SKU: 73269718114

Ceplok Batik Cushion

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Description

Ceplok Batik CushionThis Indonesian batik cushion is made from Javanese sogan batik tjap fabric, predominantly produced in the imperial city of Yogyakarta and Solo. The brown cushion cover is perfect for the boho and eclectic interior. The classic brown and black combination will look stunning in an elegant setting too. It is in ceplok motif, backed with contrasting new sogan batik tjap fabric, black piping and zip opening. 35cm x 35cm (13. 75" x 13. 75") Good vintage

This Indonesian batik cushion is made from Javanese sogan batik tjap fabric, predominantly produced in the imperial city of Yogyakarta and Solo.

The brown cushion cover is perfect for the boho and eclectic interior. The classic brown and black combination will look stunning in an elegant setting too.

It is in ceplok motif, backed with contrasting new sogan batik tjap fabric, black piping and zip opening.

 

▪︎35cm x 35cm (13.75" x 13.75")

▪︎Good vintage condition

▪︎Inserts are NOT included.

▪︎Handwash only using natural soap or detergent for delicates.

 

▪︎ABOUT
The classic Sogan batik derived its name from the natural dye used which was taken from the trunk of the soga tree. It produces shades of reddish brown which associate itself with the kraton (palace). Batik was first produced for the royal famillies by their inhouse artists, using the classic motifs such as parang and kawung.
The two main imperial cities, Yogyakarta and Solo became the centers for these classic batik. The sogan batik from these cities are identifiable by the shades of brown used. Those from Yogyakarta are predominantly dark brown with intermitant black and white while those from Solo are mainly shades of orangy brown

Here I have used sogan batik tjap (wax applied with copper stamps) from Yogyakarta.

 

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SKU: 73269718114

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T
Thomas A. Holmes
Charlottesville, US
★★★★★ 5
Fine Contemporary Poetry--Just Happens to Be Appalachian
Format: Paperback
The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values. In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values: . . . I stood off to the side too often to learn what he was born knowing. The doing and the undoing. I can find in his face what he reads about the future in the tea-colored water, his eyes and mine trying to avoid it. Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE. Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 30, 2011
J
jwriter
Charlottesville, US
★★★★★ 5
Extraordinary Journey
Format: Paperback
Jesse Graves conducts the reader on an intimate journey from childhood to manhood. Rooted deep in the rich red clay of East Tennessee, the narrative provides fresh insights about the ties of land and family. "Johnson's Ground" describes an annual homecoming at the family cemetery: "they never let us go, even the ones/Laid under before our births continue to make their claims." The poems express both nostalgia for the past as well as forward-looking hopes for a fresh life in the future. Daughter, Chloe often becomes a bridge from present to past as in "Water Washing Away": "A fair price for the vision of a girl/ who has warped the ancient spell of time,/ who has turned back my eyes." Tennessee Landscape with Blighted Pine is an enchanting read for poet and non-poet alike.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2013
A
Verified Purchase
Austin Duck
Chelsea, US
★★★★★ 1
Go Read Art Smith or Charles Wright
Format: Paperback
This book is clearly the case of someone steeped in a lyric tradition, but, rather than engaging in the self-reflexive structure of the tradition, is interested in describing ad nauseum, his southern experience. While there are moments in the book that tend toward the sublime, it rests largely as self-indulgent in a way antithetical to the form it chooses.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 5, 2013
A
Angels Among Us
Natrona Heights, US
★★★★★ 5
Dr. G.
Format: Paperback
Jesse Graves (a.k.a. "Dr. G.") is one of my professors at East Tennessee State University. Not only is he a great teacher, he is a very talented poet. I would recommend his work to anyone! Anyone that does not like his work probably just failed his class. :p
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 25, 2014
B
Verified Purchase
Brooks Dyroff
Draper, US
★★★★★ 5
Incredibly Prescient -- Touches On The Major Trends Of Our Times
Format: Hardcover
I was blown away by the fact that the author started writing this book a couple of years ago, before artificial intelligence was in the news, and before the topic and trend of loneliness became so prevalent. The clairvoyance is uncanny and the storyline, while fictional, is totally believable given what's going on in our world today. This is why the novel almost reads like nonfiction, but the plotline carries you forward like a fictional thriller. I audibly gasped, "Holy crap" during the plot twist at the end of the book. Truly a work of art, there is no doubt that this will be adapted for either a movie or a series.
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Reviewed in the United States on May 14, 2024

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