Pay in installments of $31.24 with
,
and
Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 20 - Jul 25
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
SonnenfleckenDiscover the Enigmatic Beauty of Sonnenflecken by Oda Krohg Unveiling the Artist: Oda Krohg's Unique Style and Influence The Life and Times of Oda Krohg: A Glimpse into Her Artistic Journey Oda Krohg, born in 1860 in Oslo, Norway, emerged as a prominent figure in the Norwegian art scene. She was not only a painter but also a skilled graphic artist and a key member of the artistic community. Krohg's work often reflected her deep connection to nature
Discover the Enigmatic Beauty of Sonnenflecken by Oda Krohg
Unveiling the Artist: Oda Krohg's Unique Style and Influence
The Life and Times of Oda Krohg: A Glimpse into Her Artistic Journey
Oda Krohg, born in 1860 in Oslo, Norway, emerged as a prominent figure in the Norwegian art scene. She was not only a painter but also a skilled graphic artist and a key member of the artistic community. Krohg's work often reflected her deep connection to nature and her experiences in the vibrant landscapes of Norway. She studied under renowned artists and was influenced by the Impressionist movement, which shaped her unique style. Lesser-known is her role in promoting women's rights in the arts, making her a pioneer for female artists in her time.Exploring the Symbolism in Krohg's Work: Nature, Light, and Emotion
Krohg's paintings, including Sonnenflecken, are rich in symbolism. She often used light to convey emotion and to create a sense of atmosphere. The interplay of sunlight and shadow in her work symbolizes the duality of human experience—joy and sorrow, hope and despair. Nature serves as a backdrop for her exploration of these themes, inviting viewers to reflect on their own emotional landscapes.Understanding Sonnenflecken: A Masterpiece of Light and Color
The Intricate Use of Light: How Sonnenflecken Captures the Essence of Daylight
Sonnenflecken, which translates to "Sun Spots," is a stunning representation of light's transformative power. Krohg expertly captures the essence of daylight, using dappled sunlight to create a dynamic interplay of brightness and shadow. This technique not only enhances the painting's realism but also evokes a sense of tranquility and warmth, inviting viewers to bask in the glow of the sunlit scene.Color Palette Analysis: The Harmonious Blend of Warm and Cool Tones
The color palette in Sonnenflecken is a masterclass in harmony. Krohg employs a blend of warm yellows and cool blues, creating a balanced composition that feels both vibrant and serene. The warm tones evoke feelings of comfort and joy, while the cooler shades add depth and complexity. This thoughtful use of color enhances the emotional impact of the painting, making it a captivating visual experience.Brushwork Techniques: The Textural Depth in Sonnenflecken
Krohg's brushwork in Sonnenflecken showcases her skillful technique. She employs a combination of loose, expressive strokes and finer details to create texture and depth. This approach adds a tactile quality to the painting, allowing viewers to feel the movement of the landscape and the gentle rustle of leaves in the breeze. The textural richness invites closer inspection, revealing the layers of emotion embedded in the artwork.Thematic Elements in Sonnenflecken: Nature and Human Connection
Nature as a Central Theme: The Role of Flora and Fauna in the Painting
Nature plays a pivotal role in Sonnenflecken. The lush greenery and vibrant flora are not just a backdrop; they are integral to the narrative. Krohg's depiction of the natural world reflects her reverence for the environment and its beauty. The flora and fauna symbolize growth, renewal, and the interconnectedness of all living things, inviting viewers to appreciate the delicate balance of nature.Human Figures: Their Significance and Interaction with the Landscape
In Sonnenflecken, human figures are subtly integrated into the landscape. They interact harmoniously with their surroundings, suggesting a deep connection between humanity and nature. This relationship emphasizes the importance of finding solace and inspiration in the natural world. The figures, often depicted in contemplative poses, evoke a sense of introspection and peace.Emotional Resonance: What Sonnenflecken Evokes in the Viewer
Sonnenflecken evokes a range of emotions in its viewers. The warm sunlight and serene landscape inspire feelings of joy and tranquility. At the same time, the painting invites reflection on the passage of time and the fleeting nature of beauty. This emotional resonance makes Sonnenflecken a powerful work of art that lingers in the mind long after viewing.Historical Context: The Art Movement and Era of Sonnenflecken
