SKU: 72862535944

Suzuki DR-Z4S SSS Suspension Package Revalve+Spring Upgrade. Mail in service

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Ships within 48 hours · Estimated delivery Jul 30 - Aug 4

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Description

Suzuki DR-Z4S SSS Suspension Package Revalve+Spring Upgrade. Mail in serviceSuzuki DR Z4S SSS Suspension Upgrade Package Complete Fork & Shock Revalve Service SPECIAL OFFER $990 + RETURN FREIGHT $1190 FOR LOWER SEAT HEIGHT OPTIONS Transform The Handling Of Your DR Z4S The Suzuki DR Z4S is an excellent motorcycle straight from the factory, however the standard suspension valving is designed as a compromise to suit a broad range of riders and riding conditions worldwide. Even when the standard spring rates are suitable for the

Suzuki DR-Z4S SSS Suspension Upgrade Package

Complete Fork & Shock Revalve Service

🔥 SPECIAL OFFER – $990 + RETURN FREIGHT 🔥

$1190 FOR LOWER SEAT HEIGHT OPTIONS 

Transform The Handling Of Your DR-Z4S

The Suzuki DR-Z4S is an excellent motorcycle straight from the factory, however the standard suspension valving is designed as a compromise to suit a broad range of riders and riding conditions worldwide.

Even when the standard spring rates are suitable for the rider's weight, the factory damping calibration can result in excessive fork dive, reduced chassis control, inconsistent damping performance and a lack of confidence in rough terrain.

The SSS Suspension Upgrade Package addresses the real limitation by completely reworking the damping characteristics of both the forks and rear shock, delivering improved stability, better wheel control, increased traction and greater rider confidence across a wide range of riding conditions.

Every package is individually tailored to the rider and intended application, whether you ride trails, adventure routes, forestry roads, station tracks or long-distance touring.

Package Includes

✔ Complete Fork Revalve

✔ Complete Rear Shock Revalve

✔ Fork Service & Inspection

✔ Shock Service & Inspection

✔ Fork Springs Selected To Suit Rider Weight

✔ Shock Spring Selected To Suit Rider Weight

✔ Custom Valving Developed For Australian Conditions

✔ Parts & Labour Included

✔ Setup Tailored To Rider Weight & Intended Use

Benefits

Improved Chassis Stability

A more planted and predictable motorcycle across varying terrain.

Reduced Fork Dive

Improved support under braking and during aggressive riding.

Better Wheel Control

Improved response over corrugations, ruts, rocks and square-edge impacts.

Increased Traction

Enhanced tyre contact with the ground for improved grip and confidence.

Improved Bottoming Resistance

Greater support through the suspension stroke without excessive harshness.

Improved Rider Confidence

A suspension package that inspires confidence both on and off-road.

One Price – No Surprises

Unlike many suspension packages, the SSS DR-Z4S Suspension Upgrade Package includes spring selection to suit rider weight and intended application.

Whether you're a lightweight trail rider, adventure tourer carrying luggage, or a larger rider requiring increased spring support, your suspension package will be tailored specifically for your requirements.

Package Price: $990 + Return Freight

Australia-Wide Mail-In Service

Simply remove your forks and rear shock and send them to SSS Motorcycles.

We will:

Inspect your suspension components

Perform the SSS fork revalve package

Perform the SSS shock revalve package

Select suitable spring rates

Reassemble and test components

Return components ready for installation

Product Options

STD HEIGHT 

-30MM LOWER SEAT HEIGHT 

-40MM LOWER SEAT HEIGHT 

Rider Weight (Fully Geared Up)

Under 70kg

70–80kg

80–90kg

90–100kg

100–110kg

110–120kg

120kg+

Luggage Carried

No Luggage

Light Adventure Luggage (up to 10kg)

Medium Adventure Luggage (10–20kg)

Heavy Adventure Luggage (20kg+)

Fuel Tank Configuration

Standard Fuel Tank

Oversized Fuel Tank Fitted

Planning To Fit Oversized Fuel Tank

Riding Style

General Trail Riding

Adventure Riding

Adventure Touring

Mixed Road & Trail

Aggressive Off-Road Riding

Not Sure Which Options To Select?

Simply select the closest option and complete your purchase.

After ordering, feel free to contact SSS Motorcycles and we can discuss your individual requirements in more detail, including rider weight, luggage carried, oversized fuel tanks, passenger use and intended riding conditions.

Our goal is to ensure every DR-Z4S suspension package is tailored specifically to the rider and intended application.

☎ Contact SSS Motorcycles if you would like to discuss your setup before shipping your suspension components.

Additional Service Items

SKF Fork Seal & Dust Seal Replacement

If fork seals are found to be leaking, damaged or unsuitable for reassembly during inspection, SKF fork oil seals and dust seals can be fitted for:

$69 per fork leg installed

Customers will be contacted for approval before any additional work is carried out.

Suitable Models

Suzuki DR-Z4S

2025 Model

2026 Model

Important Notes

Customer is responsible for removal and installation of suspension components.

Freight to SSS Motorcycles is the responsibility of the customer.

Return freight is charged separately.

Turnaround times may vary depending on workshop workload and parts availability.

Any damaged components requiring replacement beyond the scope of the suspension package will be quoted before work proceeds.

✔ Fork & Shock Revalve Included

✔ Springs Selected To Suit Rider Weight

✔ Parts & Labour Included

✔ Tailored To Rider Weight & Riding Style

✔ Australia-Wide Mail-In Service

SSS MOTORCYCLES

Professional suspension tuning developed for Australian riders and Australian conditions. 🇦🇺

Please note Some remote areas of Australia 🇦🇺 and WA may incur additional shipping charges. If you live remote Australia or wa your welcome to inquire first prior to sending your suspension. 

Please send to.

SSS MOTORCYCLES 

1/22 MACINTOSH ST 

TAMWORTH NSW 2340 .

We encourage you to add insurance when you send . 

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 72862535944

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4.3 ★★★★★
Based on 12 reviews
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L.m
Alexandria, US
★★★★★ 5
Get it!! You won't regret it
I don't know what to say but if you are considering buying this,do so... I've been using it a little bit over a week and to be honest I have used all kinds of makeup and lotions and I was never impressed even with experience brands, This stuff I'm already noticing a difference in wrinkles and it's so soothing. Just buy it and try it for yourself, I'll definitely be buying more
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Reviewed in the United States on August 27, 2025
M
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MB
New York, US
★★★★★ 5
Hydrating
New fav. My teenager loves it
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Reviewed in the United States on January 10, 2026
R
Verified Purchase
Ruth
Grantham, US
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
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Reviewed in the United States on March 19, 2026
L
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Lana
Grantham, US
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
D
Verified Purchase
dra
Cuba, US
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000." On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there. From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link. Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name. The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin. In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair. Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited. Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter. The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank. He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014

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