treat infections of the skin, bones, and joints.

It's known as an antistaphylococcal antibiotic. Staphylococcus aureus, often called 'staph', is a type of bacteria that frequently leads to infected eczema.

Bacterial infections can be treated with antibiotics in various forms, such as oral tablets, capsules, and liquid suspensions, as well as topical creams. If your eczema is infected due to staph bacteria, Fucidin can specifically target this bacteria, making it an effective treatment option.

Do I need a prescription for Fucidin?

Fucidin is a medicine that you can only get with a prescription. This means a healthcare professional needs to check that it's safe for you to use.

You can buy eczema treatments without a prescription from pharmacies and supermarkets, like Sudocrem and Savlon. These can help calm irritated skin and lessen itchiness. However, they might not be strong enough for infected eczema, in which case something like Fucidin may be required.

Will I get any side effects from using Fucidin?

In addition to fusidic acid, Fucidin contains butylhydroxyanisole, potassium sorbate, and cetyl alcohol. These ingredients might temporarily increase itchiness and inflammation as your skin gets used to the cream.

If the itchiness and inflammation continue, it's a good idea to talk to a clinician about trying a different eczema treatment. These side effects are considered uncommon according to the patient information leaflet that comes with your medication, so you might not experience them.

Other side effects mentioned are conjunctivitis, hives, and skin blistering. However, these are quite rare and typically affect about one in a thousand people.

Important Information

Fucidin isn't right for everyone, so there are a few things you should be aware of before using it.

Here's the information you need. If you're still worried, feel free to chat with our expert clinical team at any time.

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SKU: 75961238218

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L.m
Boise, US
★★★★★ 5
Get it!! You won't regret it
I don't know what to say but if you are considering buying this,do so... I've been using it a little bit over a week and to be honest I have used all kinds of makeup and lotions and I was never impressed even with experience brands, This stuff I'm already noticing a difference in wrinkles and it's so soothing. Just buy it and try it for yourself, I'll definitely be buying more
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Reviewed in the United States on August 27, 2025
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MB
Port Orchard, US
★★★★★ 5
Hydrating
New fav. My teenager loves it
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Reviewed in the United States on January 10, 2026
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Ruth
Chelsea, US
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
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Reviewed in the United States on March 19, 2026
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Lana
New York, US
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
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dra
West Palm Beach, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014

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