Impressionism and Beyond: How Sonnenflecken Fits into the Art Historical Narrative
Sonnenflecken is a quintessential example of Impressionism, a movement that sought to capture the fleeting effects of light and color. Krohg's work aligns with the principles of this movement, emphasizing spontaneity and the beauty of everyday life. Her innovative approach to light and color places her among the notable artists of her time, contributing to the evolution of modern art.Norwegian Art Scene: The Influence of Local Culture on Krohg's Work
The Norwegian art scene in the late 19th century was vibrant and diverse. Krohg was influenced by local culture, landscapes, and the natural beauty of Norway. Her experiences in the Norwegian countryside shaped her artistic vision, allowing her to create works that resonate with the essence of her homeland. This cultural connection adds depth to Sonnenflecken, making it a reflection of both personal and national identity.Artistic Techniques: A Closer Look at the Craftsmanship Behind Sonnenflecken
Layering and Glazing: Techniques That Bring Sonnenflecken to Life
Krohg's use of layering and glazing techniques in Sonnenflecken adds a luminous quality to the painting. By applying multiple layers of paint, she creates depth and richness in color. This method allows light to penetrate the layers, enhancing the vibrancy of the scene. The result is a captivating visual experience that draws viewers into the heart of the artwork.Composition and Perspective: The Arrangement of Elements in the Painting
The composition of Sonnenflecken is thoughtfully arranged, guiding the viewer's eye through the landscape. Krohg employs a balanced perspective, creating a sense of depth and space. The placement of figures and natural elements invites exploration, encouraging viewers to engage with the painting on multiple levels. This careful arrangement enhances the overall impact of the artwork.Collecting and Appreciating Art: The Value of Sonnenflecken
Art as Investment: Understanding the Market for Oda Krohg's Works
Collecting art, especially pieces by Oda Krohg, can be a rewarding investment. Her works, including Sonnenflecken, are increasingly sought after by collectors and art enthusiasts. The value of her paintings continues to rise as appreciation for her contributions to the art world grows. Investing in a high-quality reproduction of Sonnenflecken allows you to enjoy the beauty of her work while supporting the legacy of this remarkable artist.Displaying Sonnenflecken: Tips for Showcasing Art in Your Home
When displaying Sonnenflecken, consider the lighting and placement to enhance its beauty. Position the painting in a well-lit area to highlight the intricate play of light and color. Pair it with complementary decor to create a cohesive aesthetic. A high-quality reproduction of Sonnenflecken can serve as a stunning focal point in any room, inviting admiration and conversation.FAQs About Sonnenflecken by Oda Krohg
What is the story behind the painting Sonnenflecken?
Sonnenflecken captures a serene moment in nature, reflecting Oda Krohg's love for the outdoors and her ability to convey emotion through light and color. The painting invites viewers to experience the tranquility of a sunlit landscape.What techniques did Oda Krohg use in creating Sonnenflecken?
Krohg employed layering and glazing techniques, along with expressive brushwork, to create depth and texture in Sonnenflecken. Her mastery of light and color enhances the painting's emotional impact.How does Sonnenflecken reflect the themes of nature and light?
Sonnenflecken beautifully illustrates the interplay of light and nature. The dappled sunlight and vibrant flora symbolize the harmony between humanity and the natural world, inviting viewers to appreciate their surroundings.What emotions does Sonnenflecken evoke in viewers?
Viewers often feel a sense of peace and joy when experiencing Sonnenflecken. The warm sunlight and serene landscape inspire reflection and a connection to nature, making it a deeply emotional work of art.How does Sonnenflecken compare to other works by Oda Krohg?
Sonnenflecken stands out for its vibrant use of light and color, characteristic of Krohg's style. While other works may focus on different themes, this painting encapsulates her ability to evoke emotion through nature.What should I know about reproducing Sonnenflecken for my collection?
When considering a reproduction of Sonnenflecken, opt for high-quality painting reproductions. They offer superior detail and texture compared to prints, allowing you to enjoy the artwork's beauty in your home.Are there any notable exhibitions featuring Sonnenflecken?
