1958 PLYMOUTH FURY
'CHRISTINE'

1958 PLYMOUTH FURY <br /> 'CHRISTINE'The 1958 PLYMOUTH FURY CHRISTINE featured as a fiery 2 door malevolent personality having a mind of its own in a 1983 film written by Bill Phillips and based on a Steven King novel of the same name. Real life Furys only came in one color being buckskin beige so this car was specifically customized to suit the story. They were powered by V8 engines with twin four barrel carburetors. The 1957 and 1958 318 cu in (5. 2 L) engine produced 290 hp. Of the

The 1958 PLYMOUTH FURY ‘CHRISTINE’ featured as a fiery 2-door malevolent personality having a mind of its own in a 1983 film written by Bill Phillips and based on a Steven King novel of the same name. Real-life Fury’s only came in one color being ‘buckskin beige’ so this car was specifically customized to suit the story. They were powered by V8 engines with twin four-barrel carburetors. The 1957 and 1958 318 cu in (5.2 L)-engine produced 290 hp. Of the twenty three cars used in the film, the best known surviving vehicle was rescued from a junkyard and restored by collector Bill Gibson. (drawn 27Apr'20)

AUTHENTICITY : Each drawing is limited to 10 signed and numbered prints regardless of size and comes together with a certificate & 10SERIE 'medallion'

PAPER : Professionally ink printed onto 350gsm Hahnemühle Museum Etching paper to achieve the best color & light fastness.

FRAME :

Profile : A 14 x 34mm (0,55 x 1.33inch) beveled profile made from Obeche (African Maple) which is depended upon for its stability and relative resistance to warping once machined. It is offered in either color black, white or our exotic African hardwood 'Kiaat'.

GLASS :

'UV Glass' is 'non-reflective' and absorbs damaging UV light to allow over 98% transmission allowing only the best vibrant colors to translate and is advised for all the limited & signed prints.

'Standard' picture framing glass is a 2mm clear float glass. It is inexpensive and will protect your artwork from dust and physical damage.

BACKING :

Full archival acid-free board with 10mm deep-sunk (spacer) in same to create depth and set the artwork back off the glass.