SKU: 31555003921

Vera Cruz Amethyst Ring 925 Sterling Silver Adjustable Oxidized Brush Texture Third Eye Crown Chakra Gift

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Description

Vera Cruz Amethyst Ring 925 Sterling Silver Adjustable Oxidized Brush Texture Third Eye Crown Chakra GiftVera Cruz Amethyst Adjustable Silver Ring An adjustable sterling silver ring set with Vera Cruz Amethyst, made for calm clarity, intuition, and mystical everyday elegance. Key Details: Metal Details: Solid 925 sterling silver with oxidized finish and brush textured surface Stone Details: One Vera Cruz Amethyst with delicate purple tone, natural clarity, and refined crystal presence Construction: Adjustable sterling silver ring with a secure stone

Vera Cruz Amethyst Adjustable Silver Ring

An adjustable sterling silver ring set with Vera Cruz Amethyst, made for calm clarity, intuition, and mystical everyday elegance.

Key Details:
- Metal Details: Solid 925 sterling silver with oxidized finish and brush textured surface
- Stone Details: One Vera Cruz Amethyst with delicate purple tone, natural clarity, and refined crystal presence
- Construction: Adjustable sterling silver ring with a secure stone setting designed for comfort and everyday wear
- Band and Fit: Native resting size is approximately US 7 and can comfortably adjust from US size 5 to 12
- Finish: Oxidized sterling silver with brushed texture for depth, contrast, and handmade character
- Handmade: Individually crafted and finished by hand, with the Vera Cruz Amethyst selected for colour, clarity, shape, and visual presence

Design and Wear:
Vera Cruz Amethyst Adjustable Silver Ring is shaped around quiet purple light and textured oxidized silver. The Vera Cruz Amethyst brings a soft, clear violet tone to the design, giving the ring a calm and spiritual presence without feeling overly ornate.

The brushed texture adds a subtle handmade surface, while the oxidized finish deepens the silver and gives the ring an older, more grounded character. The adjustable structure makes it practical for different fingers, with a native resting size of approximately US 7 and a flexible fit from US size 5 to 12.

This piece feels simple, mystical, and easy to wear. It can move between everyday styling and more intentional use, making it a thoughtful ring for meditation, spiritual practice, or quiet personal adornment.

This ring can be worn as a Third Eye Chakra support piece, a Crown Chakra talisman, a calming everyday ring, a spiritual clarity piece, or a meaningful gift for someone drawn to rare Amethyst and textured silver.

Stone Insights:
Vera Cruz Amethyst:
Vera Cruz Amethyst is a quartz variety known for its light to medium purple tone, clarity, and slender crystal character. Compared with deeper Amethyst varieties, Vera Cruz material often carries a softer, more transparent quality, giving it a gentle and elevated presence.

Spiritually, Vera Cruz Amethyst is associated with peace, intuition, spiritual awareness, emotional healing, protection, and mental clarity. It is linked with the Third Eye Chakra and Crown Chakra, supporting meditation, inner vision, calm reflection, and connection to higher awareness. Its zodiac associations include Pisces, Virgo, Aquarius, and Capricorn, with Air energy giving the stone a clear, thoughtful, and reflective quality.

Origin and Authenticity:
Hand selected for colour, clarity, shape, surface quality, and visual presence. Made with certified 925 sterling silver. Vera Cruz Amethyst is natural and may show small variations, inclusions, surface markings, colour shifts, or crystal details that make each piece unique.

Sizing and Fit Notes:
The ring has a native resting size of approximately US 7 and can comfortably adjust from US size 5 to 12. Please adjust gently and avoid unnecessary repeated bending to preserve the strength of the silver. You will receive the piece depicted in this listing.

Care and Maintenance:
Sterling silver naturally develops patina over time when exposed to air, moisture, and skin oils. Wipe with a soft dry cloth after wear. Store in a cool, dry place, preferably in an airtight pouch or jewelry box. Avoid water, perfume, chlorine, household cleaners, swimming, bathing, and intense physical activity while wearing the piece.

For oxidized finishes, avoid polishing darker textured areas so the aged detail remains visible. Amethyst is durable for everyday wear but should still be protected from hard impact, abrasive surfaces, harsh chemicals, ultrasonic cleaners, and prolonged strong sunlight, which may affect colour over time.

Packaging and Gifting:
Gift-ready packaging is included. Each order is packed securely with care. A small gift and discount code may be included with your order.

Customer Support:
If you would like more detailed photos, sizing support, stone information, or extra details before purchasing, please send a direct message. Extra images and answers can be provided.

Custom Orders:
Custom pieces generally start at AUD $250. This design can be recreated with alternate Vera Cruz Amethyst stones or different gemstones at the same base price, except when a more valuable stone is chosen or the design is changed.

Available finish options include shiny silver or oxidized silver at no extra charge. 18k gold plating starts from AUD $20 and usually requires 3 to 5 working days for processing.

Store Policy:
Please note that any items purchased during a sale are not eligible for refunds. If returned intact, sale items will be issued as store credit only.

Uncollected or Failed Deliveries:
All orders are shipped with tracked express service. Once dispatched, buyers are responsible for monitoring tracking and responding to carrier notifications, including customs duties, taxes, or identity verification.
If a parcel is marked “delivery attempted,” “held,” “unclaimed,” returned to sender, or destroyed due to non-collection, I cannot take responsibility. In line with Etsy policy, buyers are responsible for providing accurate addresses and completing required delivery steps.

Image Note:
Some styled images in this listing may use enhanced or AI-assisted backgrounds for presentation. All images honestly reflect the real handmade item you will receive.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 31555003921

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4.8 ★★★★★
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Product Reviews
J
Verified Purchase
jk Smiles
Phoenix, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Lexington, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
Phoenix, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Houston, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
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Reviewed in the United States on June 12, 2017
C
Verified Purchase
cf otto
Lake Worth, US
★★★★★ 5
ONE OF THE TWO BEST BOOKS ON SCREENWRITING
Format: Hardcover
Probably the best book on screenwriting ever (besides Egri), though there is also much here for the novelist and playwright. I am a professional TV writer, of long-standing (35 years), and I can tell you I used this book to figure out how to fix the problems of a complex pilot I'm writing; the author truly " guided me home." And lest you think I'm a McKee sycophant, I am not. I found little in STORY for me. The only thing I disagree with in DIALOGUE is that the author sells his own work short: it isn't just for those who are "lost" in their writing, like me, and the student, it's for anyone who writes fiction for a living, in any form, no matter how much experience they have. It's that good.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on October 14, 2016

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