Sonnenflecken has been featured in various exhibitions celebrating Norwegian art and the Impressionist movement. These exhibitions highlight Krohg's contributions and the significance of her work in the art historical narrative.Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.8 ★★★★★
Based on 5 reviews
Sort
Product Reviews
★★★★★ 5
A great book for anyone interested in US foreign policy, history, or economics
Format: Hardcover
In July of 1944 representatives from forty-four nations gathered at the Mount Washington Hotel in Bretton Woods, NH to establish the rules for the post World War II international monetary system. Although nations from around the globe were at the table, the primary debate was between the United States and Great Britain. The U.S. was determined to advance a policy ensuring the dollar reigned supreme in world trade, thus guaranteeing American dominance. The British were holding out for a monetary system that would not relegate them to a secondary status after the war. Representing the two great nations were two men. For the U.S. it was a little-known economist working as an assistant to the Secretary of Treasury, Harry Dexter White, and representing the British was world-known economist John Maynard Keynes. Benn Steil examines the Bretton Woods conference, and the inter-war years leading up to it, using these two men as a backdrop. Not only is the work well researched, but as a senior fellow and director of international economics at the Council on Foreign Relations, Steil is eminently qualified to make economic judgements. Steil’s thoroughness and expertise combine to make an enjoyable read of what could otherwise be an exceptionally dry topic. The main argument Steil makes is that the dominance of dollar in the post WWII economy was a fait accompli at Bretton Woods.
Mr. Steil introduces the reader to the relatively unknown Harry Dexter White, a minor player at the U.S. Treasury commanding great influence. Steil shows the reader that going into Bretton Woods, White and his boss, Treasury Secretary Henry Morgenthau, were committed to bringing President Roosevelt’s New Deal to the rest of the world. Part of this plan was to shift power not only from London, but from Wall Street as well, to the U.S. Treasury. White was convinced international banking had played a key role in creating the instability responsible for WWII. A new gold standard tied to the U.S. dollar would ensure stability in White’s view. Ultimately White’s ideas led to the creation of “the three so-called Bretton Woods institutions: the International Monetary Fund (IMF), the World Trade Organization (WTO), and the World Bank” (Steil, The Battle of Bretton Woods, 127). Adding intrigue to economics Steil also shows through declassified F.B.I. documents and recently discovered writings by White, that White was an agent of the Soviet Union.
Keynes is often regarded as “the first-ever international celebrity economist” (Steil, The Battle of Bretton Woods, 3). While this may be true, he was no match for the little-known White. White (and Morgenthau) considered the British a threat on the economic stage and made sure their Lend-Lease terms would bankrupt the U.K. by the end of the war and bring them to the bargaining table.
As well as being an interesting historical read, and a useful primer on international monetary policy, Steil captures the importance of economic policy in relation to foreign policy. Morgenthau and White realized the power of the U.S. to inflict its will upon other nations was rooted in the power of the dollar. Today as then, U.S. power flows from the economy. Students of modern U.S. foreign policy would be wise to have a basic understanding of U.S. economic policy and how the U.S. economy interacts in the global system.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 2, 2020
★★★★★ 5
Hosting Diplomatic Conferences 101: The Case of Bretton Woods
Format: Paperback
Bretton Woods was the most important international gathering since the Paris Peace Conference of 1919. I read this book looking for clues on how to host international conferences: how to accommodate delegates, maintain protocol, overcome obstacles, build consensus, and reach a satisfying outcome. I was disappointed on that count. The Battle of Bretton Woods doesn’t focus on the Bretton Woods conference per se. It is a work of intellectual history built around the two characters of John Maynard Keynes and Harry Dexter White. It describes the way these two Treasury officials negotiated the main financial issues facing the United States and the United Kingdom during World War II and immediately after: the Lend-Lease Act of 1941 granting the British access to war finance and equipment; the blueprints for a postwar monetary order that began circulating in 1942 and ultimately culminated in the adoption of the Articles of Agreement of the International Monetary Fund and the International Bank for Reconstruction and Development at Bretton Woods; the signing of the $4.4 billion Anglo-American Financial Agreement in December 1945; and the inaugural meeting of the IMF board of governors in Savannah, Georgia, on March 8, 1946. It mixes these elements of diplomatic history with personal aspects of the lives of the two main characters: Keynes’s inflated ego and lack of diplomatic acumen that resulted in missed opportunities for Great Britain; and White’s dual personality as the braintrust of the US Treasury and as a mole operating clandestinely for the Soviets.
