SKU: 56090549433

Clear XL-Grade Tarpaulin 4m x 4m

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Description

Clear XL-Grade Tarpaulin 4m x 4mOur Heavy Duty 300gsm Clear Tarpaulins combine the benefits of transparency with the strength of reinforcement, offering a versatile solution for various outdoor and industrial applications. The use of a reinforced mesh design provides visibility through the tarpaulin while maintaining structural integrity and durability. This unique combination can be advantageous in situations where monitoring or observation are necessary, but where reliable heavy

Our Heavy-Duty 300gsm Clear Tarpaulins combine the benefits of transparency with the strength of reinforcement, offering a versatile solution for various outdoor and industrial applications. The use of a reinforced mesh design provides visibility through the tarpaulin while maintaining structural integrity and durability. This unique combination can be advantageous in situations where monitoring or observation are necessary, but where reliable heavy-duty protection against the elements such as rain, wind, and sunlight are also needed.

The clear transparency of the tarpaulin enables natural light to pass through. This can be particularly useful in greenhouse applications or outdoor workspaces where adequate natural lighting is essential. Additionally, the mesh reinforcement ensures longevity and resistance to tearing, abrasion, and stretching, making it suitable for prolonged outdoor use.

Our XL-Grade Strength Clear 300gsm tarps are the heaviest duty tarp that we stock. They come in various sizes allowing users to choose the one that best fits their needs. This tarpaulin is 4m x 4m. Other sizes are available on separate listings.

TARP300GCLEAR4X4 Each tarpaulin comes equipped with 12mm aluminium eyelets every 0.5m along each edge of the tarpaulin, these are hemmed in and have corrosion and rust resistance. This size tarpaulin also has reinforced corners.

Our tarpaulins are made from high quality materials and are rot, mould and shrinkage resistance whilst remaining groundwater neutral and habitat friendly with non-toxic materials. We pride ourselves on providing products that do not harm the environment so each tarpaulin is 100% recyclable and made to be reused many times.

When measuring which size you require, please remember that the cut size stated is not the actual size of the tarpaulin as the edges are folded and hemmed for additional reinforcement. This should be no more than 5% variance from the stated size.

Please note that these tarpaulins are not to be used on roofing; as roofing; or as temporary roofing under any circumstances. Failure to follow this warning may result in damage to your property and the product, we will not accept any liability for any damage as a result of product misuse.

This product can be packaged to optimise unit capacity in each parcel sent to prime. Please contact us directly for exact unit capacity and packaged product dimensions.

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SKU: 56090549433

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4.4 ★★★★★
Based on 8 reviews
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David R. Papke
New York, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
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DoubtfulReader
Waukegan, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Matt M.
Omaha, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
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J. Christian
Birmingham, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
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Verified Purchase
Classics professor
Fort Morgan, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017

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