To be sure, there are some useful indications on the Bretton Woods conference itself. It took place in the Mount Washington Hotel in New Hampshire, a luxury resort with striking views of the White Mountains. The organization itself was a mess: “everything is in a state of glorious confusion,” commented British economist Lionel Robbins, who added: “with all their virtues as technicians—and these are very great—the Americans are not good organizers of international conferences.” The conference took place in war time, and army bus and personnel brought the delegates in and out. Delegates were thrown out of the hotel on July 23 for fear they would reopen the discussion and have a closer look at the hastily agreed texts. The location itself owed a lot to domestic politics. US Treasury Secretary Henry Morgenthau wanted to court a local politician for future support of the agreement in the Senate, remembering the disastrous defeat of Wilson’s League of Nations in Congress after World War I. The press was also in attendance, and Bretton Woods became one of the first international conferences to be covered live by the media. Most of the delegates came from Ministries of Finance or central banks, and true diplomats—the ones hailing from Ministries of Foreign Affairs—were a rare occurrence. The US Treasury Department had willingly kept the State Department out of the loop, and considered the only senior diplomat present, Undersecretary of State Dean Acheson, as “one of them”.
The conference was only the tip of the iceberg: everything was set in advance, during the two years when plans were circulated and drafts were discussed. The invitations were sent to forty-four nations, but the United States ran the show from start to finish, and even British delegates were relegated to a secondary role. Keynes, who had termed the Reconstruction Bank scheme imagined by White “the work of a lunatic,…some sort of bad joke,” was named chairman of the commission that drafted the Bank’s Articles of Agreement, while White himself dealt with the much more significant IMF. As for other nations, their input was limited to discussing the national quotas that would measure their relative power and influence at the boards of the two institutions or, in the case of the Cubans, to “providing the cigars”. White’s goal was to “channel the energy, aims, ambitions, and vanities of the mass of delegates into meaningless debate.” As an American organizer wily remarked, “there should be just one general rule: that anybody can talk as long as he pleases, provided he doesn’t say anything.” To make things even safer, the session secretaries were all Americans, appointed by White, and it was they who wrote the official minutes of the committees. Some important remarks made during sessions disappeared from the draft minutes, while crucial provisions were introduced surreptitiously in the final text versions. As an example, White’s technicians strategically replaced “gold” with “gold and dollars” in the paper describing the foundations of the postwar monetary order, a crucial modification that Keynes discovered only after his departure from Bretton Woods.
The result was, in Keynes’s words, “the most monstrous monkey-house assembled for years.” The distinguished Cambridge don liked that expression, and indeed often referred to non-Anglo-saxons as monkeys, with a special mention to the French which he utterly despised. But the monkey-king in this diplomatic jungle was certainly Keynes himself. Long before Paul Krugman and Thomas Piketty, Keynes was the first-ever international celebrity economist. He was surrounded by an aura of awe and admiration, and the printed media craved for his every declarations. In Benn Steil’s rendering, he had “an effortless facility with words that might have made him a master diplomat, had he actually been more concerned with convincing opponents than with cornering them logically and humiliating them.” “The man is a menace for international relations,” remarked fellow British economist James Meade, who nonetheless revered him. He would make aggressive jokes on lawyers in front of American lawyers, show his contempt for other delegates by displaying his immense intellectual superiority, and try to steal the show by pretending the outcomes of negotiations were all due to his influence while in fact they ran counter to his prescriptions. His last speech in Savannah, where he metaphorically summoned spirits and fairies to bestow the newborn institutions with their gifts, was taken as a personal attack by the American delegate: “I do mind being called a fairy,” he muttered to his aide.
If a statesman is to be judged by his capacity to serve the national interest, Keynes failed miserably in his attempt at statesmanship. This is not to say that he didn’t have Britain’s interest in mind. His visionary monetary schemes notwithstanding, he had ultimately come to the United States with the mission of conserving what he could of bankrupt Britain’s historic imperial prerogatives. As Schumpeter wrote, “Keynes’s advice was in the first instance always English advice, born of English problems.” Keynes was thoroughly British, and it was the British problems of his day that drove his theorizing: problems of deflation and depression, paying for war and surviving the perilous transition to peace. He had spent his career thinking about monetary issues as a way to preserve his country’s clout in the world. In particular, the shift of financial power from London to New York was a matter of constant concern for him. But he lacked the basic insight that the Americans did not share British national interests, and that they could even be rival powers on the international scene. Throughout the war, Keynes continuously overestimated American sympathies with Britain and underestimated the importance of public and congressional resistance to US aid or involvement. He thought of Bretton Woods as a battle of ideas, counting on his immense intellectual superiority to carry the day, whereas it was first and foremost a battle of power and influence, with the United States as the clear winner.
Indeed, British and American interests were not identical, however much both peoples were dedicated to destroying Nazism. Henry White had a clear goal in Bretton Woods: to entrench the dollar as the world’s currency, and to make it “as good as gold”. He used the leverage provided by the Lend-Lease agreement and Britain’s quasi-bankrupt situation in order to put a permanent end to the pound sterling’s international role. This required dismantling the structural supports of the British empire. In particular, Americans sought to put an end to “imperial preference”, by which Britain secured privileged trade access to the markets of its colonies and dominions. There was no room in the new order for the remnants of British imperial glory: the postwar world needed to be grounded in nondiscriminatory multilateral trade and full monetary convertibility. The Americans never deviated from their hard-line geopolitical terms. Many held no particular sympathy for the British, who had “shamefully walked away from their Great War debt obligations,” and who were trying to extend their Empire’s lease of life by credit. At Bretton Woods, we see American power in full swing, and in particular the role of the US Treasury as the economic arm of American foreign policy.
Contrary to the myth, Bretton Woods did not provide the economic foundation for postwar prosperity and monetary stability. And it was not the cooperative, disinterested, forward-looking endeavor that people often have in mind when they stress the need for a new Bretton Woods. The Bretton Woods system didn’t work the way it was supposed to. It was effective for only a brief period, and then not for the reason its authors had envisaged. It was not until 1961, fifteen years after the IMF was inaugurated, that the first nine European countries formally adopted the required provisions that their currencies be convertible into dollars. Even then, Bretton Woods was an ineffective and crisis-prone monetary system. It began experiencing potentially fatal difficulties as early as the late 1950s, and was only kept alive by a series of political fixes that made little long-term, macroeconomic sense. It could never have survived the globalization of finance and the removal of capital controls that began to take place in the 1970s. Indeed, it can be argued that the system was doomed the moment that it came into existence, and that the Bretton Woods agreements contained fatal flaws that could only lead to the abandon of gold convertibility.
Not only was Bretton Woods a crisis-prone, unstable system: it was also a bad deal for Great Britain and, one could argue, for the United States and for the world as well. What Britain actually needed in 1944-45 was short-term financing at reasonable cost with few geopolitical strings attached, and possibly a lower exchange rate. There was evident hubris in the attempt to design a global monetary system, to be managed by an international body, at a time when the outcome of the war was not yet clear. Keynes and White’s ambition was to create “a New Deal for a new world,” but they lacked the political legitimacy and also the effective means to achieve such a grand plan. Another course of action was possible for the United Kingdom, one suggested by a British Treasury official after the facts: postpone the “Grand Design” negotiations, avoid irreversible decisions, try to buy time until you see how the new postwar world develops, and borrow your way out of the crisis by getting a commercial loan from Wall Street. Who at Bretton Woods would have thought that the British empire would unravel, the United States and the Soviet Union turn into arch-enemies, and the world divide into hostile camps just two years after the conference? There was no necessity to conclude Bretton Woods in a haste. Waiting for the San Francisco conference to address the issue of money and finance jointly with the creation of the United Nations would have made the postwar institutional framework more coherent. The world would have avoided the dichotomy between the Bretton Woods institutions in Washington and the United Nations in New York, in which both seem to live on completely different planes.
So are there practical lessons from Bretton Woods for statesmen and diplomats hosting international meetings, such as the Paris Conference on Climate Change that will take place in end-November and December 2015? First, as the previous attempt to tackle climate change at Copenhagen taught us, the summit itself is not the place where comprehensive negotiations should take place. Most items on the agenda should be solved beforehand, in preparatory meetings among experts or in a pre-summit rehearsal such as the UN General Assembly in New York. Second, organizers should make sure they keep a bone for the leaders and national delegates to chew, one that is easy enough to grasp and with a clear payoff in terms of national interest, such as the quota issue at Bretton Woods. Managing expectations and egos will always be a tricky issue, but one that diplomats are best equipped to handle. How to deal with the media is also a key issue, particularly in our age of instant communication and world broadcasting. Lastly, a modicum of modesty should be in order: the world is not going to be saved by international conferences, however successful they turn out to be. For Britain in 1944 and for the planet as a whole in 2015, buying time is always a sensible option.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 10, 2015
★★★★★ 3
History worth reading
Format: Kindle
Presents the history of the Bretton Woods conference, creation of the World Bank and the IMF and global and US politics surrounding the events. Discussion of Harry Dexter White, key US representative at Bretton Woods focuses on claims he was a Soviet spy beginning in the late 1930s and continuing through the conference and into the late 1940s; spends more time than necessary on this even though it is not clear how this affected the outcome of the conference. Most of the discussion of Keynes is on his reputation rather than his economics. Not the definitive history of Bretton Woods.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 10, 2013
★★★★★ 4
Foes at the Top Table
Format: Kindle
Those of us who studied economics in the 60s grew up on Keynes. This book provides a fascinating picture of the great man in action. And an equally fascinating picture of the Lend Lease negotiations and then the US hard line at Bretton Woods. Behind this hard line was Harry Woods, of Lithuanian emigre stock, who clawed his way by hard work and intelligence to negotiating prominence in the US Treasury. And who was a Soviet agent of influence. Well written, lucid, and remarkably interesting.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 19, 2013
★★★★★ 5
A distant mirror of our current problems
Format: Hardcover
The title of this excellent book accurately describes its contents:it is about a battle fought to define a new world order, that which was emerging from the ashes of World War II. The book also conveys the messy complexity of such a historical process--how individual characters interpreted the events around them, realized that they were giving shape to a radically new future, tried to take advantage of them to advance their own personal and national interests, and succeeded in accordance with their intelligence, the cunning of their argumentation, and, above all, the shifts in the real power that supported them. Masterly, Benn Steil makes the reader feel how Keynes and White gradually reached an unspoken and unrecognized agreement regarding the shape that the new world would have, and then fought to gain advantage in that new world--Keynes trying to keep the British Empire paramount in the world order, now based not on the Royal Navy but on Britain's alliance with the United States, the emerging superpower, and White asserting the unimpeded power of the United States. Focusing on one crucial aspect of the new order, money, Steil is able to reenact the human drama of the transfer of world power from Britain to the United States in all orders of life. It is an excellent history book.
The book, however, goes beyond history as the narration and understanding of past events. When reading it, there is an eerie feeling that you are reading about current events. The process that led to Bretton Woods started thirty years before, with World War I and the end of the classical gold standard. When the war ended, a new monetary system was created, which was called the gold exchange standard. It resembled but emasculated the power of the old gold standard to keep monetary order in the world at large. This new system gave central banks the power to create money independently of the international consequences of doing it. With time, central banks abused this power, created a boom in the 1920s and then a depression in the 1930s. Bretton Woods was convened to reintroduce order in the monetary world. Like the gold standard of old, the new system created there was tied to gold in an effort to ensure stability. Yet, it also allowed central banks freedom to create money under certain circumstances. As it happened in the 1920s and 1930s, central banks abused their power, blew up the international system (in this case the Bretton Woods system) and then led the world into a series of booms and busts that has not ended as yet. A new monetary order will be needed to avoid worldwide inflation and protracted recessions. To understand the issues that will be crucial to give shape to this new monetary order it will be necessary to revisit the making of Bretton Woods in detail. There is no better way to understand these issues that Ben Steil's The Battle of Bretton Woods. Thus, in addition to being an excellent history book, it is also an excellent book about current events.
Full disclosure: I wrote a previous book with Benn Steil: Money, Markets and Sovereignty (Yale University Press, 2009).
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 28, 2013